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	<title>Comments on: A Half-Century Of Michael, A Quarter-Century Of Celebrity-Industrial Complex-Related Weirdness</title>
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		<title>By: Chris Molanphy</title>
		<link>http://idolator.com/400838/a-half-century-of-michael-a-quarter-century-of-celebrity-industrial-complex-related-weirdness/comment-page-1#comment-690732</link>
		<dc:creator>Chris Molanphy</dc:creator>
		<pubDate>Thu, 28 Aug 2008 06:14:44 +0000</pubDate>
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		<description>&lt;p&gt;&lt;i&gt;Anyway, here&#039;s an American Bandstand performance by the Jackson 5, one that includes a song that exquisitely brings together joy and pain like few other songs ever have.&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;It&#039;s the greatest pop single of all time, bar none.&lt;/p&gt;
&lt;p&gt;I say &quot;single,&quot; not &quot;song,&quot; because it&#039;s about more than the composition: the production, the assembly, the performance (especially Michael&#039;s vocal) -- it&#039;s as if the Motown team (Freddie Perren et al.) took everything learned via Berry Gordy and Smokey and Holland-Dozier-Holland over the previous decade and poured it into one perfect work of pop art. No song has ever brought me more unrestrained joy than &quot;I Want You Back.&quot;&lt;/p&gt;
&lt;p&gt;Thanks for posting that--amazingly, I&#039;d never seen the whole Clark interview, start to finish. Interesting that they perform &quot;I Want You Back&quot; totally live (and amazingly well, given the small combo/low production values) and then switch to synching &quot;ABC,&quot; the new single. It&#039;s probably just an accident of timing--maybe the boys hadn&#039;t practiced the new song enough yet to do it comfortably live--but it also plays into my personal narrative of &quot;ABC,&quot; fine as it is, copying but not equaling the work of art that &quot;Back&quot; was.&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p><i>Anyway, here&#8217;s an American Bandstand performance by the Jackson 5, one that includes a song that exquisitely brings together joy and pain like few other songs ever have.</i></p>
<p>It&#8217;s the greatest pop single of all time, bar none.</p>
<p>I say &#8220;single,&#8221; not &#8220;song,&#8221; because it&#8217;s about more than the composition: the production, the assembly, the performance (especially Michael&#8217;s vocal) &#8212; it&#8217;s as if the Motown team (Freddie Perren et al.) took everything learned via Berry Gordy and Smokey and Holland-Dozier-Holland over the previous decade and poured it into one perfect work of pop art. No song has ever brought me more unrestrained joy than &#8220;I Want You Back.&#8221;</p>
<p>Thanks for posting that&#8211;amazingly, I&#8217;d never seen the whole Clark interview, start to finish. Interesting that they perform &#8220;I Want You Back&#8221; totally live (and amazingly well, given the small combo/low production values) and then switch to synching &#8220;ABC,&#8221; the new single. It&#8217;s probably just an accident of timing&#8211;maybe the boys hadn&#8217;t practiced the new song enough yet to do it comfortably live&#8211;but it also plays into my personal narrative of &#8220;ABC,&#8221; fine as it is, copying but not equaling the work of art that &#8220;Back&#8221; was.</p>
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		<title>By: Anonymous</title>
		<link>http://idolator.com/400838/a-half-century-of-michael-a-quarter-century-of-celebrity-industrial-complex-related-weirdness/comment-page-1#comment-690742</link>
		<dc:creator>Anonymous</dc:creator>
		<pubDate>Thu, 28 Aug 2008 06:07:01 +0000</pubDate>
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		<description>&lt;p&gt;@&lt;a href=&quot;#c7477628&quot;&gt;joshservo&lt;/a&gt;: Makes sense that the 90&#039;s were all about apathy then.&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>@<a href="#c7477628">joshservo</a>: Makes sense that the 90&#8242;s were all about apathy then.</p>
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		<title>By: joshservo</title>
		<link>http://idolator.com/400838/a-half-century-of-michael-a-quarter-century-of-celebrity-industrial-complex-related-weirdness/comment-page-1#comment-690752</link>
		<dc:creator>joshservo</dc:creator>
		<pubDate>Thu, 28 Aug 2008 04:47:05 +0000</pubDate>
		<guid isPermaLink="false">http://18459f97addfd46567c9ed2eac68e8ff#comment-690752</guid>
		<description>&lt;p&gt;@&lt;a href=&quot;#c7473818&quot;&gt;2ironic4u&lt;/a&gt;: If I had to guess? It&#039;s because the &#039;80s were a supremely paranoid time. People were sure &quot;The Day After&quot; was prophecy, gay cancer was claiming folks left and right with no rhyme or reason, and, of course, coke, coke, coke.&lt;/p&gt;
&lt;p&gt;I&#039;m getting twitchy just thinking about it.&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>@<a href="#c7473818">2ironic4u</a>: If I had to guess? It&#8217;s because the &#8217;80s were a supremely paranoid time. People were sure &#8220;The Day After&#8221; was prophecy, gay cancer was claiming folks left and right with no rhyme or reason, and, of course, coke, coke, coke.</p>
<p>I&#8217;m getting twitchy just thinking about it.</p>
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		<title>By: Anonymous</title>
		<link>http://idolator.com/400838/a-half-century-of-michael-a-quarter-century-of-celebrity-industrial-complex-related-weirdness/comment-page-1#comment-690762</link>
		<dc:creator>Anonymous</dc:creator>
		<pubDate>Thu, 28 Aug 2008 02:29:24 +0000</pubDate>
		<guid isPermaLink="false">http://18459f97addfd46567c9ed2eac68e8ff#comment-690762</guid>
		<description>&lt;p&gt;As a reviewer on allmusic.com put it, why are his best songs (Leave Me Alone, Billie Jean, etc.) ALWAYS paranoid anthems?&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>As a reviewer on allmusic.com put it, why are his best songs (Leave Me Alone, Billie Jean, etc.) ALWAYS paranoid anthems?</p>
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