Posts Tagged “alicia keys”
Alicia Keys Would Like To Get Into Your Social Network
You'd think that someone whose album has sold 3.4 million copies in this arid music marketplace would feel that she doesn't have to promote her album by engaging in silly stunts that only use the commercial breaks on The Hills to show the world that Nick Lachey has more acting chops than she does. But in the case of Alicia Keys, you would be wrong! And her stunting has somehow gotten even more embarrassing—she's recruiting a backup singer (who's 21-30, "physically fit," and "able to dance") via MySpace, perhaps in honor of the site's new karaoke area. This is one of those times when I feel like an elopement would have at least a bit more dignity in the grand publicity-stunt scheme of things. [Billboard]
Alicia Keys' New Video Pays Respect To Dean Big Brother Almighteee
School Daze, being Spike Lee's second full-length film, is a little clumsy for a musical and features the worst ending in a career full of bad ones, but it has an excellent cast and plenty of memorable set pieces. So it's no shock that Alicia Keys would interpolate it for her new video, "Teenage Love Affair," a young girl's valentine to a school mate: "Want you to be my first, my last, my ending and beginning." I don't think she included enough of the frat stuff, though. More »
50 Cent Befuddled By Alicia Keys' 'Classical Music Shit'
Alicia Keys Needs To Drop The Soap
Is Alicia Keys Going To Duet With Ol' Blue Eyes At The Grammys?
Alicia Keys: Yep, She's Still On Top Of The Album Charts
Alicia Keys' As I Am topped the album charts this week, selling 61,000 copies and increasing its sales total by 3% over a week ago, when it was in the No. 2 slot. Last week's top seller, the soundtrack to Juno, took a 16% hit and flip-flopped with As I Am. Thank God the Jack Johnson album is coming out to rescue us from this monotony, eh? Wait, did I just really say that?
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Americans Apparently Believe That Alicia Keys Is Pretty Much The Only Artist Whose Records Are Worth Buying
In a pretty dismal week for the album charts overall, Alicia Keys' As I Am held on to the top spot, selling 61,000 copies—a 14% dropoff from the week before. The next three chart entries—the Juno soundtrack, Mary J. Blige's Growing Pains, and Radiohead's In Rainbows—all stayed in the same chart positions as the week before as well, although all those albums experienced sales drops (of 15%, 19%, and 33%, respectively.) But wait, there's more bad news!
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Alicia Keys Is Fallin' Into The Album Chart's No. 1 Spot
Contrary to earlier reports, the Juno soundtrack did not take the up-the-pole position on this week's album-sales charts—instead, the Moldy Peaches-stuffed album took the No. 3 slot, selling 68,000 copies. Instead, this week's No. 1 was Alicia Keys' As I Am, which sold 70,000 copies and backed into the top spot on a 38% sales dip; last week's No. 1, Radiohead's In Rainbows, had a 44% drop of its own and fell into the No. 2 slot.
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Goodbye Alicia, Hello Alicia: New Hits Start Bubbling Up
Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on the Billboard Hot 100 in the latest installment of "100 And Single":
Now in its fifth week atop Billboard's Hot 100, Alicia Keys' "No One" is as unmovable as sticky toffee pudding—as is most of the Top 10. But there are songs percolating further down the chart, and they give a hint of what might burst into the winner's circle when the year-end logjam breaks.
More »Jingle Ball 2007: BJs For The JBs
Our headline was actually one out of the several hundred text messages that scrolled across a video ticker high above the stage at Madison Square Garden on Friday night, when a sold-out crowd of tweens and teens (and Idolator) took in the pop chart mish-mash of New York radio station Z100's annual Jingle Ball, and the junior high horndogs who sent in that text weren't talking about James Brown's sidemen, but the Jonas Brothers, the pre-fab pop-punk puppy dogs fresh off a leg of the Hannah Montana tour. All night, the mere mention of the Brothers' names prompted screams so loud you'd think the arena had spontaneously popped a collective cherry, and for four hours, hundreds of exclamation point-riddled messages pledged love to one Brother or another, though usually more along the lines of a chaste hug than fellatio. And taken against the rest of the evening's performances, America's squealing affection towards Disney's latest attempt to bail out the industry (for at least another 12 months) wasn't necessarily misplaced.
Which Z100 Star Will Put On The Most Painful Performance At Tonight's Jingle Ball?
Tonight, Maura and I will be at Madison Square Garden for New York pop station Z100's annual Jingle Ball, taking in the cream of Billboard's crop: Fall Out Boy! Alicia Keys! Avril Lavigne! The Jonas Brothers! Jordin Sparks! Colbie Caillat! Backstreet Boys! Boys Like Girls! Timbaland! With OneRepublic! And Keri Hilson! Is pop music really dead? Probably, but we'll find out for sure tonight. As a friend put it, it's going to be awfsome! But which iTunes bestseller is going to put on the most awfsome performance tonight? For the answer to that, we turn to the crystal ball of our handy poll software.
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"No One" Here Gets Out Alive: Sales Malaise Spreads to the Hot 100
Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on the Billboard Hot 100 in the latest installment of "100 And Single":
If you, current pop act, are not an Oprah-anointed permhead with a name rhyming with "Lohan," you are not having a fun week: A mid-holiday-season malaise has settled over the Billboard charts. That's clear from the current results on the Hot 100, where Alicia Keys holds on to the top spot for a third week even as her sales fall considerably.
More »Lady Business: It's Been A Good Year For Females On The Hot 100
Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on the Billboard Hot 100 in the latest installment of "100 And Single":
For the first time in its three-month chart life, Alicia Keys' "No One" sells fewer digital singles than it did the week before. But that's no problem, as her continued radio dominance means she's still tops on Billboard's Hot 100—even as one song given up for dead starts to make a comeback.
More »Alicia Keys Completes Her Week-Long Romp By Topping Hot 100
Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on the Billboard Hot 100 in the latest installment of "100 And Single":
It's been charting for less than three months, but Alicia Keys' "No One" feels like it's been around forever. It broke into the Top 10 of Billboard's Hot 100 after only four weeks, but then its movement slowed to a crawl; in each of the last four weeks, it's only moved up one spot. But that last one-spot move gives Keys' squonky, fascinatingly weird ballad the win, as it evicts Chris Brown's "Kiss Kiss" from No. 1.
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