Comments on: More L.A. “Times” Writers Try To Predict Best New Artist Noms, Think Voters Will Remember Who Yael Naim Is

By: metalkate

metalkate — Fri, 08 Aug 2008 07:58:20 +0000

duffy sucks. i’m not even going to bother with a witty well-reasoned explanation. but she’s crap.

By: Chris N.

Chris N. — Fri, 08 Aug 2008 04:13:35 +0000

I believe it was the great Flavor Flav who once said, “Who gives a fuck about a goddamn Grammy?”

By: wakeupbomb

wakeupbomb — Fri, 08 Aug 2008 02:11:57 +0000

Oh, and the Grammy’s are just bullshit anyway. Seriously? The Grammy’s? Who gives a f**k.

By: wakeupbomb

wakeupbomb — Fri, 08 Aug 2008 02:10:32 +0000

I like Duffy.

Vampire Weekend sucks ass. I can't believe anyone actually likes these pretentious pricks and their shite music.

By: Rob Murphy

Rob Murphy — Thu, 07 Aug 2008 09:20:41 +0000

I’m still game for a small wager about Miley Cyrus getting a nom here. I know she’s not a “new artist” as far as her fan base is concerned, but she really didn’t hit the radar screens of most NARAS types in a big way until this (eligibility) year. She’s clearly had a very big year and has shown that it may indeed be possible for tween stars to graduate to the “mainstream” of pop. And remember — this is the category with very malleable eligibility criteria. We all know Shelby Lynne wasn’t a “new artist” when she won the award in 2000, and neither was Joss Stone a “new artist’ when she got a nom in 2005.

By: dippinkind

dippinkind — Thu, 07 Aug 2008 09:09:04 +0000

i think Lady Antebellum will probably be around and having some htis for awhile, but those hits won’t be on the pop chart and Bobbie gentry’s the only country artist to have ever won the award

By: Anonymous

Anonymous — Thu, 07 Aug 2008 08:45:57 +0000

@Maura Johnston: You're right Maura, there's always the chance of a Ledisi, Fountains of Wayne or an Imogen Heap. They never come close to winning though and only get nominated in weak years.

As for Tedder and his chums, I'd have thought #12 would be classified as a hit given the difficulty bands have in breaking into the upper echelons of what has been a very urbanified Hot 100 for many years.

Nunya - don't you wish you'd heard McAlmont sing the Butler-composed Duffy songs though?

By: Nunya B

Nunya B — Thu, 07 Aug 2008 08:13:20 +0000

Duffy has grown on me in a big way, actually. The album is Bernard Butler's success story for the year- and he needs one after Partie Traumatic (which will not get any nominations of any kind, and that is just fine with me).

As far as the rest of the list- Estelle's first album was a lot better than her second, but "American Boy" is peculiarly brilliant. Little Jackie- well, it seems odd to be nominating Imani Coppola for anything remotely "new", and as much as I love the JoBros I really loathe the idea of their receiving critical plaudits of any kind.

I think Hercules and Love Affair deserve it, but whether or not they are going to appeal to the non-gays/non-hipsters is something I am incapable of determining.

By: Maura Johnston

Maura Johnston — Thu, 07 Aug 2008 08:06:24 +0000

@UKidol: I think "Stop And Stare" was something of a disappointment, no? It topped out at No. 12 here.

We're pretty lukewarm on Duffy around these parts (she's more "new Lulu" than "new Dusty"), but American critics are always suckers for music with a "good" British pedigree.

Vampire Weekend may not be selling as much as Duffy and Leona, true (although I think they've sold more than Yael Naim), but the Grammys do tend to have one critical darling on their shortlist. It's not like Ledisi was selling boatloads when she got her nod last yaer.

By: Anonymous

Anonymous — Thu, 07 Aug 2008 07:59:07 +0000

What I’m slightly confused about is why Duffy isn’t also seen as a depressing pick given she’s an ultra-lite version of Amy with one minor hit in Mercy and was hothoused for four years by her record company with a range of writing teams. Does she really deserve the critical support she’s getting in the States (the UK was decidedly sniffy)?

Of the others if two hit singles is your minimum criterium One Republic’s pastiche of Coldplay/U2/Radiohead has thrown up both Apologize and Stop and Stare. Sparks as you mention may now be on her way to three hits – almost too many for the award! Lewis’ follow up single seems to be moving in the right direction on the charts and is leaping up Pop radio ’s spin lists at an unseemly rate – she should also pass 1m album sales and 3m of Bleeding Love in a couple of weeks and the Grammys like their numbers. If she gets a second big hit I think she’ll be hard to beat.

Not sure Vampire Weekend have had enough success to be in the race. It’s ok being critically well received but “leftfield” choices who’ve only sold a wheelbarrow full of CDs rarely take the award.