I dunno about wrong, but it’s something of a litmus test of your take on U2. Basically, you clearly prefer the look-and-feel of ’90s U2. The Corbijn version is basically a cross between the lighting and starkness of “One,” the deadpan-humor vibe of the Zooropa era, and a bit of the kitsch of “Discotheque.” For me, it’s Corbijn repeating old tropes — and I’m normally a fan.

I much prefer the new clip, glossy as it is. Frankly, what I like best about it is its shameless ’80s-ness — it looks like a peak Simple Minds clip, or even one of those second-rate 1985ish bands like King, Cock Robin or Icehouse. Which makes it work perfectly for the song! What I like about “Magnificent” is the way it effortlessly evokes ’80s U2, which is not even my favorite era of theirs (I actually prefer their ’90s albums) but is at this point a more interesting vein for them to mine.

Honestly, I’m kind of “meh” on No Line on the Horizon in general, but this song and maybe the title track come closest to what I think they were trying to achieve on that record — bringing back some of that Unforgettable Fire mystery.