Posts Tagged ‘Emi’

Pink Floyd Will See EMI On The Dark Side Of The Courtroom

pinkfloydIn today’s midday headlines: Pink Floyd gets litigious, Rick Ross gets bored, and Madonna nurses her wounds. MORE »


EMI Going The Online Focus Group Route?

EMI recently (?) launched a “an exclusive online research community of people with a passion for music - just like you!” called EMI SoundCheck, which will in future months apparently have surveys in which people can “discover music,” or perhaps more accurately “tell EMI what will appeal to a 33-year-old woman from New York who listens to the radio occasionally.” Is this bringing the world of call-out research—in which randomly selected phone numbers get played minuscule snippets of songs and asked to provide a snap judgment—to the Internet, and major labels? I guess in the “throwing anything at the wall” era of the music business, what worked to help decimate interesting radio should help accelerate the majors’ demise. MORE »

Another major (Atlantic, maybe?) did this four or five years ago. I signed up, then there were only three surveys: one for a teen-pop girl whose album never got released, and two for R&B acts.

MORE »


EMI is suing the music search engine Seeqpod and… MORE »

A company that invests in a website that points to songs should be bankrupt anyways. F- 'em.

MORE »


EMI is suing the music search engine Seeqpod and… MORE »

A company that invests in a website that points to songs should be bankrupt anyways. F- 'em.

MORE »


Counterpoint: The Olds Need To Buy More Albums

It’s never heartening to check music biz news… MORE »

Lilly Allen will save them.

Chuckle.

MORE »


Two of the executives involved in Terra Firma’s… MORE »

Hello, EMI.
Goooooodbye.

MORE »


Lily Allen Shows Off Newish Song, EMI Shows Off Newish YouTube Strategy


Yesterday, charming blogabout Lily Allen debuted “The Fear,” the lead single off her forthcoming album It’s Not Me, It’s You. The song is a brighter version of a track she previewed on MySpace back in April, and it burbles along nicely, with shiny synths underscoring Lily’s simple singalong melodies. But I’m also interested in how Parlophone, her label in the UK, decided to treat the pre-video period on YouTube, because it actually represents something of a smart move. MORE »

Is the radio version sort of muddy sounding like this one? I hope so, because this is great. I'm really looking forward to the album

MORE »


Paul McCartney said today that negotiations to… MORE »

Well, of course, Macca is the great oracle and we need to know his opinion on everything GnR related.

I've brought this up in another comment, but unless they get the EU copyright laws changed, if they drag their feet much more, it's going to start going public domain in the EU in five years anyway. And yes, with the Beatles, I think it's entirely realistic to expect this to drag on another five years. I'd think that might encourage all parties to put a rush on this, but then again, they might have an ace up their sleeve with regards to the 50 year rule. I don't know if entertainment companies get to write the copyright laws in the EU like they do in the US.

MORE »


As Seen On TV: Music Joins The Marketing Fold

It’s no surprise that EMI execs would try to stress the positive in their interview with Billboard, and sure, there’s some red meat in there, particularly the bit about DRM-free digital sales not having any effect on piracy. Their explanation for how the company will work from now on–managing “the relationship between the artist and the fans” by giving each more information about the other–is less convincing, given the example of telling a country band that they have fans in Chicago. That’s been the label’s job ever since it started dipping its fingers in tour schedules. EMI’s new direction is better heralded by the company’s hiring of the founder of MyCokeMusic, one of the first legal download services. Instead of installing him in a sales position, however, they’re making him a VP of “brand partnerships.” Why would you do that with someone present at the creation of the new digital economy, who might have a better idea of how to actually get people to pay for music? MORE »


EMI: “And Now For Something Completely Different”

We know that some people might be dismayed to hear that EMI hasn’t just closed up shop and given up on music entirely. But the beleaguered company has–really!–earned £59 million (before tax, depreciation and amortization) in the second and third quarters of 2008, thanks in part to the successes of Coldplay and Katy Perry. “EMI is absolutely not bankrupt, far from it. EMI has never been in such a financially sound situation,” recorded-music CEO Elio Leoni-Sceti said of this news. And now the company’s planning to restructure itself, splitting the music aspect of the business into three parts. MORE »

Well the thing about music that remains popular long after it's original release is that every day hundreds of thousands of new people are born who one day will want to buy The Beatles/Dark Side of the Moon/ In a Soulful Mood, etc etc. Just because everyone who was 15 or older in '87 has bought them doesn't mean that there aren't new potential buyers entering the market every single day.

MORE »