Did Wendy & Lisa Kickstart Pop-Cultural Lesbian Chic?

wendyandlisa2.jpgChoire Sicha posted an outtake from his Q&A with Wendy Melvoin and Lisa Coleman, which ran in the L.A. Times on Sunday. In it, Sicha asked the duo–who played guitar (Wendy) and keyboards (Lisa) in Prince’s ’80s band the Revolution and had a heavy hand in Purple Rain and to a lesser extent Sign ‘O’ the Times, and who have been scoring TV shows for the past decade and a half–whether they consider themselves godmothers of lesbian chic.

Sicha: Do you think the surprisingly long-lived lesbian-chic, or bi-chic, trend is directly traceable to [Prince and the Revolution song] “Computer Blue”?
Wendy: Holy mackerel!
Lisa: Can I just say, yeah, why not?
Wendy: Yes. “Lisa, is the water warm enough yet?” You mean that shtick?
Lisa: Definitely. And that’s what we intended. We wanted to create ‘The L Word.’ And I want credit.

Sicha has hit a jackpot here. Actually, Anil Dash has–he gave Sicha the question. However you want to dole out credit, the fact remains that someone has finally put on record something I’ve suspected for years. At the very least, they created my lesbian chic. Wendy & Lisa, I’ve realized over the years, helped make me into a dyke mike.

A what? I’ve used the term “dyke mike” for a while now–it’s the reverse of “fag hag.” One ex of mine referred to me as having a “lesbian flotilla,” a phrase that’s stuck among my friends (not least the flotilla). It probably helps that I’ve never fostered any straight-dude illusions about the nature of those friendships, but the truth is that I like lesbians for a reason even more adolescent than your average FFM fantasy: I like them because I think they’re really, really cool.

I almost certainly learned to think that way from Wendy & Lisa. Sure, they were sidepeople to pop’s then-reigning megalomaniac. (All votes for Madonna and Michael Jackson will be counted, of course.) But they were also, in Purple Rain his main foils, which counted for a lot. They humanized him–right, how feminine. But they did it because he came around to them, not because they mollycoddled him. As I grew more fascinated by Prince’s music and began studying his liner notes, I realized that they did a lot of other things besides play guitar and keyboards. They arranged a lot–I didn’t know what that meant when I was 10, 11, 12, but I did know it was important enough to credit, which was good enough for me. And of course as I grew older I began realizing just what they were referring to at the beginning of “Computer Blue.” I just figured it was Prince pushing Puritan buttons again–I didn’t know Wendy & Lisa were a couple until I read it in my 20s. I felt like a fool for not realizing it sooner. Then I decided that it made them even cooler than I’d already thought. And now I think so even more.

Oh man. [Choire Sicha]

 
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  1. revmatty  |   Posted on Aug 6th, 2008

    I didn’t know they were lesbians until I read this. Not that I’d ever put much thought into it, even though I was (and remain) a massive Prince fan and particularly think that the Revolution was his strongest band.

    I do have all of Wendy and Lisa’s post-Prince albums because they are awesome. Now I just think they’re even more awesome. If I knew any lesbians in person I’d be a dyke mike, and for the same reason as you.

  2. janine  |   Posted on Aug 6th, 2008

    Don’t forget their even heavier influence on my favorite Prince album of all time, Parade.

  3. spazandmojo  |   Posted on Aug 6th, 2008

    @janine: mmm, parade.

    @revmatty: i have all their albums as well. my hubby is a fiend for them as well, and plays ‘waterfall’ all the time.

    i just love these two! i wish they would do something with ms. e., that would be fantastic.

  4. spazandmojo  |   Posted on Aug 6th, 2008

    i think their being lesbian was always an unspoken understanding
    between them and their fans, sort of like marc almoond in the beginning
    before he fully came out. the minute the word gay comes into the
    equation, that is all critics ever reference. some artists find it
    incredibly frustrating.

  5. DaeSu  |   Posted on Aug 6th, 2008

    Man, I’ve always loved them and their music. Are they still a couple?

  6. Chris N.  |   Posted on Aug 6th, 2008

    I think lesbian chic is directly traceable to the “1999″ video, with Lisa and Jill Jones getting cozy at the keyboard.

  7. bcapirigi  |   Posted on Aug 6th, 2008

    MARC ALMOND IS A LESBIAN?!

  8. spazandmojo  |   Posted on Aug 6th, 2008

    @bcapirigi: probably. ;)

  9. blueeyeddevil  |   Posted on Aug 6th, 2008

    I was roommates with a lesbian drummer for a year and she was a lot of things but chic was not one of them.

  10. the rich girls are weeping  |   Posted on Aug 6th, 2008

    @DaeSu: Nope — Wendy’s with another Lisa now, film director Lisa Cholodenko.

    @mm: I always loved how W&L were both the absolute perfect foils for and reflections of Prince’s sexuality. (Everybody in awesome lace suits! Yay!) And, man, I’m pretty straight, but I’ve always had a teeny lady-crush on Wendy b/c of the way she smiles when she’s playing the guitar so effortlessly. Also, yes: W&L were the first women that I was aware of being really, really active in the production end of pop music, and in that regard they’re very (sorry to get sappy) inspirational to me.

  11. Queerbot  |   Posted on Aug 6th, 2008

    “Dyke mike” is good. A couple of my friends are partial to “LesBro” too.

  12. KikoJones  |   Posted on Aug 6th, 2008

    In a recent article on Prince, the part about mending his relationship with Wendy–her being a lesbian and a Jew was not, um, kosher with the Little Jehova’s Witness–made no mention of Lisa whatsoever. Hmm…

    The Girl Bros. album is pretty cool.

  13. Michaelangelo Matos  |   Posted on Aug 6th, 2008

    @Queerbot: OH MY GOD I AM TOTALLY USING “LESBRO” FROM NOW ON

  14. Queerbot  |   Posted on Aug 8th, 2008

    @Michaelangelo Matos: Glad the LesBro love is spreading!

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