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Posts Tagged “Radio”

the world is collapsing around our ears

Music Industry Tries To Take Back Its Money From The "Pirates" Running Radio

Following a campaign that included mailing herring and a dictionary to their current nemeses in the terrestrial radio industry, a consortium of groups comprising record labels, songwriters, and musicians, had a small victory yesterday, when a House of Representatives subcommittee passed a bill that would require performance royalties being paid when songs are played anywhere on the AM/FM dial. A co-sponsor of the bill, Rep. Howard Berman (D-Calif.), didn't go so far as to say that radio spins are tantamount to piracy, but he did profess skepticism about the medium's promotional value, saying that there's merely "a correlation, not causation" between being on a top-40 station's playlist and music sales. But now that it's come out of committee, will the bill make it out of the House? More »

the world is collapsing around our ears

Recording Industry Protesting "Piracy" Of Terrestrial Radio Via Gag Gifts

The recording industry is still locked in a battle with the radio business, saying that radio needs to help them fatten their profit margins to pre-Napster levels pay royalties on the songs it plays, because music is the lifeblood of radio and this whole "free play" thing that's been in effect for years is just not fair. The National Association of Broadcasters, which represents the terrestrial-radio industry, claims that the reason it doesn't pay royalties for playing music involves radio's value as a "promotional tool," which stems from the idea that, perhaps, maybe people will actually be moved to acquire music after actually getting a chance to hear it and decide whether or not they like it. But musicians and record labels and songwriters are not having it. They want their money now! As musicFirst spokesman Martin Machowsky told Wired's Threat Level: "[Broadcasting songs on radio is] a form of piracy, if you will, but not in the classic sense as we think of it... Today we gifted them a can of herring, about their argument that they provide promotional value. We think that's a red herring." (What is this, Clue?) "Nobody listens to the radio for the commercials." Tell that to the guy who sings the Foxwoods commercial, Martin! More »

By The Numbers Radio listening is down across the board, but there's a difference in just how much one socioeconomic group has been tuning out: "Over the last decade, college graduates ages 25-54, who make up an increasingly large portion of the population, have abandoned radio eight times faster than nongraduates. Today, they listen to 15 hours and 45 minutes of radio a week, while their peers without degrees listen to 21 hours and 15 minutes weekly." Why is that? One expert thinks that the spread is a result of the types of jobs college graduates have, and not the notion that they'd be fleeing to Internet or satellite radio—or that current formats are less to their liking: "In part, it's the nature of the work that people do," Mr. Rosin said. "Nongraduates are more likely to have jobs that allow them to listen to the radio. If you think of teachers, for example, that's a huge category of college-educated people in an environment where it's entirely impossible to listen to the radio." [NYT]

the prophetic words of krs-one on 'radio song' still ring true today

Radio Execs Will Beg If They Have To

Obviously, if you own a chain of radio stations, corporate board meetings have to be a real delight these days. Ratings are down, the satellite radio merger makes them a vastly more viable player in the industry, advertisers are fleeing left and right, the majority of your programming sucks...there's very little happy news going around. But then again, maybe you're just understood. Things aren't as bad as they seem, right? What's the only solution? EXECUTIVE ROAD TRIP! More »

indecent exposure

College Shock Jocks Have Not Yet Learned That Radio Nudity Isn't Really "Edgy"

Looks like the Supreme Court has the opportunity to put its review of FCC indecency policies to test in the real world, as New Jersey's Montclair State University has opened an investigation into the on-air behavior of disc jockeys at the university's student-run station, WMSC 90.3. More »

formatting

It's A Tough Day To Be Boney James

Will the last smooth jazz station to leave the air blow out the candles? Houston's own The Wave has flipped formats from the soothing sounds of Paul Hardcastle and Candy Dulfer to a contemporary hits format which according to the station manager will feature tracks from "Alicia Keys, Beyoncé, Miley Cyrus, Gwen Stefani, the Jonas Brothers and Christina Aguilera" as well as presumably other sorts of urbanish selections white people can feel comfortable with. By my count, this leaves 26 terrestrial stations reporting to the "Smooth AC" format. Citizens of Sacramento, enjoy "Smooth Jazz 97.4" KSSJ while you can, before the unsophisticated hoi polloi take over your station, I beg of you! [Houston Chronicle]

Radio ad revenue was down two percent from the previous year in 2007, with fourth-quarter revenue down a whopping five percent from the same frame in 2006, according to figures released by the Radio Advertising Bureau yesterday. Off-air advertising—particularly that on station's Internet presences—posting some of the only significant growth, so RAB President Jeff Haley is putting a positive spin on affairs by throwing around phrases like "360-degree integration opportunity" and "a seamless audio experience across numerous platforms." In other words, forget about making the stations better; just make sure they have really cool Web sites. [FMQB]

Another smooth jazz station bites the dust: Citadel has abandoned the format on Washington, D.C. station WJZW, flipping the channel to a '60s/'70s hybrid that's being called "True Oldies 105.9" and that focuses on rock and Motown hits from the two decades. One notable factoid about the now-departed Smooth Jazz format: "It drew an unusually mixed audience, with a nearly 50-50 split racially, which is almost unheard of in the highly segregated world of radio." [Raw Fisher]

flips

WRXP's New York Rock Experience: Finally, A Radio Station Where Bruce Springsteen And The Hold Steady Can Coexist

More on the brand-new NYC rock station WRXP: To answer a commenter's question, it's apparently hoping to differentiate itself from its crosstown rock-radio competitor K-Rock by not having idiots like Opie & Anthony during AM drive time* and claiming that its format merges "New Music, Classic Rock, Alternative & Local Rock into a new adult blend called 'The New York Rock Experience." (The press release also says that the station'll be hiring "live and local on-air talent for the station"; if any Emmis reps are reading this, I'd like to say hello.) To help listeners figure out just what they'll be, um, experiencing as part of their New York Rock Experience, the release lists 22 artists; as Chris Molanphy said when I showed it to him, it's "comforting comfort food" and as heavy on the dudes as you'd expect from a commercial rock station. But hey, it is Seether-free. Full list after the jump. More »

corporate rock still sells

Rock Radio Playlists Remain Paralyzed In 2008

Since many people find it hard to tell the great from the godawful when it comes to 21st-century mainstream rock, welcome to "Corporate Rock Still Sells," where Al Shipley (a.k.a. Idolator commenter GovernmentNames) examines what's good, bad, and ugly in the world of Billboard's rock charts. This time around he gives Billboard's current rock radio charts a once-over: More »

corporate rock still sells

Who Arbitrates Arbitron?

Since many people find it hard to tell the great from the godawful when it comes to 21st-century mainstream rock, welcome to "Corporate Rock Still Sells," where Al Shipley (a.k.a. Idolator commenter GovernmentNames) examines what's good, bad, and ugly in the world of Billboard's rock charts. This time around, he tries to find out just how Arbitron's new ratings systems are impacting the modern rock radio landscape: More »

numerology

Will Arbitron's New Ratings System Mean Less Hip-Hop And Even More Nickelback On The Radio?

New York City's urban radio stations got a rude shock when October's Arbitron ratings—the listener-tracking system that determines whether radio stations can actually sell enough ads to remain in business—gave "mainstream pop and rock stations" a major (and unexpected) ratings boost. "These numbers could put us out of business," a WBLS program director told the New York Daily News. "And it's not just us. Listeners need to know this could threaten the future of black and Hispanic radio across the board." The reason? A new way of monitoring listeners' habits that "reads like a death warrant." More »

ho ho ugh

Clear Channel On Listeners Who Hate Christmas Music: "Those People Don't Exist"

So just as quickly as two Chicago radio stations prepared to battle each other with competing all-holiday playlists nearly two months before Christmas, WCKG decided to "continue running highlight clips of afternoon star Steve Dahl." But in case you thought this swift change of plans on the part of WCKG might mean radio stations are rethinking the season-long holiday-saturation format, the bean counters at Clear Channel, which owns WLIT, want to assure you that if you hate Christmas music you're shit out of luck for the forseeable future. More »

ho ho ugh

Radio Stations Across The Country Continue Battling Each Other With Jingle Bell Rock

Kansas City residents aren't the only poor suckers caught in the merry crossfire, as two more radio stations have gone to war against each other via all-Christmas playlists. This time, Chicago's WLIT rushed to get its Christmas offerings on the air before dawn this morning, almost a week ahead of schedule, in order to beat WCKG, a former talk station looking to cash in on big holiday ratings. And who loses in this struggle? Only Grinches, of course. More »

corporate rock still sells

Just What Makes Modern Rock "Active"? (Or "Modern," For That Matter?)

Since many people find it hard to tell the great from the godawful when it comes to 21st-century mainstream rock, welcome to "Corporate Rock Still Sells," where Al Shipley (a.k.a. Idolator commenter GovernmentNames) examines what's good, bad, and ugly in the world of Billboard's rock charts. This time around he tries to distinguish just what separates one modern rock radio playlist from another if there's room for Evanescence on both: More »

ho ho ugh

Kansas City Soft-Rock Stations Acting Like Christmas Creeps

Kansas City's KCKC flipped its format to all-Christmas music today, despite it being a) 60 degrees and sunny in the area and b) October. The switch is the latest chapter in a holiday-music rivalry KCKC has with fellow soft-rock trafficker KUDL; the Kansas City Star news item announcing the format switch was accompanied by a chart outlining just how obscenely early in the year each station made the soft-rock to snow-rock change. (Last year, KUDL went all-Christmas on Nov. 1; presumably the KCKC higher-ups thought they would fake everyone out by switching today.) And just when you think it can't get any sillier, KCKC's Wikipedia page further fleshes out how the two stations have engaged in Christmas warfare over the years: More »

formatting

Connecticut Staind And Soundgarden Fans Rejoice As Alt-Rock Radio Stages (Kinda) Triumphant Comeback

After an early-'00s format flip to hip-hop that mirrored former alt-rock radio strongholds around the country switching to urban, country, or Latin programming, WPHH-FM in Connecticut has brought back the Pearl Jam two-fers, because "Hartford has long been well served with Top 40 and adult-contemporary stations but hasn't had an alternative-rock option" for four years. Coolfer rightly notes that it's tough to gauge whether this is indeed a trend, but as industry types worriedly watch hip-hop sales figures decline, certain stations around the country are slowly re-embracing modern rock. So while this might be a small part of a potentially larger story, one aspect of the WPHH-FM format change did give us pause. More »

charts

Modern-Rock Radio Continues Its Slide Into Irrelevance, Three Days Grace Advocacy

A post on Kings Of A & R bemoaning the state of modern-rock radio (and calling out Kid Rock's lyric-writing "abilities," specifically when it comes to couplets like "So hot I wanna get you alone / So hot I wanna get you stoned" ) caused me to take a glance at this week's Billboard Modern Rock charts, and while somehow Linkin Park wasn't at the top, the rest of the top 10 wasn't pretty: More »