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	<title>Comments on: Carrie Underwood, Apparently Playing In Peoria</title>
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		<title>By: mssoonermagic</title>
		<link>http://idolator.com/5289842/carrie-underwood-apparently-playing-in-peoria/comment-page-1#comment-995202</link>
		<dc:creator>mssoonermagic</dc:creator>
		<pubDate>Thu, 05 Nov 2009 20:54:20 +0000</pubDate>
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		<description>If she is selling alot of albums, they&#039;ll be re-stocking those albums.  Since hers are selling they&#039;ll keep re-stocking.</description>
		<content:encoded><![CDATA[<p>If she is selling alot of albums, they&#8217;ll be re-stocking those albums.  Since hers are selling they&#8217;ll keep re-stocking.</p>
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		<title>By: Chris Molanphy</title>
		<link>http://idolator.com/5289842/carrie-underwood-apparently-playing-in-peoria/comment-page-1#comment-995192</link>
		<dc:creator>Chris Molanphy</dc:creator>
		<pubDate>Thu, 05 Nov 2009 20:44:49 +0000</pubDate>
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		<description>If I were to refine your theory, I&#039;d say that basically, Underwood has now matured into being a Reba-like country act, rather than a pop-country crossover act. As you imply, that&#039;s Swift&#039;s racket now.

When &lt;i&gt;Carnival Ride&lt;/i&gt; came out in November 2007, Underwood was coming off of her biggest pop-crossover smash, &quot;Before He Cheats,&quot; which IIRC correctly had &lt;i&gt;just&lt;/i&gt; fallen off the Hot 100 not weeks before after a near-record-setting run. So when that sophomore album dropped, she had not only the loyal Nashville audience buying her but also a sizable urban audience willing to give an album of hers a try. (As I often say: first-week sales of any album are always a referendum on how the &lt;i&gt;last album&lt;/i&gt; did.)

So, &lt;i&gt;Play On&lt;/i&gt; will have a weaker first week not only because it&#039;s 2009 now and the sales bar is lower, and not only because the leadoff singles are a little weaker, but because &lt;i&gt;Carnival Ride&lt;/i&gt; wasn&#039;t that strong an album in a pop sense and didn&#039;t produce any serious pop-crossover hits. Which leaves her with a Nashville audience that loves her, and that&#039;s it. That&#039;s not a bad way to make a career that could last her another 20 years, but it will make her future sales numbers, especially in week one, less spectacular.</description>
		<content:encoded><![CDATA[<p>If I were to refine your theory, I&#8217;d say that basically, Underwood has now matured into being a Reba-like country act, rather than a pop-country crossover act. As you imply, that&#8217;s Swift&#8217;s racket now.</p>
<p>When <i>Carnival Ride</i> came out in November 2007, Underwood was coming off of her biggest pop-crossover smash, &#8220;Before He Cheats,&#8221; which IIRC correctly had <i>just</i> fallen off the Hot 100 not weeks before after a near-record-setting run. So when that sophomore album dropped, she had not only the loyal Nashville audience buying her but also a sizable urban audience willing to give an album of hers a try. (As I often say: first-week sales of any album are always a referendum on how the <i>last album</i> did.)</p>
<p>So, <i>Play On</i> will have a weaker first week not only because it&#8217;s 2009 now and the sales bar is lower, and not only because the leadoff singles are a little weaker, but because <i>Carnival Ride</i> wasn&#8217;t that strong an album in a pop sense and didn&#8217;t produce any serious pop-crossover hits. Which leaves her with a Nashville audience that loves her, and that&#8217;s it. That&#8217;s not a bad way to make a career that could last her another 20 years, but it will make her future sales numbers, especially in week one, less spectacular.</p>
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