Idolator

The singles charts have settled into what we hope will be a momentary midsummer slumber. And that starts with the song in its fourth week at No. 1 on Billboard's Hot 100.

Idolator's distaste for Katy Perry's "I Kissed a Girl" is well-documented, but I nonetheless have to acknowledge that this blandly titillating dance-pop smash is emerging as the nation's song of this summer, its chart run perfectly timed for the season of moist, exposed flesh.

Perry seems likely to hold the keys to the penthouse for a few more weeks, unless Rihanna's "Take a Bow" regains its bullet at No. 2, or Chris Brown's gradually rising, more enjoyably summery "Forever" (up two slots to No. 4 this week) experiences a left-field surge. Otherwise, it's a wasteland out there.

For those of us seeking good news, however, the simultaneous Top 10 entry of three cool songs on three different flagship Billboard charts—Hot 100, R&B/Hip-Hop, and Country—provide a small dose of encouragement.

A front-line act with a months-old album decides to push his most obvious hit-bound song to radio—a song heavily reliant on a prominent sample of a deathless pop hit. But, bucking the day's prevalent trend, he decides not to release the song on the most popular singles medium, forcing most customers to buy his album.

It's a risky move, because the Billboard Hot 100 is dominated by songs that scale the chart by amassing sales as well as airplay. But the song is so mindlessly catchy, the act's people figure it'll be a big chart hit anyway with radio alone.

I could be talking about M.C. Hammer's 1990 smash "U Can't Touch This," the "Superfreak"-sampling hit that made the Top 10, even as Capitol refused to issue it as a cassingle.

But I could also be talking about Kid Rock's "All Summer Long," a mashup of Warren Zevon's "Werewolves of London" and Lynyrd Skynrd's "Sweet Home Alabama" that debuts on the Hot 100 this week at No. 80 despite his lack of interest in releasing it digitally.

Can the erstwhile Robert Richie pull off in 2008 what one Stanley Kirk Burrell pulled 18 years ago?

Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

If you're trying to guess what might end up as Billboard's top song of 2008, you might take a gander at this week's Hot 100, where a prime contender is still sitting in the top three after peaking months ago.

That would be Leona Lewis' "Bleeding Love," the neo-diva ballad that's outlasted anything her role model Mariah Carey has released so far this year. According to Nielsen SoundScan, which released its (mostly dismal) midyear report this week, Lewis' smash is the top-selling single for the six-month period beginning Dec. 31 and ending June 29.

That doesn't necessarily make the Lewis track a lock for the year's top prize, due to some technicalities which I'll discuss momentarily. But there is one thing that makes "Bleeding Love" emblematic of 2008: it's an undeniable smash single which has proven tough for the artist to follow up.

Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

In the last two years, we've seen several impressive feats on Billboard's Hot 100 by Disney Channel-groomed pop acts, and this week, we see another.

Four songs from the Jonas Brothers vehicle Camp Rock, which premiered on the channel last week, debut within the Top 40. And separately, Miley Cyrus previews her first album unattached from the Hannah Montana brand—and quickly scores her second-ever Top 10 hit.

Dig below these impressive numbers, and it becomes apparent that this is not necessarily another short-lived High School Musical-style chart blip. One week into summer, teenpop may be launching one of its once-a-decade all-out assaults on the pop charts—the kind of siege that will make even you, person over 18, forcibly aware of these songs faster than you can say "Quit Playing Games (With My Heart)."

Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

EMI is the Bear Stearns of the music industry—once mighty, now declining rapidly and ripe for takeover and obliteration. But you'd never know it looking at the new Billboard Hot 100: two singles on EMI's U.S. flagship label, the 66-year-old Capitol Records, sit in the top two positions.

The chart is crowned by Coldplay's "Viva la Vida," the band's first-ever chart-topper and arguably the first No. 1 hit fueled entirely by Apple Inc. One lip-smack below them is Katy Perry's "I Kissed a Girl," which reaches No. 2—the latest leap in an inexorable march that will probably put her atop the chart before you fire up your July 4 barbecue.

Whether Perry ousts Chris Martin & co. from the penthouse next week or the week after will depend on the public's buying behavior this week, following the release of Coldplay's new blockbuster album. The interplay of song sales and album sales in the iTunes era is hard to predict—as shown by Lil Wayne's drop from No. 1, which we called wrong in a major way just last week.

Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

Lil Wayne is expected to triumph on next week's album chart, but this week, he has locked up a remarkable percentage of the Hot 100 singles chart: seven songs, starting with his five-week No. 1 champ "Lollipop."

This is the second time in three weeks that a single artist has laid claim to nearly a tenth of the chart; the other recent chart dominator was American Idol winner David Cook, who scored a mind-blowing 11 Hot 100 hits at the end of May. But Cook's feat was short-lived—he was down to three songs last week and is down to only one this week.

What makes Lil Wayne's feat impressive is not only that he could keep most of these seven songs on the chart for several weeks yet. It's that, a little bit like all-time record-holder the Beatles, he earned it.

Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

If only Chris Martin were holding an iPhone 3G: then his band would be atop the charts.

As it stands, Coldplay's "Viva la Vida," fueled by Apple's latest saturation-play TV commercial for iTunes, makes a bid for the top of Billboard's Hot 100 and lands at No. 3. They storm Lil Wayne's "Lollipop" fortress armed with blockbuster digital sales and sparse radio airplay. If Steve Jobs' minions keep that sleek ad on the air a couple more weeks, Coldplay could yet see the summit.

And even if I were among the Coldplay-haters out there, I'd be rooting hard for Martin & co., because the next U.S. No. 1 single is either going to be theirs or Idolator's early pick for worst single of 2008.

Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

As I look at this week's charts, I recall a 1994 interview in which Paul McCartney assured the world that the highly anticipated, ultimately anticlimactic 1995 Beatles single "Free as a Bird" would have a "grungy" guitar sound.

As with so many things, Sir Paul was just ahead of his time—14 years later, one of the Fab Four's most cherished chart records would be nearly equaled by a dude who can make anything, even "Eleanor Rigby," sound like grunge.

That record is for most songs on the Billboard Hot 100 by a single act. It was set on April 11, 1964, by the Beatles, who were credited on 14 of that week's 100 songs. The Fabs still hold this record, for now.

But thanks to a confluence of chart-tabulation quirks, this week a former bartender from Missouri—who until now had never appeared on any Billboard chart—comes close to tying it, placing 11 songs on the Hot 100 all at once. In so doing, David Cook sets a new, blowout record for most debuts, comes within spitting distance of the Fabs' record, and generally makes the chart grungier than it's been since Paul gave that interview.

Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

Last week I poured cold water on the chart comeback of New Kids on the Block, who appeared on Billboard's less-heralded Pop 100 chart but remained M.I.A. on the all-genre Hot 100.

But I snarked too soon. This week, Danny, Donny Joey, Jon and Jordan have the week's highest Hot 100 debut with "Summertime," their un-Jazzy Jeff-related bid for postmillennial Top 40 radio. By debuting at No. 57, "Summertime" breaks a 14-year drought for NKOTB, who last made the middle rungs on the big chart with 1994's "Dirty Dawg."

It's poetic that the ur-boy band of the modern-pop era resurfaces the very same week boy-band impresario Lou Pearlman gets thrown in the clink. After all, 1994 was pretty much the moment when Pearlman began dreaming of rejiggering the five-boy New Kids template, launching the Backstreet-*N Sync era that entrenched the boy band in pop lore.

It's like a passing-back of the baton, from one pop era to its forbear. Not that I'd accept anything baton-shaped from Lou Pearlman...

Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

The upper reaches of this week's Billboard Hot 100 are a little sleepy—two songs sneak into the bottom rungs of the Top 10, and every song above them either holds position or moves at most a spot or two.

But one of the Top 10 entrants boasts an unusual pair of credits: he has his first Top 10 hit as a recording act in the same week that he's enjoying his first chart-topper as a songwriter. Making it somewhat more unusual, at least among multi-hyphenate types: he just turned 21 about a month ago.

We're talking about former boy bander, former small-screen star, and TRL mainstay Jesse McCartney. The song he co-wrote—Leona Lewis' "Bleeding Love," penned with OneRepublic schlock-meister Ryan Tedder—is actually in its fourth nonconsecutive week at No. 1. The newer hit is his own: "Leavin'," which leaps four spots to No. 10 after a huge, iTunes-fueled debut last week.

Throw in the fact that he did a voice for the March blockbuster Horton Hears A Who! and this kid's having an awfully good spring.

Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

You can't kill Leona Lewis, you can only make her stronger. For the first time in 30 years, a song returns to the No. 1 spot on Billboard's Hot 100 after being evicted twice. Love her or hate her, Ol' Dead Eyes is back.

As unusual as Leona's threepeat is, the more interesting moves this week are made below the No. 1 spot, in part because it looks like the songs we may be hearing during car-radio season are hitting the charts now. That includes big debuts by the unsinkable Chris Brown and heartthrob Jesse McCartney, a first-time appearance by new British "It" girl Duffy, and a huge move on Modern Rock by a certain gang of veteran geek-rockers trying to regain their cred.

Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

As predicted last week, Lil Wayne, supported by the late Static Major, has hit the top of Billboard's Hot 100 with "Lollipop." For longtime Weezy fans, it's a bit of a Pyrrhic victory—the first great rapper of the Web 2.0 era hemming in his flow to score a big hit. But nine years after his emergence on the Juvenile classic "Back That Azz Up," it's still a bit of a thrill to see Wayne's name gracing the top of the charts.

It's not only Weezy's first No. 1 but also his first Top 10 as a lead artist and, amazingly, his first trip to the top slot in 20 chart entries (21 if you include the Hot Boys' 2000 single "I Need a Hot Girl"). Prior to this, he'd never ascended any higher than No. 3 with his supporting performance on Destiny's Child's "Soldier."

How long he stays at No. 1 will depend on whether "Lollipop" settles in as a viral hit a la "Crank That" or "Low"—and on the competition percolating below him. The Top 10 is as fluid as it's been since last summer, which makes things fun for your humble chart columnist.

Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

Forget that sleepy winter we just endured. We've got a horse race.

The top slot on Billboard's Hot 100 has turned into a revolving door, as Mariah Carey succumbs to the gal she replaced just two weeks ago.

Boosted by the U.S. release of her debut album, Leona Lewis rides her biggest week of digital sales yet (223,000 downloads) to recapture the top slot on the chart with "Bleeding Love." Back in March, when the song first rose to No. 1, we snarked about the power of Oprah to make this British reality-show ingénue an American pop star. But at this point, it's only fair to say that Lewis' song is pretty much doing the heavy lifting on its own.

Lewis shouldn't get too comfortable, however: Almost every other song in the Top Five could plausibly replace her next week, including "Touch My Body," the Carey song she replaced.

Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

For all their popularity the world over, songs by Radiohead haven't exactly set the charts alight. (Even in their homeland: they've never scored a U.K. No. 1.) In part that's due to their status as a top-tier album act; fans would sooner buy the full-length than an individual track.

But it's also a function of Radiohead's erratic approach to singles. Sometimes they pack singles with invaluable B-sides for collectors; sometimes songs are only serviced to radio—and that includes some of the band's catchiest tunes ("Let Down," "Bodysnatchers").

This week, we have evidence that Radiohead should release singles more often—or at least, release them in pieces. They score only the second U.S. Top 40 hit of their career, with one of the least catchy songs on the catchier-than-usual In Rainbows.

"Nude" debuts on the Billboard Hot 100 at No. 37, instantly becoming their biggest hit since "Creep" made No. 34 in 1993. Honestly, though, the two hits aren't remotely comparable in terms of popularity. "Nude" achieves this high chart placement thanks to Radiohead releasing the song as a remix project, and asking rabid fans to pay 99 cents for each piece of the mix. Which they dutifully did.

Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

So momentous was the news of Mariah Carey's triumph on the Hot 100 with "Touch My Body" that Billboard leaked it on Wednesday, a day early. Chart freaks talk about acts beating small records all the time. But it's not every day that someone beats a mark on the all-time list that involves something as iconic as career No. 1 hits. And it's even rarer when that record is four decades old and involves the King of Rock & Roll.

And hey, Elvis was only ranked second on the list for total No. 1 hits. (He was, until this week, first place among solo acts.) Even sadder for Presley fans, this same week, another lady bests a record he had all to himself—this time, for most Top 10 hits. As "4 Minutes" makes a 65-point leap to No. 3, Madonna pulls out of a tie with the King, leaving him all shook up with 17 No. 1's and 36 Top 10s, to Carey's 18 chart-toppers and Madge's 37 smashes.

There's no joy in Graceland today. And if you're near Abbey Road right now, don't be surprised if folks there look a bit twitchy, too.

Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

As we previewed yesterday, Leona "Limey Mariah" Lewis has fulfilled our prediction from last week and shot to No. 1 on the Billboard Hot 100 with her debut single, "Bleeding Love."

But she's not the only newsmaker in the winners' circle. After one of the most stagnant winters in pop-chart history—just last week, the top seven records were unchanged—music lovers welcome spring by throwing a grenade into the middle of the Top 10, where songs scatter everywhere. The results: Lil Wayne has his first Top 10 hit as a lead artist, Lil Mama has her second, and an exceedingly tacky Ray J song is hurtling toward the top.

He'll have to wait, however, if he expects to crown the chart. Lewis is going to be replaced at No. 1 next week, but not by him.

Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

You thought Beyonce vs. Rihanna was an old school-new school catfight? We've got a better one.

British belter Leona Lewis hurtles 13 spots to No. 8 on Billboard's Hot 100 with "Bleeding Love." Already dubbed "the next Mariah Carey" by multiple news outlets since winning British television's The X Factor last fall, Lewis is now clearly making a fast break for No. 1 in America. And she's doing it at the very moment her melismatic model is herself on the way up. Within two to three weeks, we could be witnessing an epic diva battle for the top slot.