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Coldplay Is Living The High Life

vidalavida.jpgColdplay's Viva La Vida, Or Death And All His Friends sold 721,000 copies in its first week on store shelves, a tally that easily propelled them to No. 1 on this week's album charts. And the band's iTunes-forward sales strategy paid off online as well, with a whopping 288,000 virtual copies of the album being downloaded via legal means. (The band's 2005 album X & Y also leapt into the digital-albums top 10, moving 6,200 copies; surely Amazon marking it down to $1.99 helped.) Viva La Vida's one-week virtual total more than doubles the previous record for one-week digital sales, which was held by Jack Johnson's Sleep Through The Static; that album shifted 139,000 e-copies in its first week.



Biggest Debuts: Entering the charts at No. 3 was the soundtrack to the soon-to-be-sequeled Jonas Brothers vehicle Camp Rock, which sold 188,000 copies. Katy Perry came in at No. 9 with 47,000 copies of One Of The Boys, a sales total that might hint to her future home in the 99-cent bin. (Compare those numbers to those posted by her current hit, "I Kissed A Girl," which is No. 1 on the digital tracks chart; it sold about 228,000 copies this week and is (sigh) near the million mark overall. Talk about the pop hits a cultural moment deserves.)

The Offspring sold 46,000 copies of their latest comeback album, Rise And Fall, Rage And Grace, and came in at No. 10, while Judas Priest's double album about Nostradamus came in at a semi-predictable No. 11, selling 42,000 copies.

Notable Jumps: The cash-in reissue of Rihanna's Good Girl Gone Bad sold 63,000 copies—a 930% jump that was good enough for a leap from No. 124 to No. 7. The album has sold 1.3 million copies to date, which seems like a small total given the omnipresence of "Umbrella" and "Don't Stop The Music." Good thing she's got all those endorsements to back her up.

Dropping Off: Last week's No. 1, Lil Wayne's Tha Carter III, took a 69% hit, but it only fell to No. 2 on the overall chart since a one-week sales total of 309,000 is still pretty good in this more-anemic-than-ever market. (Billboard noted that while the year-to-year decline was only 6.7%, the week-to-week decline was 10.6%, or about a million units.)

Nickelback Award For Inexplicable Durability: Kid Rock continues his Warren Zevon-assisted run back up the album chart, with Rock N Roll Jesus selling 28,000 copies and inching up to No. 16.

This week's top 20, with sales totals in parentheses:
1. Coldplay, Viva La Vida (721,000)
2. Lil Wayne, Tha Carter III (309,000)
3. Camp Rock soundtrack (188,000)
4. Now 28 (81,000)
5. Plies, Definition Of Real (68,000)
6. Usher, Here I Stand (65,000)
7. Rihanna, Good Girl Gone Bad (63,000)
8. Disturbed, Indestructible (59,000)
9. Katy Perry, One Of The Boys (47,000)
10. The Offspring, Rise And Fall, Rage And Grace (46,000)
11. Judas Priest, Nostradamus (42,000)
12. Journey, Revelation (38,000)
13. Weezer (30,000)
14. 3 Doors Down (29,000)
15. Alanis Morrissette, Flavors Of Entanglement (29,000)
16. Kid Rock, Rock N' Roll Jesus (29,000)
17. Leona Lewis, Spirit (28,000)
18. Duffy, Rockferry (28,000)
19. Taylor Swift (27,000)
20. N.E.R.D., Seeing Sounds (24,000)

The top 10 digital albums, with sales totals in parentheses:
1. Coldplay, Viva La Vida (288,000)
2. Camp Rock soundtrack (38,000)
3. Lil Wayne, Tha Carter III (27,000)
4. Katy Perry, One Of The Boys (16,000)
5. The Offspring, Rise And Fall, Rage And Grace (11,000)
6. Disturbed, Indestructible (7,200)
7. Alanis Morrissette, Flavors Of Entanglement (6,700)
8. Coldplay, X & Y (6,200)
9. Sex And The City soundtrack (6,200)
10. Weezer (5,900)

1:00 PM on Wed Jun 25 2008
By Maura Johnston
722 views
11 comments

Comments

  • Coldplay FTW!

  • Here's an interesting excerpt from this morning's coverage by the Times on Coldplay's feat, viz. its relation to retail traffic:

    About a third of the sales for "Vida la Vida" were for digital downloads. Lil Wayne's album, on the other hand, sold about 10 percent digitally, which made it a blockbuster at brick-and-mortar stores, said Ish Cuebas, the vice president for music at Trans World Entertainment, which operates more than 800 stores, including FYE and Coconuts. "That drove a lot of traffic into retail," he said.

    Translation: Lil Wayne was a godsend for B&M retail, and Coldplay, not so much. What makes me smirk a little is the idea that B&M stores -- usually run by aging white guys with fond Springsteen memories -- might now be rooting for hip-hop and hesher-rock (a la Disturbed) acts over the likes of Jack Johnson and Coldplay. Anything with a lower digital threshold will now become their bread-and-butter.

  • Alright, I'll just come out and say it:

    Katy Perry's One Of The Boys is not a bad record at all. To oversimplify, anyone who likes early Avril Lavigne can easily get into it (I'm sure the fact that Katy's record was produced by The Matrix has nothing to do with this, of course).

    And she really does have a great emo-rocker-chick voice. Girl can sing, and this is her genre.

    I know Maura has Scherzinger-level hatred for "I Kissed A Girl", but, inane lyrics aside, I like it. And there are many songs on that record that rock and have better, deeper lyrics.

    (P.S. I know "I Kissed A Girl" was disqualified from the "Summer Jam" poll on principle, but I think it has a shot at being the real Summer Jam '08.)

  • @Rob Murphy: I find her whole persona repugnant, and "I Kissed A Girl" is a piece of heterosexist trash. And her voice is absolutely terrible, a bark that grates even more with each listen.

  • Not that I can comment in response to you about this, apparently. (Le sigh.)

  • @Maura Johnston: @Maura Johnston: I'm not sure I understand your second comment, but of course, you run the joint, and you should always make any comments you like, especially to me.

    Also, my opinions are only my insane opinions, and of course should never be used as driving directions or investment advice ("double down on cherry chap stick futures!!!").

  • (Oh that second comment was about the fact that like 10 of my comments have been eaten today)

  • @Rob Murphy: Ah, I'm just having problems commenting. No biggy.

  • @Maura Johnston: I'm glad its not just me.

  • @Rob Murphy: And she really does have a great emo-rocker-chick voice. Girl can sing, and this is her genre. Ok, what? Wouldn't emo-rocker-chick be more along the lines of say, Hayley Williams? Or maybe Kelly Clarkson's more shouty My December stuff? Katy Perry sounds autotuned and yet still awful. I'd prefer Ashlee Simpson's vocals.

    Katy Perry does sound incredibly whiny, so I guess her voice is emo in that way.

    (Emo aside, rocker-chick vocals, to me, has always been more like Joan Jett. And Katy Perry's voice is too flat--in all senses of the word--and unenergetic to even come close.)

  • @How do I say this ... THROWDINI!: Yeah, it's been frustrating, to say the least. Apparently a big server upgrade is on the horizon that might take away the 404s too. Fingers crossed...

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