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pretty paper

British Music Mags Are Feeling The Pain

Most of the music magazines from across the pond saw circulation dips on the print side in the first quarter of 2008, with Kerrang! experiencing a staggering 21.6% drop in readership (to 60,290 readers) and NME's readership falling 12.1% on the half-year to 56,284. Q remains the biggest music rag in the land, with 113,174 readers—although that number also represents a 13.1% dip. The one mag to come out ahead this year? Metal Hammer, which saw a 6% uptick in readership. Its current circulation is 48,540. (Wonder if this means Kerrang! will lessen its focus on emo and go back to its metal roots?) [Musicweek via Coolfer]

Hip-hop heavyweights the Roots are going on a co-headlining tour with the Gym Class Heroes, an announcement that made me say "huh" when I first heard it. After the whole outcry over the Roots' track with Patrick Stump, I can't help but wonder what the crowds at these shows will be like, and just how many people will wind up sticking around for both bands. (Yes, yes, to those of you who would say that people should open their minds, I agree, but this is in no way a perfect world—especially now, when people are encouraged to constantly customize their entire experiences to their exact liking.) Estelle is opening, so perhaps she'll serve as the pre-show bridger of gaps/referee for a joint Lamb of God cover? Click ?uestlove's pic for the full itinerary.

the truly detestable, the summer festival

All Points West: Come For Radiohead, Stay For The Chance To Complain About The Beer Policies

I didn't make it across the river to this weekend's inaugural All Points West festival, which could have easily been retitled "Two days of Radiohead shows with lots of opening bands plus another underattended Jack Johnson show," but the festival, which was put on by Coachella presenters Goldenvoice, has opened up the floodgates for complaints about many things, from a no-umbrella policy despite rain being in the forecast to the Roots being shunted off to a side stage while Kings Of Leon (?!) got the pre-Radiohead slot. The No. 1 reason for complaining, though, was the show's policy on alcohol consumption, which was restricted not just by area (there were a few beer tents scattered around the grounds) but by volume; the 21-and-over wristbands that allowed people into the beer tent had five tabs on them, and each time a festivalgoer ordered a drink, a tab was ripped off by the person behind the counter, thus restricting consumption of beers to five per 10-hour day. On the bright side, this saved people money (beer cost between $7 and $9 a pop), but if there's one thing people who spent a lot of money for a show don't like, it's the feeling of being pushed around in order to be able to spend their hard-earned cash. More »

track eight mind

Crazy For Eight: Let's Make A Mix Consisting Of Albums' Eighth Tracks

Today is the day to get all nutso about eights, or, maybe to just get nutso, if you have Olympic and/or Jonas Brothers and/or Boredoms-drum-extravaganza fever. (Woe to the person who's suffering from all three.) All the eight-related hoopla got me to thinking about how the eighth track on many an album is a hit-or-miss proposition; particularly on longer albums in the CD era, it serves as something of a midpoint, and albums become unfocused and maybe stick their not-as-good tracks in there. For example: track eight on Appetite For Destruction, for example, is the OK-but-not-great "Think About You," while track eight on Nevermind is the relatively irritating to my ears "Drain You." And not to be all lazy-Google-research about this, but the phrase "track 8 is my favorite" only has 22 hits on the search engine; spell out the word "eight," and you're down to four.) Anyway, I decided to root through my collection and find some outstanding examples of an album's eighth track—eight, in fact. They're unordered, although the last one on the list is probably my favorite (and I found an amazing live version of it, to boot). Feel free to add your own! More »

next little things

We Search MySpace For The Stoopidest, Most Genesis-Loving Acts

Each week, dozens of songs and albums from up-and-coming (or just plain unknown) bands debut on the world's music charts. Some of these bands will never be heard from again; some may become the next little thing. That's why we have Chuck Eddy exploring the world beyond the Billboard 200, where he'll look for diamonds in the MySpace rough. This week, he travels the Internet with some pals of Soulja Boy, Stoopid stoners, Arnold-honoring moshers, Hispanic hip-hop, Christian soft rockers, and Canadians who have a Phil Collins fetish. More »

idolator sociology dept.

The Two Types Of Bromance: An Investigation

Grrrl-rock standard-bearer Carrie Brownstein took to her blog to discuss a phenomena she witnessed at a Fleet Foxes show: the "strangely beautiful" phenomenon of bromance, "where mostly straight men show up to shows in small packs, high-fiving during songs, raising glasses at the band in a show of brotherly love, and shouting 'I love you!' toward the stage." She asks the readers to comment with "bromantic" shows they've attended; while the Hold Steady seems to be the consensus pick as far as which band is inspires the most male-on-male admiration, most of the bands mentioned are linked by shared roots in '70s rock. As a result, I've noticed at least two distinct types of "bromance": for lack of a better nomenclature, I'll call one folk/country bromance (exemplified, in Brownstein's post, by the Fleet Foxes crowd) and the other bar-band bromance (seen among Hold Steady fans). This oft-overlooked distinction is important to understanding the phenomenon. More »

100 and single

Glimmers Of Light: Other Formats' Top 10s Juice Up Sleepy Summer Charts

The singles charts have settled into what we hope will be a momentary midsummer slumber. And that starts with the song in its fourth week at No. 1 on Billboard's Hot 100.

Idolator's distaste for Katy Perry's "I Kissed a Girl" is well-documented, but I nonetheless have to acknowledge that this blandly titillating dance-pop smash is emerging as the nation's song of this summer, its chart run perfectly timed for the season of moist, exposed flesh.

Perry seems likely to hold the keys to the penthouse for a few more weeks, unless Rihanna's "Take a Bow" regains its bullet at No. 2, or Chris Brown's gradually rising, more enjoyably summery "Forever" (up two slots to No. 4 this week) experiences a left-field surge. Otherwise, it's a wasteland out there.

For those of us seeking good news, however, the simultaneous Top 10 entry of three cool songs on three different flagship Billboard charts—Hot 100, R&B/Hip-Hop, and Country—provide a small dose of encouragement.

More »

the curse of brooke hogan

Scott Storch Might Be Having A Yard Sale Soon

Scott Storch, who for a little while seemingly produced every song on the radio, has been having a rough time lately. Lucky for us, the AP is happy to catalog his troubles, and helpfully point out that producing hip-hop singles might not be the best long-term career move. More »

next little things

These New Acts Are Big On MySpace, Big In Japan, And Even Bigger In The Monastery

Each week, dozens of songs and albums from up-and-coming (or just plain unknown) bands debut on the world's music charts. Some of these bands will never be heard from again; some may become the next little thing. That's why every two weeks Chuck Eddy will be exploring the world beyond the Billboard 200, where he'll look for diamonds in the MySpace rough. This week, his roster of up-and-comers includes ska-core that's big in Japan, a Christian act who's looking to Marilyn Manson for inspiration, some monks, someone who calls himself Mr. Halle Berry, Canadian road warriors, blue-collar bluesmen, and some Wombats who aren't from Cleveland. More »

going through changes

Knitting Factory Moving From Manhattan To Brooklyn, Boise, Spokane

When you think of the Knitting Factory, do you think of things like "Manhattan" and "avant-jazz-punk-rap-slam-whatever-else-M-Doughty-does-now?" Well, don't. In order to keep afloat, the company is moving towards keywords like "Boise" and "Elton John." Not only is the NYC club moving from TriBeCa to the much smaller former home of the Luna Lounge in Williamsburg, the Knitting Factory is in danger of losing its' LA location's building-use permit. If it wasn't for the 2006 purchase of Boise, Idaho's Bravo Entertainment, which promotes large amphitheater performances throughout the Northwest, the company would lose over half of its annual revenue. Knitting Factory president Jared Hoffman swears that putting on Puddle Of Mudd shows in South Dakota will help the company regain its footing, but with so much of the club's identity lost over the years, its hard to tell what exactly is being kept alive aside from the brand name. More »

the last of the cop killers

The Game, Upset With Lack Of Friends, Cries "I Don't Wanna Be A Part Of Hip-Hop No More..."

When I began reading about The Game's disappointment with the rap community for not joining him on a track about the Sean Bell tragedy, I felt sympathetic. Finally, the Game decides to get topical and stop talking about other rappers, and no one's willing to stick their neck out and help. "Nobody wanna stand up and be a man. We don't have a problem putting out a mixtape dissing each other but the people that you say or claim to hate so much, which is, or the situation that render us helpless like police brutality, excessive force, people using the shield to really deal the wrong way with human beings, you know, like nobody wanna stand-up for that except me." Then I heard the track in question, titled "911 Is A Joke/Cop Killer," released to little attention in late April. Is he really surprised that no one wanted to be on a track with lines like "so shine them fuckin' lights in the back of my car/I might kill yo ass in 2000 raw?" Or "I should kill 51 cops for the 51 shots?" Not to mention, "[I'm] The Beastie Boys when I grab a fuckin' mic on the stage?" More »

smile

Next Big UK Pop Star Wishes You Would Floss More Often

While the record industry may be relying heavily on adolescent talent in its time of crisis, hope remains for pop music fans of a certain age and rarefied taste who love Josh Groban, but wish he could perform an emergency root canal in a pinch. SonyBMG has signed a 35-year-old singing dentist from north London to a million-pound record deal, a prize he earned after sending them "an operatic version of the Prince anthem 'Purple Rain.' " More »

it's the economy, stupid

"USA Today" Celebrates The Recession By Glorifying Overpriced Band Merch, Recycling Jokes From "PCU"

Today's USA Today has a big piece on rock merch, talking about how $55 concert T-shirts are purchased by people who are "style-conscious and socially conscious" (oddly, the word "suckers" is not used), how being sold at Target hasn't hurt the alleged cool factor of Beatles and Rolling Stones shirts, and how the ever-annoying Katy Perry designed her merch in such a way that's inspired by (her apparent non-reading of) Lolita and "fruit motifs, especially strawberries and cherries." (Because eating them is, like, just like kissing a girl... plant!) It even finds some poor sucker to trot out the already-old-and-reliable "you can't download a T-shirt" notion! But perhaps the best part of the story is Edna Gudnersen's guide to "t-shirt etiquette," which seems to have been taken out of some sort of sidebar storage unit that was last replenished in 2004. More »

collaborations

Hinder To David Cook: "It'll Be Really Good To Hear Your Voice Singing Our Songs"

There was a point during American Idol's final stretch that a friend of mine turned to me and said, "Hang on, why am I rooting for David Cook again? I hate this post-grunge stuff." A good question, and one that will no doubt be asked again now that the confetti has stopped flying and Austin Winkler, lead singer of nu-mooks Hinder, has extended the offer to help write material for his fellow Oklahoman's forthcoming solo album. Is the world ready for "Lips Of An Angel II: After The Hang-Up"? More »

100 and single

EMI Fiddles, Smooches, And Wins The Hot 100 Race While Rome Burns

Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

EMI is the Bear Stearns of the music industry—once mighty, now declining rapidly and ripe for takeover and obliteration. But you'd never know it looking at the new Billboard Hot 100: two singles on EMI's U.S. flagship label, the 66-year-old Capitol Records, sit in the top two positions.

The chart is crowned by Coldplay's "Viva la Vida," the band's first-ever chart-topper and arguably the first No. 1 hit fueled entirely by Apple Inc. One lip-smack below them is Katy Perry's "I Kissed a Girl," which reaches No. 2—the latest leap in an inexorable march that will probably put her atop the chart before you fire up your July 4 barbecue.

Whether Perry ousts Chris Martin & co. from the penthouse next week or the week after will depend on the public's buying behavior this week, following the release of Coldplay's new blockbuster album. The interplay of song sales and album sales in the iTunes era is hard to predict—as shown by Lil Wayne's drop from No. 1, which we called wrong in a major way just last week.

More »

next little things

Honky-Tonk Laments, Horror Rap, Robotic Princes, Universal Haters, Hawaiian Brothers, And Some Positive Soul

Each week, dozens of songs and albums from up-and-coming (or just plain unknown) bands debut on the world's music charts. Some of these bands will never be heard from again; some may become the next little thing. That's why every two weeks Chuck Eddy will be exploring the world beyond the Billboard 200, where he'll look for diamonds in the MySpace rough. This week, his roster of up-and-comers includes some not-very-speedy Dutch "house/house/house," a band that named itself Rehab way before the celebrity-rehab trend hit, some Vincent Price-influenced Juggalo rap, world-hating Poughkeepsie residents, and a Philly outfit who wants to stop the violence with the power of their music. More »

everybody's a winner

"Mojo" Takes The Idea Of Everyone Being A Winner Very Seriously

The UK magazine Mojo loves to look back as it looks forward, so it's probably no surprise that its Mojo Honours, the reader-generated awards given out last night, were led by Duffy's "Mercy," a cauldron of throwbacks that flounced away with the evening's Song Of The Year Award. In addition to a few cursory nods in the direction of new-ish music (Dig!!! Lazarus Dig!!! won Best Album, while Led Zeppelin got the Best Live Act nod for its one show earlier this year), a bunch of seemingly interchangeable laurels went to Mojo staples. More »

the last word

The R. Kelly Verdict: A Nation Reacts

From time to time, we like to round up the all-important, all-summarizing last sentences of the biggest new-music reviews. Recent events, however, have caused us to canvass the Internet for initial reactions to the acquittal of R. Kelly, which came down earlier today: More »

the new model

Wal-Mart Talks Money With AC/DC, Prepares To Slash Shelf Space Even More

Ubiquitous American retailer Wal-Mart got a fair amount of press for its status as "one of the few remaining chain stores selling music" today, with stories in the New York Times and the Wall Street Journal about its upcoming music strategy. But the WSJ gets the scoop: Wal-Mart's next store-exclusive release will be the upcoming album by AC/DC, which is slated to hit stores in the fall. Unlike the two other classic-rock stalwarts who had chart-topping exclusives with the Bentonville behemoth, the Eagles and Journey, AC/DC's album will come out on a major label (Columbia). The Journal notes that "Columbia's decision to sell a major new release at only one chain has the potential to alienate retailers left out," although those alienated retailers can at this point be counted on one person's digits. And how is Wal-Mart going to celebrate its music mogul status? By demanding lower wholesale prices and cutting floor space even more! More »

100 and single

Coldplay Cries "Viva," Rules iTunes' World

Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

If only Chris Martin were holding an iPhone 3G: then his band would be atop the charts.

As it stands, Coldplay's "Viva la Vida," fueled by Apple's latest saturation-play TV commercial for iTunes, makes a bid for the top of Billboard's Hot 100 and lands at No. 3. They storm Lil Wayne's "Lollipop" fortress armed with blockbuster digital sales and sparse radio airplay. If Steve Jobs' minions keep that sleek ad on the air a couple more weeks, Coldplay could yet see the summit.

And even if I were among the Coldplay-haters out there, I'd be rooting hard for Martin & co., because the next U.S. No. 1 single is either going to be theirs or Idolator's early pick for worst single of 2008.

More »

meet the new boss

Def Jam To Replace Jay-Z With Evil, Evil Man Who Signed Rick Ross

While he's not going to be the label's new CEO (boss L.A. Reid reclaimed the title after Jay-Z's departure), Shakir Stewart has been named Executive Vice President of Def Jam, which basically makes him Jay-Z's replacement. While he can take credit for signing Ciara to LaFace (where he and Reid began their professional relationship) and signing Beyonce to a publishing contract in 1999, it's believed that the real reason he's being given the promotion is that he's responsible for signing Young Jeezy and Rick Ross to the label. Admittedly, these acts are younger and arguably more successful than the fogies like Nas and the Roots that Jay-Z was responsible for, but I'm pretty damn scared what's going to come from a label run by a guy who takes pride in turning charmless, one-dimensional self-aggrandizement into music-business gold. More »

axl vs. nirvana, this ain't

Disturbed Vs. Dillinger Escape Plan: The Crankiness Continues

It all started when Dillinger Escape Plan guitarist Ben Weinman mocked Disturbed's sound check, claiming the body-modification champions were "practicing where they were going to walk and when they were going to put their leg up on the monitor and pose." Disturbed has since responded, saying a) all they do is make sure the guitarist is under the spotlight for his big solo and b) how the hell did some dillweed punk guitarist get into the room during their sound check anyway? Sez the happy dude pictured to the left: "It's called production — it's what any big professional band that isn't just punk rock... Not to say that there is anything wrong with punk rock, because I have my roots in it, but you can't compare the two styles of a show." But Weinman isn't buying it. More »

idolator's american idolatry

Live-Blogging The "American Idol" Finale, Part I: Someone Named David Is Going To Come Out On Top Tonight

Well, here we go, right? Let's just thank the world that the spoiler I saw over at MJ's place about David Cook being given "Perfect Day" by Clive was from a parody site. (At least, I think it was.) My minute-by-minute breakdown of tonight's festivities—in which each singer does three songs—after the jump! More »

product launches

Napster Makes MP3s Available Again, Only This Time You Have To Pay For Them

Napster is going back to its roots, opening an MP3 store that sells DRM-free tracks from all of the major labels; the MP3s are wrapped inside a Web interface that gives you zero information on price until you click about three pages in (according to the press release, individual tracks are 99 cents and "most MP3 albums" are $9.95, but since when were you going to trust the major labels on pricing music fairly?). Napster COO Christopher Allen told Hypebot that subscriptions are still the company's "core business," which is probably a good thing since the Napster MP3 store's semi-impenetrable interface isn't exactly inviting, and it seems like a big ruse to get more subscribers (users are reminded that if they subscribe, they can preview full tracks before they buy, instead of the 30-second samples currently on offer). But perhaps you disagree? More »

on (and in) the scene

The Wild Moccasins: Holding It Down For All That Is Right With Local Music Scenes

By now it's no secret that wading through hype blogs to get your new music fix is like eating unsalted vegetable broth for dinner—boring, often depressing, and ultimately unsatisfying. Scott Tennent of Pretty Goes with Pretty has an insightful post to that effect, calling bullshit on the "mythologizing of the '90s" by those people who are chained to their computers while rightfully pointing out that local music scenes exist today every bit as much as they did 15 years ago, no matter how globalized the world—and by extension the way we consume music—has become. Tennent's post rings especially true in light of a show I attended on Friday in my hometown of Houston, where the concept of a local music scene is perhaps at its most raw and genuine (that is to say, tight-knit, lo-fi, oftentimes largely underwhelming, but entirely devoted to itself as a community, and occasionally brilliant). More »

lineups

Bob Dylan Gives His Blessing To Another Store At The Mall

The latest entrant in the filled-to-the-brim summer festival lineup: The New American Music Union, an American Eagle-sponsored, Anthony Kiedis-curated show taking place in Pittsburgh on Aug. 8 and 9. The lineup is split between summer-fest stalwarts like Bob Dylan, Spoon, the Roots, and Black Mountain and a "battle of the bands" between 15 acts representing universities around the country. The winning band gets a whole day in a recording studio on AE's dime, which I guess we're supposed to take as a sign that their "cheaper than Abercrombie" aesthetic isn't really pulling in the shoppers as much as it did during the housing boom. (I'm happy to see that my alma mater is representing with The French Horn Rebellion, who sound kind of like a grimier Pulsars and who have a remix of Shannon's "Let The Music Play" (!!!) on their MySpace page. Go Cats!) Full lineup after the jump. More »

who charted

Neil Diamond Finds Temporary Shelter Atop The Album Charts

The Rick Rubin-produced Neil Diamond album Home Before Dark took the top spot on this week's album chart, selling 146,000 copies and easily outpacing its competition. Home is somehow the first No. 1 album of Diamond's career, which is probably more a testament to the wacky way the album charts were calibrated back in the day than it is to the fact that he's been reaching out to the MySpace generation. More »

?uestlove emulates Kanye West's superconspicous-consumptionish blogging style, only with a bit of a populist twist. Sample entry: "i realized how spoiled i've gotten in the past few years with my "one scuff and throw em out" steeze with my kicks. remember when mom and dad made you wear your sneaks until the sole could speak several languages?" [okayplayer.com via Nah Right]

oh boy

Lindsay Lohan's Long Island Roots Are Showing All Over Her New Single

Another Lindsay Lohan album? Why not, when everything else about the music business is in Titanic-redecoration mode? Thankfully, she seems to have given up on the overly parenthetical titles for "Bossy," the first song from the album to leak. From the bratty lyrics to the Shep Pettibone dime-store synths, the Ne-Yo-written/Stargate-produced track sounds like it was conceived during a particularly debaucherous night of cruising Hempstead Turnpike, hanging out at Spit, and filling up on hangover-prevention food at the Empress Diner. Make of that judgment what you will; I happen to think that the results are completely acceptable for, say, a late-night trip down the Northern State Parkway. (And I'd like to give special props to whatever studio engineer had to scrape the cigarettes-and-whiskey edge of La Lohan's voice—she sounds like a changed woman!) [MINIMP3CENTER]

who charted

Madonna Does Her Part To Save The Pop Charts

Madonna's Hard Candy was last week's top-selling album, shifting 280,000 copies in its first week of release and leaving every other commercially available offering in the dust. Candy was the only album on this week's chart to break the six-figures-sold mark; Mariah Carey's E=MC2, the runner-up to Hard Candy, sold 95,000 copies. More »