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	<title>Comments on: Parsing The Pop: The Ones That Got Away</title>
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		<title>By: prolixrush</title>
		<link>http://idolator.com/227053/parsing-the-pop-the-ones-that-got-away/comment-page-1#comment-63342</link>
		<dc:creator>prolixrush</dc:creator>
		<pubDate>Sat, 13 Jan 2007 12:24:15 +0000</pubDate>
		<guid isPermaLink="false">http://6b6585a251237a01d4b2d4d2785ade96#comment-63342</guid>
		<description>&lt;p&gt;
Don&#039;t know what happened with that f&#039;d-up comment above...just said I was surprised the Stills album didn&#039;t get at least one vote based on the kinda bitchin&#039; &lt;a href=&quot;http://image.allmusic.com/00/amg/cov200/drh200/h260/h26072eef61.jpg&quot;&gt;flowers-on-fire&lt;/a&gt; cover art alone.&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>
Don&#8217;t know what happened with that f&#8217;d-up comment above&#8230;just said I was surprised the Stills album didn&#8217;t get at least one vote based on the kinda bitchin&#8217; <a href="http://image.allmusic.com/00/amg/cov200/drh200/h260/h26072eef61.jpg" target="_blank">
<p><img src="http://image.allmusic.com/00/amg/cov200/drh200/h260/h26072eef61.jpg"/></p>
<p></a> cover art alone.</p>
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		<title>By: prolixrush</title>
		<link>http://idolator.com/227053/parsing-the-pop-the-ones-that-got-away/comment-page-1#comment-63352</link>
		<dc:creator>prolixrush</dc:creator>
		<pubDate>Sat, 13 Jan 2007 12:09:10 +0000</pubDate>
		<guid isPermaLink="false">http://6b6585a251237a01d4b2d4d2785ade96#comment-63352</guid>
		<description>&lt;p&gt;
What ever happened to The Stills? When &lt;i&gt;Without Feathers&lt;/i&gt; came out in May, it was blowing up th...&lt;/a&gt;, at least?&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>
What ever happened to The Stills? When <i>Without Feathers</i> came out in May, it was blowing up th&#8230;, at least?</p>
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		<title>By: drjimmy11</title>
		<link>http://idolator.com/227053/parsing-the-pop-the-ones-that-got-away/comment-page-1#comment-63362</link>
		<dc:creator>drjimmy11</dc:creator>
		<pubDate>Fri, 12 Jan 2007 11:35:38 +0000</pubDate>
		<guid isPermaLink="false">http://6b6585a251237a01d4b2d4d2785ade96#comment-63362</guid>
		<description>&lt;p&gt;
memo to Matisyahu: &lt;/p&gt;
&lt;p&gt;
G-d, you suck!&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>
memo to Matisyahu: </p>
<p>
G-d, you suck!</p>
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		<title>By: switchthai</title>
		<link>http://idolator.com/227053/parsing-the-pop-the-ones-that-got-away/comment-page-1#comment-63372</link>
		<dc:creator>switchthai</dc:creator>
		<pubDate>Fri, 12 Jan 2007 10:50:00 +0000</pubDate>
		<guid isPermaLink="false">http://6b6585a251237a01d4b2d4d2785ade96#comment-63372</guid>
		<description>&lt;p&gt;
matisyahu&#039;s not doing that badly, really - he just played 3 sold out nights at hammerstein. i think he&#039;ll have a solid touring career - youth was a crappy record but his live shows have a lot more to offer.&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>
matisyahu&#8217;s not doing that badly, really &#8211; he just played 3 sold out nights at hammerstein. i think he&#8217;ll have a solid touring career &#8211; youth was a crappy record but his live shows have a lot more to offer.</p>
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		<title>By: Jay</title>
		<link>http://idolator.com/227053/parsing-the-pop-the-ones-that-got-away/comment-page-1#comment-63382</link>
		<dc:creator>Jay</dc:creator>
		<pubDate>Tue, 09 Jan 2007 05:11:14 +0000</pubDate>
		<guid isPermaLink="false">http://6b6585a251237a01d4b2d4d2785ade96#comment-63382</guid>
		<description>&lt;p&gt;
Really? I thought Matisyahu actually WAS paul barman with a beard. &lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>
Really? I thought Matisyahu actually WAS paul barman with a beard. </p>
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		<title>By: afriedman</title>
		<link>http://idolator.com/227053/parsing-the-pop-the-ones-that-got-away/comment-page-1#comment-63392</link>
		<dc:creator>afriedman</dc:creator>
		<pubDate>Tue, 09 Jan 2007 03:46:03 +0000</pubDate>
		<guid isPermaLink="false">http://6b6585a251237a01d4b2d4d2785ade96#comment-63392</guid>
		<description>&lt;p&gt;
dont get me wrong, &quot;port of miami&quot; was awesome and memorable, but being catchy doesn&#039;t make it one of the best albums of the year.&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>
dont get me wrong, &#8220;port of miami&#8221; was awesome and memorable, but being catchy doesn&#8217;t make it one of the best albums of the year.</p>
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		<title>By: We Don't Live in the 60s</title>
		<link>http://idolator.com/227053/parsing-the-pop-the-ones-that-got-away/comment-page-1#comment-63412</link>
		<dc:creator>We Don't Live in the 60s</dc:creator>
		<pubDate>Tue, 09 Jan 2007 03:02:54 +0000</pubDate>
		<guid isPermaLink="false">http://6b6585a251237a01d4b2d4d2785ade96#comment-63412</guid>
		<description>&lt;p&gt;
Got to admit that I find it pretty scary that Paris Hilton&#039;s trainwreck of an album came in as high as it did (119 in ranking). In contrast the Dirty Pretty Things album &quot;Waterloo to Anywhere&quot; involved a real band and showed up 100 spots lower on the list. Guess there&#039;s something to be said for name recognition. Carl and co. just don&#039;t get the press over here that Paris does. &lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>
Got to admit that I find it pretty scary that Paris Hilton&#8217;s trainwreck of an album came in as high as it did (119 in ranking). In contrast the Dirty Pretty Things album &#8220;Waterloo to Anywhere&#8221; involved a real band and showed up 100 spots lower on the list. Guess there&#8217;s something to be said for name recognition. Carl and co. just don&#8217;t get the press over here that Paris does. </p>
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		<title>By: lucasg</title>
		<link>http://idolator.com/227053/parsing-the-pop-the-ones-that-got-away/comment-page-1#comment-63402</link>
		<dc:creator>lucasg</dc:creator>
		<pubDate>Tue, 09 Jan 2007 02:08:33 +0000</pubDate>
		<guid isPermaLink="false">http://6b6585a251237a01d4b2d4d2785ade96#comment-63402</guid>
		<description>&lt;p&gt;
matisyahu is certainly no paul barman. &lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>
matisyahu is certainly no paul barman. </p>
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		<title>By: Chris Molanphy</title>
		<link>http://idolator.com/227053/parsing-the-pop-the-ones-that-got-away/comment-page-1#comment-63422</link>
		<dc:creator>Chris Molanphy</dc:creator>
		<pubDate>Mon, 08 Jan 2007 11:32:46 +0000</pubDate>
		<guid isPermaLink="false">http://6b6585a251237a01d4b2d4d2785ade96#comment-63422</guid>
		<description>&lt;p&gt;
I&#039;ve rarely seen such a short half-life on a novelty/emerging act like Matisyahu. What was it, two months? Three? This time last year, he was going to be one of 2006&#039;s most exciting new acts. But it was a classic case of a disconnect between magazine editors/feature writers and actual rock critics. First wave of hype was all the former bunch (&quot;He keeps kosher!&quot; &quot;Toasts on Thursday, fasts on Friday!&quot;) and then the critics came in on the second wave with, &quot;Oh, by the way, this guy is a poseur, and the album sucks,&quot; and it was over. (See, editors: this is why critics still matter.)&lt;/p&gt;
&lt;p&gt;
&quot;King Without a Crown&quot; is actually a pretty respectable single - the one instance where his persona meshed with a good melody - and in a weaker year for tracks I might&#039;ve placed it at #10. But 2006 was a pretty good singles year, and c&#039;mon, &quot;King&quot; wasn&#039;t &lt;i&gt;that&lt;/i&gt; good. Actually, I thought the &lt;i&gt;Live at Stubbs&lt;/i&gt; version that got some radio play was better than Sony&#039;s tricked-out studio version. And actually, the fact that there were two albums might account for why the Jackin&#039; crowd said &quot;feh&quot; to the whole enterprise.&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>
I&#8217;ve rarely seen such a short half-life on a novelty/emerging act like Matisyahu. What was it, two months? Three? This time last year, he was going to be one of 2006&#8242;s most exciting new acts. But it was a classic case of a disconnect between magazine editors/feature writers and actual rock critics. First wave of hype was all the former bunch (&#8220;He keeps kosher!&#8221; &#8220;Toasts on Thursday, fasts on Friday!&#8221;) and then the critics came in on the second wave with, &#8220;Oh, by the way, this guy is a poseur, and the album sucks,&#8221; and it was over. (See, editors: this is why critics still matter.)</p>
<p>
&#8220;King Without a Crown&#8221; is actually a pretty respectable single &#8211; the one instance where his persona meshed with a good melody &#8211; and in a weaker year for tracks I might&#8217;ve placed it at #10. But 2006 was a pretty good singles year, and c&#8217;mon, &#8220;King&#8221; wasn&#8217;t <i>that</i> good. Actually, I thought the <i>Live at Stubbs</i> version that got some radio play was better than Sony&#8217;s tricked-out studio version. And actually, the fact that there were two albums might account for why the Jackin&#8217; crowd said &#8220;feh&#8221; to the whole enterprise.</p>
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		<title>By: Hyman Decent</title>
		<link>http://idolator.com/227053/parsing-the-pop-the-ones-that-got-away/comment-page-1#comment-63432</link>
		<dc:creator>Hyman Decent</dc:creator>
		<pubDate>Mon, 08 Jan 2007 10:12:18 +0000</pubDate>
		<guid isPermaLink="false">http://6b6585a251237a01d4b2d4d2785ade96#comment-63432</guid>
		<description>&lt;p&gt;
I wonder why the Donnas&#039; album didn&#039;t get any votes. Oh wait, it&#039;s because they didn&#039;t put out an album in spite of &lt;A HREF=&quot;http://www.brooklynvegan.com/archives/2006/06/the_donnas_have.html&quot;&gt;their claim&lt;/A&gt; that &quot;part[ing] ways&quot; with Atlantic wouldn&#039;t impact their next album.&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>
I wonder why the Donnas&#8217; album didn&#8217;t get any votes. Oh wait, it&#8217;s because they didn&#8217;t put out an album in spite of <a HREF="http://www.brooklynvegan.com/archives/2006/06/the_donnas_have.html">their claim</a> that &#8220;part[ing] ways&#8221; with Atlantic wouldn&#8217;t impact their next album.</p>
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		<title>By: mike a</title>
		<link>http://idolator.com/227053/parsing-the-pop-the-ones-that-got-away/comment-page-1#comment-63442</link>
		<dc:creator>mike a</dc:creator>
		<pubDate>Mon, 08 Jan 2007 09:25:59 +0000</pubDate>
		<guid isPermaLink="false">http://6b6585a251237a01d4b2d4d2785ade96#comment-63442</guid>
		<description>&lt;p&gt;
The problem is that while Matisyahu makes good press, virtually no one actually listens to him.  Back to the Hillel circuit, probably.&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>
The problem is that while Matisyahu makes good press, virtually no one actually listens to him.  Back to the Hillel circuit, probably.</p>
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		<title>By: Hamm Beerger</title>
		<link>http://idolator.com/227053/parsing-the-pop-the-ones-that-got-away/comment-page-1#comment-63452</link>
		<dc:creator>Hamm Beerger</dc:creator>
		<pubDate>Mon, 08 Jan 2007 09:22:01 +0000</pubDate>
		<guid isPermaLink="false">http://6b6585a251237a01d4b2d4d2785ade96#comment-63452</guid>
		<description>&lt;p&gt;
I&#039;ve never heard any Rascal Flatts other than a couple songs that had videos, but oh lordie, those were terrible. If the rest of the album is similar I find it hard to believe that it&#039;s not the most unlistenable album of the year.&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>
I&#8217;ve never heard any Rascal Flatts other than a couple songs that had videos, but oh lordie, those were terrible. If the rest of the album is similar I find it hard to believe that it&#8217;s not the most unlistenable album of the year.</p>
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		<title>By: Ebbywebby</title>
		<link>http://idolator.com/227053/parsing-the-pop-the-ones-that-got-away/comment-page-1#comment-63462</link>
		<dc:creator>Ebbywebby</dc:creator>
		<pubDate>Mon, 08 Jan 2007 09:19:58 +0000</pubDate>
		<guid isPermaLink="false">http://6b6585a251237a01d4b2d4d2785ade96#comment-63462</guid>
		<description>&lt;p&gt;
I enjoyed the below albums to varying degrees, and they weren&#039;t on the list at all. Some of them are really marginal, but I was especially surprised about the absence of Stereolab, Robert Pollard, Mouse on Mars and Eric Matthews, who all had strong critical support at one time or another.&lt;/p&gt;
&lt;p&gt;
I *think* these were all 2006 releases....&lt;/p&gt;
&lt;p&gt;
Les Claypool/Of Whales and Woe&lt;br /&gt;
Cracker/Greenland (worst Cracker album ever, though)&lt;br /&gt;
The Wedding Present/Search for Paradise (perhaps passed over for being a compilation)&lt;br /&gt;
The M&#039;s/Future Women (one of my favorite unexpected discoveries of the year...crunchycatchy Elephant 6-style pop)&lt;br /&gt;
Adrian Belew/Side Three&lt;br /&gt;
Nick Cave/The Proposition (soundtrack)&lt;br /&gt;
Tanya Donelly/This Hungry Life&lt;br /&gt;
Great Lakes/Diamond Times&lt;br /&gt;
Eric Matthews/Foundation Sounds&lt;br /&gt;
The Minders/It&#039;s a Bright Guilty World&lt;br /&gt;
Mosquitos/Mosquitos III&lt;br /&gt;
Mouse on Mars/Varcharz&lt;br /&gt;
Mudhoney/Under a Billion Suns&lt;br /&gt;
Robert Pollard/Normal Happiness&lt;br /&gt;
Portastatic/Who Loves the Sun (soundtrack)&lt;br /&gt;
Stereolab/Fab Four Suture&lt;br /&gt;
David Sylvian/Blemish&lt;br /&gt;
Tom Verlaine/Around&lt;br /&gt;
The Vines/Vision Valley&lt;br /&gt;
&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>
I enjoyed the below albums to varying degrees, and they weren&#8217;t on the list at all. Some of them are really marginal, but I was especially surprised about the absence of Stereolab, Robert Pollard, Mouse on Mars and Eric Matthews, who all had strong critical support at one time or another.</p>
<p>
I *think* these were all 2006 releases&#8230;.</p>
<p>
Les Claypool/Of Whales and Woe<br />
Cracker/Greenland (worst Cracker album ever, though)<br />
The Wedding Present/Search for Paradise (perhaps passed over for being a compilation)<br />
The M&#8217;s/Future Women (one of my favorite unexpected discoveries of the year&#8230;crunchycatchy Elephant 6-style pop)<br />
Adrian Belew/Side Three<br />
Nick Cave/The Proposition (soundtrack)<br />
Tanya Donelly/This Hungry Life<br />
Great Lakes/Diamond Times<br />
Eric Matthews/Foundation Sounds<br />
The Minders/It&#8217;s a Bright Guilty World<br />
Mosquitos/Mosquitos III<br />
Mouse on Mars/Varcharz<br />
Mudhoney/Under a Billion Suns<br />
Robert Pollard/Normal Happiness<br />
Portastatic/Who Loves the Sun (soundtrack)<br />
Stereolab/Fab Four Suture<br />
David Sylvian/Blemish<br />
Tom Verlaine/Around<br />
The Vines/Vision Valley</p>
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