Last night’s MuchMusic Video Awards ended with Nickelback as the big winner, but the person who everyone is talking about this morning is Technicolor-haired gossip Mario “Perez Hilton” Lavandeira, who claimed to have been assaulted by lead Black Eyed Pea will.i.am and his bodyguard at an afterparty for the MuchMusic Video Awards. In the wake of the incident, the ever-fameballing Hilton Twittered for help, instead of calling the police, or getting a hold of any of the security guards who were presumably nearby. Who to believe? Why did this all happen? will.i.am took to his vlog to let out his side of the story, and claimed that a) the whole thing was basically the result of will asking the chronic MS Painter to lay off his bandmate Fergie, and Perez sneering that he didn’t “respect” her or will; b) it was an overzealous fan who resorted to fisticuffs, not will; and c) Perez, when he’s not peacocking as the country’s No. 1 gay-rights crusader, is not above flinging a homosexual epithet now and again. The embed, after the jump. MORE »
Search Results
clara peller dept.
Perez Hilton And Will.I.Am: Boom Boom Pow?
100 and single
Boom Boom Boom Boom Boom Boom Boom Boom Boom Boom: Peas Join 10-Week Club
Though 2009 hasn’t been a great year for pop hits overall, over the winter and early spring I couldn’t complain that I was bored by Billboard’s Hot 100. The first three and a half months of the year saw frequent turnover in the No. 1 spot, with a half-dozen songs occupying the penthouse and only Flo Rida’s “Right Round” spending more than three weeks on top.
That all changed in April, when the Black Eyed Peas assumed the summit with their inescapable, mysteriously critic-charming hit “Boom Boom Pow” and wouldn’t let go.
More than two months later, Will.I.Am’s dance-rap joint is still on top, and it now enters a fairly elite club: singles that have topped the Hot 100 for 10 weeks or more.
Songs that spend this long at No. 1 are undeniable smashes, but they also reflect larger forces at work: a momentary slowdown in the pop world’s metabolism, and a perception that a song is bigger than the act itself. While the Peas do deserve to bask in their big hit’s elite status, the release this week of the album containing it might prompt a bit of reckoning over what it means for the way they’re perceived. MORE »
the last word
The Black Eyed Peas Have A NeverE.N.D.ing Stranglehold On Pop
Our look at the closing lines of the week’s biggest new-music reviews continues with a roundup of reactions to the Black Eyed Peas’ The E.N.D., which arrives in stores today:
MORE »
idolator's american idolatry
Live-Blogging The “American Idol” Finale, Part 2: After All These Messages, We’ll Have Something Resembling A Winner
So, tonight is the end of this season of American Idol, which means that after a boatload of performances by the likes of Keith Urban, Queen Latifah, Rod Stewart, and other people outside the demographic of people who can try out for the show, we’ll find out whether Adam Lambert or Kris Allen will be waking up tomorrow with this year’s title. And don’t forget, as Ryan Seacrest warned last night, the show will be running overtime! (My local newscast is scheduled for 10:07 p.m. ET, which means that we’ll be here until at least 10:43.) Full coverage begins after the jump. MORE »
listening station
The Black Eyed Peas May Have The “Summer Song” Competition In The Bag
In the world of the Black Eyed Peas, the recession doesn’t exist, will.i.am and Bob Dylan are on the same level, Fergie is someone who should be taken seriously, and living the “good life” is the only worthy source of lyrical inspiration. “Imma Be,” which is allegedly the second single from the band’s forthcoming album The E.N.D., continues the band’s tactic of flinging relentlessly back-slapping boasts. MORE »
idolator's american idolatry
Not To Be Cynical, But One Has To Wonder What Slash’s Definition Of “Really Cool Songs” Might Mean At This Point

We can blame Fergie, or Lenny Kravitz, or Weiland, or the longstanding feud with Axl Rose. Or the fact that the people who aren’t primarily musicians have proven to be much more interesting mentors than people who are. I still think turning next week into a surprise Velvet Revolver audition would be an interesting idea–and one that, if Matt Sorum is to be believed, is very necessary–but the practical side of me knows that I should probably just expect Danny Gokey to sing “Magic Carpet Ride.” [Twitter via thisisareallybadidea] MORE »
videodrone
The Black Eyed Peas Search For Master Control
The Black Eyed Peas pull what we would have referred to last year as a “Chris Brown” but we will now have to call a “Dreamgirl” or something–turns out “Boom Boom Pow” is an ad for the new HP Touchsmart! MORE »
100 and single
Fergie Power: How the Spun-Off Diva Dragged Her Homeboys to No. 1
Let’s imagine that in 1992, just after Nevermind peaked, Dave Grohl took a break from Nirvana to form Foo Fighters. I mean, why not? Grohl was a gun for hire, at least the sixth drummer to sit in with the band before they finally broke big. And let’s say he scored some of those juicy Foos radio hits right away: “This Is a Call,” “Big Me,” maybe “Monkey Wrench” too.
And then imagine he came back in ’93 to Nirvana in time for In Utero, making them even bigger than they already were—not just reliable album-sellers but the kind of band able to score regular Top 40 radio hits. Grohl would be transformed, from Kurt Cobain’s potent-but-silent sidekick, to coequal band focal point.
It’s a little hard to imagine for all sorts of reasons, not least the fact that Grohl was too respectful of Cobain to form his own project until both Kurt and the band were dead and gone. But the scheduling is also fanciful—who has that kind of time, to get a successful solo career going while keeping up with a best-selling group?
The fact is, it’s exceedingly rare for a successful side project to not only coexist with the original group but bring that stalwart act to new pop-chart heights. In fact, in chart history, it’s only happened three times (really, more like two and a half).
The third of these three acts is this week sitting atop Billboard’s Hot 100, in the form of the Black Eyed Peas*. “Boom Boom Pow” is, oddly, the act’s first No. 1—but it’s gun-for-hire Fergie’s fourth. MORE »
clara peller dept.
MOG Leaps Into Battle, Weaksauce Rhymes In Tow
MOG has been one of those “music 2.0″ sites desperately in need of an identity since its launch a few years ago. First, it was a last.fm-styled playlist watcher that had blogging attached. Then it dabbled in masterminding its own ad network, as well as allowing people who blogged on its site to stream songs from their entries. And now it’s trying to be a “Huffington Post of Music,” which basically means that the site’s apparently not-well-trafficked homepage is cluttered with links to local pages that then link through to blogs that participate in its various networks. A genius way to increase pageviews—although its real ace in the hole, according to TechCrunch, seems to be that “[the site's] entire editoral staff consists of only six people, and its contributing authors aren’t getting paid—they’re just writing about what they love.” (Can someone tell me why it consistently seems that the “brave new world of Music 2.0″ is one where only executives are allowed to make money off digital music?) MORE »


