Posts Tagged ‘the believer music issue’

“The Believer” Music Issue: Celebrating Information Underload

One of the best pieces in The Believer’s 2008 Music Issue is Douglas Wolk’s short detailing of his repeated encounters with a phantom. MORE »

I found my interview with Robert Smith of the Cure from 1985 for Boston Rock on a Cure fansite, uncredited. It was kinda cringe inducing. I even fell for the 'this will probably be our last album' attention ploy. But then I was a young'un at the time. I wrote the guy to tell him I wrote the article. I bet he just thought I was just more Cure-obsessed than he was.

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“The Believer” Music Issue Asks: Who Are MABEL and ANABEL?

200807.gifBefore I say another word about the magazine, let me state simply that the free inside-cover-mount CD that comes with the July/August issue of The Believer, the McSweeney’s-published lit mag, is reason enough to purchase the thing. Leaving aside dance-mag CDs–which are usually DJ sets by big names–this is probably the best cover-mount CD I’ve ever heard. Its compiler, Believer interviews editor Ross Simonini, announces his globe-hopping theme in its first piece, but it’s immediately apparent that what he achieves is of a piece, sonically. Everything hangs together perfectly; the selections are excellent (I even liked an Animal Collective song! Me!); there are times when you can’t quite spot the exact intersection where what you’re hearing came from, which works greatly in the music’s favor. One-worldism should always be so hands-on. MORE »

"World" or "International" get the upper hand for not making me feel like a douchebag when say them out loud, unlike, I would imagine,"ANABEL."

Also, "World" usually means "not in English," rather than simply "not American, etc". Music from Western European countries like France or Spain are usually found in "World" sections, so too would be a French-language rapper from Montreal, probably. Although some stores have a "Latin Pop" section (usually next to the "World" section, by the way) usually California or Texas bands that sing, in Spanish, in a Latin American/Mexican style, are more likely found in "World" sections than elsewhere.

But the reason why "World" is a useful term is that it's vague enough to encompass anything it wants to, and can be easily divided into subsections. Most cd stores, if they have a big enough selection, will divide the world section into continents or regions, and then, if their collection is extensive enough, to styles or countries within those regions.

But, really, who cares what anybody calls it? Youssou N'Dour might possibly be the most famous musician in the world, but he's well below the radar in the states, and giving his albums a different designation isn't going to change anything about that. And that's all the article seems to be advocating: a change in terminology, which is only a change in thinking in that the acronym supposedly doesn't have whatever derogatory associations "world" does.

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“The Believer” Music Issue: Is Rick Moody a Martian?

ggiant-free-hand.jpgI have no real sense of Rick Moody the novelist. I haven’t read any of his books or short stories; I haven’t even seen the filmed version of The Ice Storm. Most of what I know about him is that Dale Peck made his career by calling him “the worst writer of his generation,” and that he contributes regularly to the pop-leaning lit mags I read, Black Clock and The Believer. In both magazines a few years ago Moody wrote about a listening club he’s part of; once a month he and a dozen friends pick two songs based on a theme and then sit around and play them together, with dinner. It inspired me to start something similar, and that’s been going on for a few years now, so I thank him for that. MORE »

@Michaelangelo Matos: I thank you from the bottom of my shriveled obsessive-compulsive heart.

I like Moody's fiction, and I think you might actually like some of his short stories (flip through Demonology, which has a lot of stylistic trickery but also some truly great writing) but the man should be forcibly prevented from ever writing about music again. By Dale Peck, if necessary, who could in fact totally take him in a fight.

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“The Believer” Music Issue: Can We Please Ask Ian MacKaye Some New Questions Already?

mackaye.jpgI’ve read two Q&A’s in The Believer’s 2008 Music Issue (there are three). One was illuminating, one less so. One of the issue’s two Andy Beta pieces is a ripping Q&A with Sun City Girl/Sublime Frequencies co-founder Alan Bishop (there’s more on Beta’s blog as well). While I’m not fond of the “schema” format in which Beta jokingly lays out his unsuccessful attempts to find Molam music in Laos, the Bishop interview crackles: lots of clearheaded talk about the motivations behind Sublime Frequencies: Bishop is punk as fuck, right, whatever, but he’s also someone who thinks through ethical questions even if you disagree with his answers. If only the other Q&A I read had the same kind of thrust.
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"While I'm not fond of the "schema" format in which Beta jokingly lays out his unsuccessful attempts to find Molam music in Laos"

That schema would be Lonely Planet.

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