Alicia Keys Lets Her Collaborators Shine A Little Too Brightly

asiam.jpgNearly every week, we round up the all-important, all-summarizing last sentences of the biggest new-music reviews. Today’s entry is MySpace hack victim Alicia Keys’ As I Am, which hits shelves tomorrow:

• “Ms. Keys comes closest to transparency on the tunes she wrote with Linda Perry, including ‘Thing About Love,’ the one with the line about shining. The likely anthem of ‘As I Am’ is ‘Superwoman,’ an exhortation sure to appear soon in a montage near you. It’s not the album’s best piece of music (not even close), but it extends an effective invitation. As Ms. Keys has surely learned by now, no one can afford to shine alone.” [NYT]
• “Perry goes for the melodrama in the overwrought “Thing About Love” and “Sure Looks Good to Me,” while Brothers turns ‘No One’ into a ham-fisted Bob Marley impersonation, and ‘Superwoman’ into a self-glorifying gospel parody. ‘I am superwoman,’ Keys proclaims. ‘Yes, you are,’ the chorus answers. John Mayer, the King of Bland, lives up to his billing on the inert ‘Lesson Learned,’ which he cowrote and coproduced. Only the frisky nostalgia of ‘Wreckless Love’ and ‘Teenage Love Affair’ suits Keys well. On these tracks, which tighten up the loose-fitting exuberance of ’70s R&B just enough, the singer sounds at home, her voice radiating joy. It’s another reminder of promise that has gone largely unfulfilled.” [Chicago Tribune]
• “As I Am overflows with such clichés, many courtesy of Linda Perry (Christina Aguilera, Pink), who co-wrote three songs with Keys. ‘Sure Looks Good to Me’ includes this trite barrage: ‘Don’t rain/On my parade/Life’s too short/To waste one day/I’m gonna risk it all.’ But despite Perry’s penchant for bland mantras, her American Idol-ready songs best showcase Keys’ husky range and position her in a mainstream light. In particular, ‘The Thing About Love’ begins as a melancholy R&B lament and rolls into pure pop-rock uplift, with Keys belting, ‘It’s time for me to shine.’ Songs like this and the empowering ‘Superwoman’ have more than a pinch of Aguilera’s Perry-penned chart-topper ‘Beautiful’ in their DNA. So, understandably, there’s less room for ODB.” [EW]

 
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Alicia Keys' Broadway play Stick Fly is to close after just three months following a slump in ticket sales. The curtain will fall on the show, scored and co-produced by Keys, on 26 February (12). The production, at Manhattan's Cort Theatre, was hit with ...
Alicia Keys’ Stick Fly to Close on Broadway after 3 Mos
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  1. Silverfuture  |   Posted on Nov 12th, 2007

    Like Jello, there’s always room for ODB.

  2. PrinceHal  |   Posted on Nov 12th, 2007

    No room for Linda Perry, though, who apparently is not content to have written one of the most banal “inspirational” songs of all time, and continues to foist her New Agey, self-help bullshit upon us.

  3. Michaelangelo Matos  |   Posted on Nov 12th, 2007

    “John Mayer, the King of Bland, lives up to his billing” — you mean the billing the writer just gave him that minute? Ugh.

  4. Anonymous  |   Posted on Nov 15th, 2007

    keys’ writing comes off as an adolescent preparing to leave home for the first time. a bit cliched and corny

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