American Idol’s season-six runner-up Blake Lewis has a new single out, and the timing is certainly curious, what with that season’s winner Jordin Sparks releasing her new album Battlefield this week. (Come to think of it, I also got a press release about that season’s third-place finisher Melinda Doolittle this week! If I get any Antonella Barba news, you’ll know that publicists are all trying to ride the gravy train.) MORE »
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Blake Lewis Travels Back To The Pre-”American Idol” Era
the last word
Jordin Sparks Gets A Little Bit Saucy
Our look at the closing lines of the week’s biggest newmusic reviews continues with a roundup of reactions to Battlefield, the second album by American Idol’s sixth-season champ Jordin Sparks: MORE »
this thing looks like that thing
Perez Hilton Needs To Be Brought To Justice By Popjustice
Were you wondering just how Perez Hilton developed his ready-for-his-own-imprint ear? Wonder no more! The fine folks at BlackBook have put forth what they hope is evidence that he pretty much gets all his ideas from the essential UK chart site Popjustice, an accusation that many people watching the Technicolor-haired Internet scourge’s musicial habits have levied in the past. MORE »
Rumors
Wikipedia Sparks A Pretty Odd Rumor About Panic At The Disco And Michael Jackson’s Guitarist
Just in case you were wondering: Orianthi Panagaris, the Australian guitarist/singer who was a member of Michael Jackson’s backing band for his ill-fated run of shows at London’s O2 Arena, will not be replacing recently departed Panic At The Disco guitarist Ryan Ross, despite claims that apparently started on Wikipedia yesterday. MORE »
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The Heavy Dial Up At Least One Right Number
Last night, I spent some time listening to a local college radio station while a pen and paper was at the ready, and it was there that I heard the above track. (The playlist for the evening, stitched together by was a clearly, endearingly nervous DJ, also included Sparks’ “Photoshop”.) It’s called “Set Me Free” and it’s by the British act The Heavy, and I like the way it’s both breezy and pleading, which is owed in no small part to the the lead singer’s old-soul croon. (He goes by the single name of “Swaby.”) Anyway, the loose collection of songs on the band’s MySpace is also pretty promising, as is the fact that the band has apparently shared a tour with the Noisettes. And it should be said that the thrill of finding out something totally new and unexpected via the old, battered-by-everyone medium of radio hasn’t lessened in intensity at all over the past however many years I’ve been doing the whole “taking notes” thing. (At least 20, maybe more.) [YouTube / MySpace] MORE »
videodrone
Jordin Sparks Is Out Standing In Her Battlefield
The video for Jordin Sparks’ “Battlefield” made its way to the Internet over the weekend, and on the day that newly minted American Idol winner Kris Allen made his inevitable record deal with 19 Recordings official, it’s somewhat instructive to see what happens to people who stay in the 19 fold for their second albums. Sparks’ Ryan Tedder-produced track, which has co-written by ex-Color Me Badd dude Sam Watters on its four-man songwriters’ roster, is OK enough and it’s getting raves from people whose opinions I respect. But it still sounds somewhat odd to these ears, like her voice has been dosed with a double shot of Splenda because that was the only way it could match up to the bombast surrounding her. The video, on the other hand, is a simple affair that allows her to get into maximum drama mode. [YouTube] MORE »
100 and single
After ‘Idol,’ a ‘Glee’-ful Upset on the Charts
What makes American Idol such a pop-hit-generating juggernaut? The show-closing singles its winners are forced to sing are uniformly awful, so there must be something about Idol itself that ensures hits.
Is it the fact that it’s a cannily crafted competition that gives pop fans a rooting interest in budding acts with compelling backstories? It’s been said that Idol is the closest thing we Americans have to Eurovision, the annual nation-vs.-nation song smackdown, which has been generating pop hits reliably since the middle of the last century.
Or is it the simple fact that Idol is on TV, period? I’m starting to think that’s it, looking at this week’s Billboard Hot 100.
In a week that should’ve been a chart triumph for the two finalists competing in what was perhaps the show’s most compelling finale ever, the week’s highest debut comes not from winner Kris Allen or runner-up Adam Lambert, but from a bunch of no-name teenagers who sang on Fox TV in the hour after those guys finished competing two Tuesdays ago. MORE »
100 and single
From Asher to Jeremih: Selling Chart Hits on the New, Pricier iTunes
It’s now been just over a month since Apple flipped the switch at the iTunes Music Store and gave the major labels what they wanted: higher-priced hit singles.
Since April 7, downloads at the world’s largest music retailer have varied in price–from 69 cents for hundreds of low-profile catalog tracks to $1.29 for best-sellers, both new and vintage. For most observers, the question has been what effect these changes would have on what remains of the music industry, and, to a lesser extent, on Apple’s bottom line.
But I’m equally interested in how it might affect Billboard’s Hot 100.
You can’t figure this out by looking at the top of the chart. One song, the Black Eyed Peas’ “Boom Boom Pow,” has been No. 1 that entire time. And for reasons that remain, aesthetically, a mystery to me, it seems that people will buy it at almost any price (it was 99 cents its first week on sale, $1.29 thereafter). Nothing has threatened the Peas’ dominance, priced at 99 cents or otherwise.
Instead, to really get a sense of it, you have to look at a hit that’s in the middle of the pack: big enough to matter, but modest enough to provide a useful test case. Let’s give it a shot, by comparing two tracks by new acts that were, respectively, the fastest-rising sales hits of March and May–just before and just after the switch. And while these songs emerge from different sides of the pop spectrum (quite literally), they’re both youth-oriented, seemingly viral in their chart rise, and kinda dumb. MORE »
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Jordin Sparks Has No Promises, No Demands
American Idol season-six winner Jordin Sparks’ new album is set to drop in July, and the first single is “Battlefield,” a big, splashy ballad that somehow manages to be both turgid and shrill. (Ryan “Dude From OneRepublic” Tedder works his magic again!) She’ll be debuting the track on this week’s Idol results show, but rips of the promo CD have been floating around YouTube for most of the day. I don’t know if it’s my speakers or the quality of the YouTube transfers or what, but her voice sounds heavily sweetened here, almost like it’s been covered in Splenda, deep-fried, and then coated in sugar just for good measure. [YouTube (search result, because Zomba's taking these down faster than you can say "No Air")] MORE »

