Yesterday, the Washington Post looked at the demise of the car song, the rock-anthem archetype that celebrated the open road and turned every ride into a beautiful (or at least functional) lady to ogle and admire. Storied car-song crafter Brian Wilson claims that the demise of the car song is just another segment of the circle of rock life—"They ran their course; they did their thing," he tells Post scribe J. Freedom du Lac—but are there greater societal forces at work?
Back before cars became utilitarian things — Point A-to-Point B conveyances with computerized everythings powered by $4-a-gallon gas — they were objects of lust, symbols of liberation and power, the center of the youth movement's sexual universe in post-World War II America. (What happens in the back seat stays in the back seat!)
Cars and rock-and-roll defined youth culture, screaming power and freedom and individuality. Cars were celebrated in cinema and on TV, but they were most at home in rock-and-roll.
Loud music and loud machines in which young people listened to that loud music: Of course the twain would meet.
"The whole obsession of cars in rock music was a reflection of teenage culture," says Bob Merlis, a music publicist and automotive journalist who curated two "Cars and Guitars" exhibits for the Petersen Automotive Museum in Los Angeles. "The car was a very exotic thing that gave the teenager a place of his own, or her own. It's where you'd go to escape your parents. . . . It was a refuge from square culture and repressive attitudes. It was your own universe where you could have your own social life."
du Lac points out that cars are still celebrated in song, but they're not the focus of anthems as much as they are ways to get to a greater point ("I'm rich," usually). The point about cars serving as a refuge and a place to define individuality, though, makes me wonder if "the car song" has been replaced in the pop pantheon by "the Internet song," complete with all the narcissistic implications.
Rollin' On Empty [WP]
Elastica - Car Song [YouTube]









Comments
Yesterday, the Washington Post engaged in boomer whinging and didn't do enough research to learn that Southern and hyphy rap artists are still obsessed with candy-paint Chevrolets
Fixed.
How come some hipster band hasn't done songs about fixed gear bikes yet? Somebody get either The Teenagers or one of The Smell bands on this.
Get one rap album.
@natepatrin: Uh huh. Thrill Da Playa's "Yo Chevy" is possibly the best car song I've ever heard not written by a Wilson, and includes T-Pain in his "rappa ternin sanga" phase (which I belive to be his best).
@RaptorAvatar: There is actually a Minneapolis band called Fixed Gears Are for Jerks and Lesbians, who have written such songs as "Beat a Fratboy With a U Lock".
that's the video that made me love anna sui. i think.
The car song went on life support shortly after NRBQ wrote "Ridin' in my Car" in 1977, the car song to end all car songs. Thom Yorke's fear of cars and Radiohead's subsequent recording of "Killer Cars" (one of the best B-sides of all time) and "Airbag" killed it. Anything after that was a either any number of failed resurrections of the concept or irony.
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