Results 1-29 of 204 for "the roots". (0.34 second)
All Points West: Come For Radiohead, Stay For The Chance To Complain About The Beer Policies
I didn't make it across the river to this weekend's inaugural All Points West festival, which could have easily been retitled "Two days of Radiohead shows with lots of opening bands plus another underattended Jack Johnson show," but the festival, which was put on by Coachella presenters Goldenvoice, has opened up the floodgates for complaints about many things, from a no-umbrella policy despite rain being in the forecast to the Roots being shunted off to a side stage while Kings Of Leon (?!) got the pre-Radiohead slot. The No. 1 reason for complaining, though, was the show's policy on alcohol consumption, which was restricted not just by area (there were a few beer tents scattered around the grounds) but by volume; the 21-and-over wristbands that allowed people into the beer tent had five tabs on them, and each time a festivalgoer ordered a drink, a tab was ripped off by the person behind the counter, thus restricting consumption of beers to five per 10-hour day. On the bright side, this saved people money (beer cost between $7 and $9 a pop), but if there's one thing people who spent a lot of money for a show don't like, it's the feeling of being pushed around in order to be able to spend their hard-earned cash.
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Crazy For Eight: Let's Make A Mix Consisting Of Albums' Eighth Tracks
We Search MySpace For The Stoopidest, Most Genesis-Loving Acts
The Two Types Of Bromance: An Investigation
Grrrl-rock standard-bearer Carrie Brownstein took to her blog to discuss a phenomena she witnessed at a Fleet Foxes show: the "strangely beautiful" phenomenon of bromance, "where mostly straight men show up to shows in small packs, high-fiving during songs, raising glasses at the band in a show of brotherly love, and shouting 'I love you!' toward the stage." She asks the readers to comment with "bromantic" shows they've attended; while the Hold Steady seems to be the consensus pick as far as which band is inspires the most male-on-male admiration, most of the bands mentioned are linked by shared roots in '70s rock. As a result, I've noticed at least two distinct types of "bromance": for lack of a better nomenclature, I'll call one folk/country bromance (exemplified, in Brownstein's post, by the Fleet Foxes crowd) and the other bar-band bromance (seen among Hold Steady fans). This oft-overlooked distinction is important to understanding the phenomenon.
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Glimmers Of Light: Other Formats' Top 10s Juice Up Sleepy Summer Charts
The singles charts have settled into what we hope will be a momentary midsummer slumber. And that starts with the song in its fourth week at No. 1 on Billboard's Hot 100.
Idolator's distaste for Katy Perry's "I Kissed a Girl" is well-documented, but I nonetheless have to acknowledge that this blandly titillating dance-pop smash is emerging as the nation's song of this summer, its chart run perfectly timed for the season of moist, exposed flesh.
Perry seems likely to hold the keys to the penthouse for a few more weeks, unless Rihanna's "Take a Bow" regains its bullet at No. 2, or Chris Brown's gradually rising, more enjoyably summery "Forever" (up two slots to No. 4 this week) experiences a left-field surge. Otherwise, it's a wasteland out there.
For those of us seeking good news, however, the simultaneous Top 10 entry of three cool songs on three different flagship Billboard charts—Hot 100, R&B/Hip-Hop, and Country—provide a small dose of encouragement.
More »Scott Storch Might Be Having A Yard Sale Soon
Scott Storch, who for a little while seemingly produced every song on the radio, has been having a rough time lately. Lucky for us, the AP is happy to catalog his troubles, and helpfully point out that producing hip-hop singles might not be the best long-term career move.
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These New Acts Are Big On MySpace, Big In Japan, And Even Bigger In The Monastery
Knitting Factory Moving From Manhattan To Brooklyn, Boise, Spokane
The Game, Upset With Lack Of Friends, Cries "I Don't Wanna Be A Part Of Hip-Hop No More..."
Next Big UK Pop Star Wishes You Would Floss More Often
"USA Today" Celebrates The Recession By Glorifying Overpriced Band Merch, Recycling Jokes From "PCU"
Hinder To David Cook: "It'll Be Really Good To Hear Your Voice Singing Our Songs"
There was a point during American Idol's final stretch that a friend of mine turned to me and said, "Hang on, why am I rooting for David Cook again? I hate this post-grunge stuff." A good question, and one that will no doubt be asked again now that the confetti has stopped flying and Austin Winkler, lead singer of nu-mooks Hinder, has extended the offer to help write material for his fellow Oklahoman's forthcoming solo album. Is the world ready for "Lips Of An Angel II: After The Hang-Up"?
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EMI Fiddles, Smooches, And Wins The Hot 100 Race While Rome Burns
Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:
EMI is the Bear Stearns of the music industry—once mighty, now declining rapidly and ripe for takeover and obliteration. But you'd never know it looking at the new Billboard Hot 100: two singles on EMI's U.S. flagship label, the 66-year-old Capitol Records, sit in the top two positions.
The chart is crowned by Coldplay's "Viva la Vida," the band's first-ever chart-topper and arguably the first No. 1 hit fueled entirely by Apple Inc. One lip-smack below them is Katy Perry's "I Kissed a Girl," which reaches No. 2—the latest leap in an inexorable march that will probably put her atop the chart before you fire up your July 4 barbecue.
Whether Perry ousts Chris Martin & co. from the penthouse next week or the week after will depend on the public's buying behavior this week, following the release of Coldplay's new blockbuster album. The interplay of song sales and album sales in the iTunes era is hard to predict—as shown by Lil Wayne's drop from No. 1, which we called wrong in a major way just last week.
More »Honky-Tonk Laments, Horror Rap, Robotic Princes, Universal Haters, Hawaiian Brothers, And Some Positive Soul
Each week, dozens of songs and albums from up-and-coming (or just plain unknown) bands debut on the world's music charts. Some of these bands will never be heard from again; some may become the next little thing. That's why every two weeks Chuck Eddy will be exploring the world beyond the Billboard 200, where he'll look for diamonds in the MySpace rough. This week, his roster of up-and-comers includes some not-very-speedy Dutch "house/house/house," a band that named itself Rehab way before the celebrity-rehab trend hit, some Vincent Price-influenced Juggalo rap, world-hating Poughkeepsie residents, and a Philly outfit who wants to stop the violence with the power of their music.
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"Mojo" Takes The Idea Of Everyone Being A Winner Very Seriously
The UK magazine Mojo loves to look back as it looks forward, so it's probably no surprise that its Mojo Honours, the reader-generated awards given out last night, were led by Duffy's "Mercy," a cauldron of throwbacks that flounced away with the evening's Song Of The Year Award. In addition to a few cursory nods in the direction of new-ish music (Dig!!! Lazarus Dig!!! won Best Album, while Led Zeppelin got the Best Live Act nod for its one show earlier this year), a bunch of seemingly interchangeable laurels went to Mojo staples.
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The R. Kelly Verdict: A Nation Reacts
Wal-Mart Talks Money With AC/DC, Prepares To Slash Shelf Space Even More
Ubiquitous American retailer Wal-Mart got a fair amount of press for its status as "one of the few remaining chain stores selling music" today, with stories in the New York Times and the Wall Street Journal about its upcoming music strategy. But the WSJ gets the scoop: Wal-Mart's next store-exclusive release will be the upcoming album by AC/DC, which is slated to hit stores in the fall. Unlike the two other classic-rock stalwarts who had chart-topping exclusives with the Bentonville behemoth, the Eagles and Journey, AC/DC's album will come out on a major label (Columbia). The Journal notes that "Columbia's decision to sell a major new release at only one chain has the potential to alienate retailers left out," although those alienated retailers can at this point be counted on one person's digits. And how is Wal-Mart going to celebrate its music mogul status? By demanding lower wholesale prices and cutting floor space even more!
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Coldplay Cries "Viva," Rules iTunes' World
Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:
If only Chris Martin were holding an iPhone 3G: then his band would be atop the charts.
As it stands, Coldplay's "Viva la Vida," fueled by Apple's latest saturation-play TV commercial for iTunes, makes a bid for the top of Billboard's Hot 100 and lands at No. 3. They storm Lil Wayne's "Lollipop" fortress armed with blockbuster digital sales and sparse radio airplay. If Steve Jobs' minions keep that sleek ad on the air a couple more weeks, Coldplay could yet see the summit.
And even if I were among the Coldplay-haters out there, I'd be rooting hard for Martin & co., because the next U.S. No. 1 single is either going to be theirs or Idolator's early pick for worst single of 2008.
More »Def Jam To Replace Jay-Z With Evil, Evil Man Who Signed Rick Ross
Disturbed Vs. Dillinger Escape Plan: The Crankiness Continues
It all started when Dillinger Escape Plan guitarist Ben Weinman mocked Disturbed's sound check, claiming the body-modification champions were "practicing where they were going to walk and when they were going to put their leg up on the monitor and pose." Disturbed has since responded, saying a) all they do is make sure the guitarist is under the spotlight for his big solo and b) how the hell did some dillweed punk guitarist get into the room during their sound check anyway? Sez the happy dude pictured to the left: "It's called production — it's what any big professional band that isn't just punk rock... Not to say that there is anything wrong with punk rock, because I have my roots in it, but you can't compare the two styles of a show." But Weinman isn't buying it.
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Live-Blogging The "American Idol" Finale, Part I: Someone Named David Is Going To Come Out On Top Tonight
Napster Makes MP3s Available Again, Only This Time You Have To Pay For Them
Napster is going back to its roots, opening an MP3 store that sells DRM-free tracks from all of the major labels; the MP3s are wrapped inside a Web interface that gives you zero information on price until you click about three pages in (according to the press release, individual tracks are 99 cents and "most MP3 albums" are $9.95, but since when were you going to trust the major labels on pricing music fairly?). Napster COO Christopher Allen told Hypebot that subscriptions are still the company's "core business," which is probably a good thing since the Napster MP3 store's semi-impenetrable interface isn't exactly inviting, and it seems like a big ruse to get more subscribers (users are reminded that if they subscribe, they can preview full tracks before they buy, instead of the 30-second samples currently on offer). But perhaps you disagree?
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The Wild Moccasins: Holding It Down For All That Is Right With Local Music Scenes
Bob Dylan Gives His Blessing To Another Store At The Mall
The latest entrant in the filled-to-the-brim summer festival lineup: The New American Music Union, an American Eagle-sponsored, Anthony Kiedis-curated show taking place in Pittsburgh on Aug. 8 and 9. The lineup is split between summer-fest stalwarts like Bob Dylan, Spoon, the Roots, and Black Mountain and a "battle of the bands" between 15 acts representing universities around the country. The winning band gets a whole day in a recording studio on AE's dime, which I guess we're supposed to take as a sign that their "cheaper than Abercrombie" aesthetic isn't really pulling in the shoppers as much as it did during the housing boom. (I'm happy to see that my alma mater is representing with The French Horn Rebellion, who sound kind of like a grimier Pulsars and who have a remix of Shannon's "Let The Music Play" (!!!) on their MySpace page. Go Cats!) Full lineup after the jump.
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Neil Diamond Finds Temporary Shelter Atop The Album Charts
The Rick Rubin-produced Neil Diamond album Home Before Dark took the top spot on this week's album chart, selling 146,000 copies and easily outpacing its competition. Home is somehow the first No. 1 album of Diamond's career, which is probably more a testament to the wacky way the album charts were calibrated back in the day than it is to the fact that he's been reaching out to the MySpace generation.
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