Idolator
Pop-Punk: Dead Or Not? (Depends On Your Definition)
In the current climate of ruthless blog scrutiny, good records can easily disappear with little or no press and supposedly major albums are forgotten within weeks of release. With that in mind, we bring you Second Spin, where we'll take a look at records that have either slipped between the hype cracks or re-evaluate albums after the press cycle has left them for dead. (The occasional just-released rave may sneak in there, too.) This time a compilation provides a look at the current crop of "pop-punk" bands escaping the attention of both the radio and the blogosphere.
Recently, I wrote a piece attempting to link various poppy, punkish bands like Be Your Own Pet and Times New Viking into some kind of subaltern united front for 2008. After finishing, I realized I had unconsciously slighted a large swathe of underground-ish pop-punk that's already all but been written off by my music hack peers, that I snubbed an entire scene to focus on a few semi-pop faves with a decent press push. I should have known better. Somewhere, 16-year-old Jess was drumming his fingers on a study hall desk in irritation that his grown self had seemingly forgotten these catchy, sweetly sardonic, seven-inch-friendly songs about girls, boys, and the dumb things they routinely do to one another, songs that made high school tolerable for many bespectacled kids left cursing the fates come prom time.
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