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Posts Tagged “Billboard”

corporate rock still sells

"Billboard" Breaks Down, Dials Up Triple-A

Many people find it hard to tell the great from the godawful when it comes to 21st-century mainstream rock. To help figure out which is which, here's "Corporate Rock Still Sells," where Al Shipley examines what's good, bad, and ugly in the world of rock and roll. This time around, he gives Billboard's newest radio-airplay chart, which focuses on the lighter rock offerings served up by Adult Album Alternative (or "Triple-A") stations, a once-over: More »

branding

"Billboard" Looks Back On Pop's Proud Tradition Of Doling Out Free Advertising

Billboard continues its coverage of the 50th anniversary of its flagship singles chart, the Hot 100, with a look at songs on its recently compiled all-time Hot 100 that have engaged in lyrical brand-dropping. Not surprising, there are a few hip-hop songs in the rundown ("Gold Digger," "Low," "Yeah!"), but a couple of older radio staples are also in there: the Bee Gees' "Stayin' Alive," which name-checks The New York Times; Chic's "Le Freak," which mentions the New York nightclub the Savoy (confidential to Billboard—pretty sure the lyric is about stomping, not stopping, at the nightclub); and Carly Simon's "You're So Vain," which incorporates the Saratoga race track and the Lear jet into its lyrics. [Billboard]

just like the ocean under an eternally burning moon

That Santana Song With Rob Thomas: It Was Even More Popular Than You Thought


The geekier music fans among you might want to pick up the current issue of Billboard, which is devoted to the 50th anniversary of the Hot 100 and has put together a ton of commemorative listings. Among them, of course, is the All-Time Hot 100, which—through some tricky data-weighing—placed Chubby Checker's "The Twist" at No. 1. Right behind it is the unofficial song of Mets ace Johan Santana, "Smooth" by the Rob Thomas-assisted Santana; that track was also the No. 1 rock song of the modern era, so now you can all relax in the knowledge that, yes, it really was haunting your every moment for a period of time at the end of last century. But wait, there's more! The top 25 of the All-Time Hot 100—plus a few other tidbits from said chart—after the jump. More »

corporate rock still sells

Celebrating 20 Years Of Modern-Rock Countdowns, From Siouxsie To Staind

Many people find it hard to tell the great from the godawful when it comes to 21st-century mainstream rock. To help figure out which is which, here's "Corporate Rock Still Sells," where Al "GovernmentNames" Shipley examines what's good, bad, and ugly in the world of rock and roll. This time around, he celebrates the 20th anniversary of Billboard's Modern Rock chart by cherry-picking some of its most oddly notable chart-toppers: More »

After being temporarily promoted to head up the Billboard group's editorial activities, Billboard staffer Bill Werde has been given the mag's editorial director position outright. Congratulations, Bill, and congratulations to whatever copyeditor was inspired to use the construction "Werde Upped" in the the headline of the promotion's announcement. [Billboard]

100 and single

Bulls, Bears, And Bullets: 50 Years Of The "Billboard" Hot 100

When this column debuted on Idolator, I briefly referred to the Hot 100, Billboard's premier singles chart, as "the Dow Jones of pop."

As quippy as that might have sounded, I wasn't kidding. Like the Dow Jones Industrial Average—which signifies the health of the U.S. economy for millions of people who understand little about what the Dow means or how it works—the Hot 100 has been around long enough to become both a fixture and a shorthand for the current state of U.S. popular music.

The Hot 100 is exactly 50 years old this week. The first No. 1 song on the chart Billboard launched the first week of August, 1958, was Ricky Nelson's "Poor Little Fool," an ode to a teasing girl and her bedeviling kiss. It's a considerably politer—if more spiteful—song than the current chart-topper, which tackles a similar topic.

I've been following the Hot 100 avidly for about half of its 50 years, from the first time I heard Casey Kasem on the radio. So before I go on a two-week vacation and put "100 & Single" on a brief hiatus, I hope you'll indulge me as I tackle why I think the Hot 100 matters—even as the industry it was invented to track comes crashing down around it.

More »

Billboard group editorial director Tamara Conniff is leaving the magazine to take a position with Front Line Management, which is run by music industry heavyweight Irving Azoff and which counts the Eagles and New Kids On The Block on its roster. Bill Werde will take over Conniff's duties in the interim, according to the mag, which I think means that there's actually a music-related editorial job available right now! Holy bajoly! [Silicon Alley Insider]

pointless listmaking

This Summer In Concerts: Lists, Lights, And Lots Of Robert Plant And Alison Krauss

Apparently this past weekend was "National Run Your Listicle-ish Summer Concert Preview" for many of this nation's finer newspapers, as my RSS feed was stuffed with "top five" and "top 10" lists of tours and festivals from newspapers around the country. While they're distinct in their regional biases (the Seattle Times rundown is festival-heavy; the USA Today one sticks with nation-storming stalwarts) the writers share one thing in common: they really really like Robert Plant and Alison Krauss. Or at least want to sort of feel like they're at a Led Zeppelin show. Highlights of five summer show previews after the jump. More »

profitability?

Billboard Does The Math On iTunes

It isn't necessarily because the music industry is imperiled all over that the question of whether the iTunes Music Store is operating at a profit finds interest among industry folks. According to Billboard's Ed Christman, who did plenty of math and showed his work in his piece, the store is indeed making money, though precisely how much remains in question. More »

Folio has the complete list of magazines that were recently ditched by Wal-Mart for still-undisclosed reasons. While a good chunk of the titles are publications that have folded in the past few years—CMT Magazine, holla!—there are some still-publishing music-related mags on the list, including Billboard, Spin, Paste, and Rap-Up. Between these moves and the retailer's plans to cut floor space devoted to music, it looks like 2008 might not be the best year for heartland dwellers who actually want to purchase their alt-rock-leaning music in an actual store. [Folio via Gawker]

year-end analysis

"Billboard" Asks Musicians For Their Favorite Records Of 2007 With Hilarious/Confusing Results

From Pitchfork to Artforum, publications love to pad out their year-end coverage with Top Ten lists from musicians, whether world-famous or positively subterranean, but perhaps only Billboard could bring together Greg Dulli and Katharine McPhee. Instead of reprinting them all—there are many, and do you really care that the dudes from Vampire Weekend also liked that Panda Bear record an awful lot?—we've included our "Top Three Lists From Billboards's Top Tens" after the jump, along with our "The Good," "The Bad," and "The Whaaaa?" wrap-up, so as not to spoil the fun. More »

a who charted special report

The "Billboard" Year-End 200: 2007's Biggest Trend? Albums From 2006

If only the Billboard Awards were still around! Then we'd get to find out that Daughtry had the trade magazine's top album of 2007 via him covering "Live And Let Die" with Dizzy Reed and Paul McCartney or something. But there's no time to mourn over that when there's so much other stuff to gnash your teeth over on this week's chart, like the fact that Billboard's December-to-November chart year—not to mention ever-declining album sales—means that the top of the chart is riddled with records that actually came out in calendar year 2006 (and were bought up in big bunches during last year's holiday season): More »

really, really bad ideas

"Billboard" Is Very Serious About Paying Writers With Cameraphones

Thanks to Ned Raggett for pointing out that Billboard has been reduced to spamming I Love Music—a message board frequented by a fair amount of people who get paid in actual dollars to write about music—to promote the "blogging for cameraphones" contest. (Apparently, the thrust-tastic video above wasn't enough.): More »

prince

Concert Promoters May Be Preparing For Total Eclipse Of The Charts

In 2004, Prince bundled tickets for his arena-filling tour with copies of his okay-but-really-just-play-"Darling Nikki"-album Musciology. The move may have given the singer some of his best sales figures in years, but it didn't exactly endear him to Nielsen SoundScan and Billboard, who gave Prince a pass, but then immediately nixed the maneuver for any other artist. Now, with SoundScan numbers hitting an all-time low, the L.A. Times is reporting that artists may soon stop trying to appease the chart-masters: More »

We Guess This Means His Ashes Aren't In An Urn Somewhere Well, it could have been worse: The headline writer could have pointed out his "Push Th' Little Daisies" cover. Levert Returns To Roots On Posthumous Album [Billboard]