Between the
forever-in-the-making epics and the
tossed-off odes to sadness and the
crazy '80s radio pastiche and a bunch of other albums, next week is going to be something of a big one for the music business. How should one navigate their way through the music-consumption choices they'll be forced to make next week? Might I suggest a friendly game of Buy/Download/Kill, in which each album receives one of the three fates outlined by the game's title. My personal preferences after the jump.
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Idolator
