Of Montreal

Of Montreal Get Cannibal, Bloody And Violent With “Coquet Coquette” Video

Erika Brooks Adickman | August 18, 2010 1:52 pm
Erika Brooks Adickman | August 18, 2010 1:52 pm

Solange Knowles And Of Montreal Give Jimmy Fallon Good “Sex Karma”

Robbie Daw | July 30, 2010 8:38 am
Robbie Daw | July 30, 2010 8:38 am

Of Montreal And Janelle Monae Tour Dates Released, America: Prepare Yourselves

Erika Brooks Adickman | July 7, 2010 4:05 pm
Erika Brooks Adickman | July 7, 2010 4:05 pm


Janelle Monae Tightropes On ‘Lopez Tonight’ And Jams With Of Montreal

Erika Brooks Adickman | May 28, 2010 1:00 pm
Erika Brooks Adickman | May 28, 2010 1:00 pm

FRIDAY VIDEO TIME: The Highly Subjective Totally Debatable List Of The Best Songs That Start With The Letter “G”

Erika Brooks Adickman | May 14, 2010 10:52 am
Erika Brooks Adickman | May 14, 2010 10:52 am

Of Montreal “Make The Bus”, Forget To Save A Seat For Janelle Monae

Erika Brooks Adickman | May 11, 2010 5:15 pm
Erika Brooks Adickman | May 11, 2010 5:15 pm


The 11 Best Musical Performances On ‘Yo Gabba Gabba’

Becky Bain | April 6, 2010 4:24 pm
Becky Bain | April 6, 2010 4:24 pm

Solange Knowles And Of Montreal Cover Michael Jackson

Becky Bain | January 28, 2010 11:00 am
Becky Bain | January 28, 2010 11:00 am

80 ’08 (and Heartbreak): Announcing Idolator’s Year-End Extravaganza

Michaelangelo Matos | December 31, 2008 12:45 pm
Michaelangelo Matos | December 31, 2008 12:45 pm

What were the 80 most important musical recordings, artists, trends, events, and performances of 2008? What were the eight things this year that broke our hearts—or, at least, our ears? We’re happy to announce 80 ’08 (and Heartbreak), Idolator’s year-end overview. The list is below the jump.

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No. 39: Of Montreal Get “Skeletal”

mariasci | December 18, 2008 4:00 am
mariasci | December 18, 2008 4:00 am

Following the unexpected critical and commercial success of Hissing Fauna, Are You The Destroyer?, it seemed like Of Montreal’s Kevin Barnes had painted himself into a corner. If critics had considered that album a breakthrough because of its juxtaposition of romantic dissolution and bouncy glam, he would either have to start talking about Serious Things and become a Serious Artist, completing the expected maturation, or pull back from the thematic brink to explore the maximalist glitter aesthetic that now pervaded his musical and visual gestures. Needless to say, he went with the latter.

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