
Coldplay has sold over 125,000 copies of
Viva La Vida in the UK after one day of release, guaranteeing the album a No.1 debut despite being released three days after the usual release date for UK albums. While
Vida may hit instant platinum (300k) status by the end of the week, it probably will not top
X&Y's 464,000, let alone challenge Oasis's
Be Here Now for the best opening-week sales in British recording history. I was going to be all "lol,
Be Here Now," but our country has given that honor to N'Sync's
No Strings Attached. Which I may still prefer. [
Billboard.biz]

Oasis has allegedly replaced drummer Zak Starkey (The Who/Icicle Works/Lightning Seeds) with Chris Sharrock (Robbie Williams/Icicle Works/Lightning Seeds). Seeing as how Noel called Williams "the fat dancer from Take That," I'm guessing it's the rest of Sharrock's pedigree (which also includes a stint with The La's) that impressed him. Starkey helped record Oasis' upcoming album, but is no longer involved with the group. [
Mirror]

Once moderately famous rock musician Noel Gallagher (purportedly) suffered the z-list indignity of botching multiple attempts to charm his way into various Oscar parties on Sunday night. Yeah, it
has been years and years since Oasis' last U.S. hit, but it has to gall poor Noel that they let
Courtney Love into Elton John's soiree. [
Gigwise]

Unloved in reality and in search of someone who still cares, Oasis has debuted the trailer for their documentary,
Lord Don't Slow Me Down on Second Life, the ridiculously elaborate virtual world in which people buy worthless real estate. "Virtual merchandise" has also been made available for Second Lifers who want to dress as a person from virtual 1995 at the virtual Halloween party. [
NME]

Oasis has finally buried the hatchet in its "war" with Blur, claiming that they don't want to be seen as "wankers" and thereby generating at least one more tiny news item out of a decade old marketing scam for a pair of singles that barely anyone in America remembers. Damon Albarn was too busy counting his cartoon money to be reached for comment. [
NME]