Idolator

Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

The upper reaches of this week's Billboard Hot 100 are a little sleepy—two songs sneak into the bottom rungs of the Top 10, and every song above them either holds position or moves at most a spot or two.

But one of the Top 10 entrants boasts an unusual pair of credits: he has his first Top 10 hit as a recording act in the same week that he's enjoying his first chart-topper as a songwriter. Making it somewhat more unusual, at least among multi-hyphenate types: he just turned 21 about a month ago.

We're talking about former boy bander, former small-screen star, and TRL mainstay Jesse McCartney. The song he co-wrote—Leona Lewis' "Bleeding Love," penned with OneRepublic schlock-meister Ryan Tedder—is actually in its fourth nonconsecutive week at No. 1. The newer hit is his own: "Leavin'," which leaps four spots to No. 10 after a huge, iTunes-fueled debut last week.

Throw in the fact that he did a voice for the March blockbuster Horton Hears A Who! and this kid's having an awfully good spring.

Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

You can't kill Leona Lewis, you can only make her stronger. For the first time in 30 years, a song returns to the No. 1 spot on Billboard's Hot 100 after being evicted twice. Love her or hate her, Ol' Dead Eyes is back.

As unusual as Leona's threepeat is, the more interesting moves this week are made below the No. 1 spot, in part because it looks like the songs we may be hearing during car-radio season are hitting the charts now. That includes big debuts by the unsinkable Chris Brown and heartthrob Jesse McCartney, a first-time appearance by new British "It" girl Duffy, and a huge move on Modern Rock by a certain gang of veteran geek-rockers trying to regain their cred.

Being a professional rock critic means you wind up accumulating a lot of records—some of which you even keep! In Singles Again, Chuck Eddy will, as he put it, "cash in on inevitable nostalgia for a more innocent analog time by digging out and spinning for myself all the mysterious indie vinyl 7-inches by forgotten no-names that have piled up on my shelf over the past decade or two, in hopes of figuring out why the heck I kept them in the first place." In this installment, he careens from 1981 Louisville to the early-millennium deep German south and back again:

Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

As predicted last week, Lil Wayne, supported by the late Static Major, has hit the top of Billboard's Hot 100 with "Lollipop." For longtime Weezy fans, it's a bit of a Pyrrhic victory—the first great rapper of the Web 2.0 era hemming in his flow to score a big hit. But nine years after his emergence on the Juvenile classic "Back That Azz Up," it's still a bit of a thrill to see Wayne's name gracing the top of the charts.

It's not only Weezy's first No. 1 but also his first Top 10 as a lead artist and, amazingly, his first trip to the top slot in 20 chart entries (21 if you include the Hot Boys' 2000 single "I Need a Hot Girl"). Prior to this, he'd never ascended any higher than No. 3 with his supporting performance on Destiny's Child's "Soldier."

How long he stays at No. 1 will depend on whether "Lollipop" settles in as a viral hit a la "Crank That" or "Low"—and on the competition percolating below him. The Top 10 is as fluid as it's been since last summer, which makes things fun for your humble chart columnist.

Ed. note: Chris "dennisobell" Molanphy, our resident chart guru, looks at the upward, downward, and lack of movement on this week's Billboard charts:

Forget that sleepy winter we just endured. We've got a horse race.

The top slot on Billboard's Hot 100 has turned into a revolving door, as Mariah Carey succumbs to the gal she replaced just two weeks ago.

Boosted by the U.S. release of her debut album, Leona Lewis rides her biggest week of digital sales yet (223,000 downloads) to recapture the top slot on the chart with "Bleeding Love." Back in March, when the song first rose to No. 1, we snarked about the power of Oprah to make this British reality-show ingénue an American pop star. But at this point, it's only fair to say that Lewis' song is pretty much doing the heavy lifting on its own.

Lewis shouldn't get too comfortable, however: Almost every other song in the Top Five could plausibly replace her next week, including "Touch My Body," the Carey song she replaced.

MSNBC has a piece about "terrible songs from great albums." Immediately, we decided it was bullshit. "Long And Winding Road" sucks, sure, but is Let It Be a classic album? Isn't it frequently considered the Beatles' worst? Even though Maura wasn't like "'My World' isn't terrible" in my IM window , who thinks Use Your Illusion II is the GNR album to grab? (I wouldn't know, I don't buy albums with "Estranged" on them.) "Endless, Nameless" wasn't even on my cassette copy of Nevermind, and plenty of people love it. Calling just one song on Synchronicity embarrassing seems like a cheat, and I think "EXP" is cute as hell. So here are a few truly disgusting tracks from otherwise excellent albums.