So, tonight is the end of this season of American Idol, which means that after a boatload of performances by the likes of Keith Urban, Queen Latifah, Rod Stewart, and other people outside the demographic of people who can try out for the show, we’ll find out whether Adam Lambert or Kris Allen will be waking up tomorrow with this year’s title. And don’t forget, as Ryan Seacrest warned last night, the show will be running overtime! (My local newscast is scheduled for 10:07 p.m. ET, which means that we’ll be here until at least 10:43.) Full coverage begins after the jump. MORE »
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Live-Blogging The “American Idol” Finale, Part 2: After All These Messages, We’ll Have Something Resembling A Winner
the new model
Dear Journalists: Please Use This Definition Of “The Radiohead Model” Going Forward
So last week’s little controversy over Robert Smith saying that In Rainbows‘ pay-what-you-want experiment was maybe not so good for art led to me getting annoyed with the term “The Radiohead Model,” and how it’s been misused for the purposes of arguing that art should be free, or at least pay-what-you-like. (Not to mention that it also pulls quotes out of irritable pop stars.) A reader asked me to define the term outright, instead of just ranting about its misuse—and I figured that my attempt to do so was worth a post of its own. Think of it as a public service, albeit one that’s about a year and a half after the fact! MORE »
Four former users of the BitTerrorist hub OiNK’s… MORE »
Four former users of the BitTerrorist hub OiNK’s… MORE »
Web Sheriff Vs. The BitTerrorists, Round 4,392: Nobody Wins (Especially Not Franz Ferdinand)
Since the leak last week of Franz Ferdinand’s Tonight, the overly polite anti-piracy outfit Web Sheriff has been in full-on overdrive, policing leak sites to make sure that any links to Rapidshare or Megaupload go dead faster than you can say “draw.” One of those sites, the popular “release news site” (translation: aggregator for said R’share/M’upload links) RLSLog, is crying that the Sheriff done took his mission too far, because the site has been vaporized by its Web host: MORE »
Alan Ellis, the admin of the BitTerrorist hub… MORE »
tell me something good
In Which I Give You The Power To Plan My Evening
It would appear that everyone in the music business has decided to defer to Axl Rose and not make any news today, so I’ve spent the last hour or so trying to figure out who I’m going to see during my own personal CMJ Day One. (See, last night I saw this awesome act called The Insides Of My Eyelids–they performed for 11 1/2 hours straight, and had all these whacked-out conceptual pieces about the protagonist, who looked a lot like me, wearing wide-brimmed ceramic hats while trying not to embarrass herself in front of people she wanted to impress. Fun times!) I’m working off the official schedule, although I’ll probably peruse some no-badge-required listings on the subway downtown. Here are five acts I’m interested in tonight–feel free to add your own recommendations! MORE »
pointless listmaking
Idolator Presents Five Not-All-That-Ridiculous Ways To Celebrate Rocktober
Congratulations, world! You somehow made it all the way to Oct. 1, 2008, which means one thing: It’s time for Rocktober to start. How will you celebrate? Some people are linking to YouTubes of Who songs. Others are hoping that you’ll have a hankering to hear the Divinyls and Foreigner within the same span of time. One guy who got the coveted domain name “rocktober.com” is even saying that we should bring back Metallica Monday, although I know of a few people who might disagree with that idea. Which is why I have five Rocktober-celebration suggestions of my own, all of which are located after the jump. MORE »
the new model
Rock Stars Will Soon Buy Malt-O-Meal Just Like The Rest Of Us
With all the endless chatter surrounding the record industry’s slow-motion apocalypse–downloading, business models, livestock, etc.–it’s refreshing to read someone who makes a salient point. Tim Whitwell, writing in Word, puts aside tiresome ethics-of-illegal-downloading arguments and simply considers the concrete financial future of rock stars in this new era, and what they might soon have in common with the upper-middle class. MORE »

