
Generally speaking, releasing a best-of is a sign of a career that's pretty much finished. Obviously there are major exceptions: Madonna's
Immaculate Collection, Pet Shop Boys'
Discography, and R.E.M.'s
Eponymous come to mind, with the latter being a shining example of a specific sort of best-of, the contract-ender. (
Eponymous documented the band's tenure on IRS; they'd go onto bigger and sometimes better things on Warner Bros.) But there are many others where the sunset is plainly in sight and/or earshot. Besides "Ghostbusters," what did Ray Parker Jr. do of note following his '82
Greatest Hits? (Which, I hasten to add, came out the same year as
The Other Woman, his most successful solo album—curious, that. Some people, it seems, see the writing on the wall faster than others.) Which brings us, naturally, to the Chemical Brothers.
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