Posts Tagged “Charts”
Can't Touch This Werewolf: Kid Rock Brings Back The Sales-Free Chart Hit
A front-line act with a months-old album decides to push his most obvious hit-bound song to radio—a song heavily reliant on a prominent sample of a deathless pop hit. But, bucking the day's prevalent trend, he decides not to release the song on the most popular singles medium, forcing most customers to buy his album.
It's a risky move, because the Billboard Hot 100 is dominated by songs that scale the chart by amassing sales as well as airplay. But the song is so mindlessly catchy, the act's people figure it'll be a big chart hit anyway with radio alone.
I could be talking about M.C. Hammer's 1990 smash "U Can't Touch This," the "Superfreak"-sampling hit that made the Top 10, even as Capitol refused to issue it as a cassingle.
But I could also be talking about Kid Rock's "All Summer Long," a mashup of Warren Zevon's "Werewolves of London" and Lynyrd Skynrd's "Sweet Home Alabama" that debuts on the Hot 100 this week at No. 80 despite his lack of interest in releasing it digitally.
Can the erstwhile Robert Richie pull off in 2008 what one Stanley Kirk Burrell pulled 18 years ago?
More »The Recorded-Music Business Stems The Bleeding Just A Bit
Celebrating Our Northern Neighbors' Contributions To This Country's List Of No. 1 Hits
Viva La Album Sales
"Tha Carter III" Breaks The Million Mark, Headline Writers Rush To Make "A Milli"-Related Puns
Lil Wayne's long-awaited Tha Carter III sold more than a million copies in its first official week on store shelves, according to Soundscan—a tally that's more than four times his previous biggest-sales-week total of 238,000, which was reached by Tha Carter II in 2005. Tha Carter III is the industry's first platinum-in-a-week album since March of that year, when 50 Cent's The Massacre moved 1.14 million copies in a truncated sales week. In "cognitive dissonance" news, today also welcomed an IFPI survey claiming that worldwide music sales have reached a 20-year low, which leads me to think that the majors are going to start their global hunt for Lil Wayne clones, oh, right about now. [Billboard]
Tough Break, Nerds: The Jocks Win Again
HITS Daily Double's chart predictions for the coming week are slightly good news for the music industry, with five albums selling in the six-digit range, and bad news for humanity, what with Disturbed taking the top spot with around a quarter of a million copies sold of their latest album, Indestructible. The last Disturbed disc had a similar first-week sales tally (239,000), so either Warner Brothers' strategy of keeping the band from playing new material live is paying off or the band's fans haven't made a lot of progress in figuring out the Internet. Likely filling out the top five are Weezer (150,000-160,000), the 28th volume of the unsinkable Now series (145,000-155,000), Usher's Here I Stand (140,000-150,000), and the Wal-Mart-only Journey disc (100,000-110,000). Ashanti seems to have been hit the hardest by time, with her nearly 250,000-copy first-week sales total for 2004's Concrete Rose dipping to a meager 75,000-85,000 for The Declaration. She should really consider recording a country record. [HITS Daily Double]
Weezer's "Embrace The Internet" Strategy Probably Won't Lead It To The No. 1 Spot
Based on first-day sales, Hits is predicting that Weezer's red self-titled album will move about 150,000 copies in the coming week, a total that's good enough to give Rivers Cuomo and Co. the No. 2 spot on the coming week's album chart. What's the predicted No. 1, you might ask? Why, the posers in Disturbed, whose album Indestructible is predicted to sell between 230,000 and 250,000 copies. Other predicted debuts: Ashanti and the now-Pineda'd Journey will each sell within the 80,000-copy range, while Jewel's attempt to cash in on the fact that country fans still buy albums may fool as many as 50,000 people. [Hits]
"American Idol" Inspires America To Give Back To 19 Entertainment
So, How Many Albums Will Usher Actually Sell?
Will.I.Am Has A Hit In England? How Did This Happen?
I was cleaning the upstairs bathroom and listening to BBC Radio One's Chart Show on Sunday, and throughout the program the hosts were speculating where "Heartbreaker" would end up. "Heartbreaker," I thought? By whom? Turns out it was will.i.am, who while redeeming himself slightly with the "American Boy" beat hasn't done much with his solo disc (should've taken my advice, pal). Thankfully, the track was held to No. 4 for the second week, although whether justice was served might depend on your opinion of the Ting Tings. [Radio 1] More »
Scooter Turns Assault On Ears Into British No. 1
It's been a tough chart week for Madonna. First, it looks like Neil Diamond's new full-length is going to knock Hard Candy out of the top spot on the U.S. album chart. Then Scooter shoots past her new album on the British charts. Scooter? The German techno band that seemed to be on every lousy compilation for awhile? Yep.
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Neil Diamond To Top The Increasingly Relevant Album Chart
The results of this week's round of album sales are trickling in, and it looks like Neil Diamond will take the top spot, selling in the neighborhood of 125,000 copies. Diamond's previous album, 12 Songs, debuted at No. 4, which may be a sign that Matt Sweeney's acclaimed guitar work on Home Before Dark is responsible for its success. Projections have all non-Neil Diamond albums selling below the six figure benchmark; Clay Aiken slides into second place with less than half of the first-week sales of 2006's A Thousand Different Ways. What happened, Claymates? You've let your red-haired angel down. Madonna and Mariah Carey hang on desperately to the three and four spots, while Gavin DeGraw, Toby Keith, Leona Lewis, Josh Groban, Dierks Bentley, and Michael Buble round out the most depressing top ten in recent memory. [HITS]
50 Cent To Lil Wayne: Too Many Bad Sexual Metaphors Drive Listeners Away
50 Cent thinks that the path Lil Wayne is currently traveling down—while it may have led him to his first career No. 1 single—is a dangerous one, because it's one that Curtis sees as similar to the path he traveled down in recent years. You may remember that era, when he released "Candy Shop" and "Amusement Park" back to back, only to see the latter greeted by yawns that were so loud, they pushed Curtis' release date back by months. So is 50 saying that "Lollipop" is a crummy song propped up by a persona that's as calculated as the supplement list in a bottle of Vitamin Water, and that No. 1 lightning doesn't strike twice on those sorts of combinations? As if! He's under the impression that the masses rejected "Amusement Park" because it just gave the audience too much sexy after the lick-heavy metaphors of "Candy Shop"... and that people will do the same to Weezy's next track from Tha Carter III if he isn't careful.
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