While home in Houston this summer, I've spent many hours in the car (no such thing as trains or buses out in the hinterlands) with the radio on scan, mostly just trying to see how many stations I can catch playing "Hotel California" at the same time. But this habit had unforeseen consequences: in addition to discovering Delilah (who definitely did save my life, just for the record), I also became a dedicated fan of "Que calor" by the band Super Mer Ka 2. It's the kind of song that causes you to nearly veer off the road in your fevered attempts to stop the scan before it switches the station, so excited are you for its manic keyboards and infectious chorus. YouTube links after the jump, but I'm warning you: your life may never be the same once you've entered its insidious melody zone.
Give it 20 seconds before you pass judgment. Aaaaand... now your life is over! If you're like me those keyboards will haunt you on an hourly basis for the rest of your days. Luckily (for me, at least) I truly love it. It reminds me of my favorite part of my favorite part of my favorite movie, where an old Mexican woman does a weird little shuffle dance:
(That specific part is at 5:20.)
Aside from a few clips posted to YouTube, Super Mer Ka 2 has almost no discernible web presence, which is almost better because it keeps them enigmatic. This bit is by far the best trace of them on the Internet:
We need to get these hombres onto the Grammys, VMAs, AMAs, CMT Awards, and any other American music-related broadcast immediately. And they should probably bring their dancing girls and shopping cart-equipped camera man, too. Seriously, they might just save music awards shows if we gave them a chance.
Side note: this summer's runner-up for my favorite song on the radio was also a staple of Houston's many Latino stations, and quite nearly as infectious as "Que calor":
"Calabria ft. Natasja" by ENUR
I don't really know the history of this sax riff, but I wrote about a variation of "Calabria" a few months ago in a post about Spanish ringtones. It was obviously created by the devil after he gave up the fiddle and started playing the saxophone.








Comments
You jerk. Why did you bring this glory into my life? This is going to consume my being for the next lifetime.
And if I wasn't snobby enough already!
are you sure this -
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might not be the best trace of them on the internet?
Oh man. I can't decide which one I want a poster of: the Balding One, The One With The Eyebrows, The Cool Priest One, The Young One, The Looks-Like-Your-Uncle One, The One With the Baseball Hat, The Blond-ish One, The Fat One, or The One Who Appears To Be Choking Himself. They're all so dreamy.
Sorry, but on all grounds: addictiveness, keyboard awesomeness, whatever else you care to name - this song can't hold a candle to Los Super Reyes' "Muevelo," which I've been addicted to for months.
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Hands down, the worst piece of crap I've heard all year, if not this decade.
I ain't had a chance to listen to the track yet, but please, let's be real. The "hands down worst piece of crap" anyone has heard all year has got to be Katy Perry's I Kissed a Girl. And I am not the type to talk shit about a track, I choose to just not pay attention to it instead, but, as I have said before, AMERICA JUST WON'T LET ME!
Okay. Finally listened to it. Yeah...I'll stick with this jam:
Also give it 20 seconds or so. [Though if you already know what's up, you'll lose your shit as soon as you press play and Elvis opens his mouth]:
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