Posts Tagged “the new model”
Questions, Questions
From the "statements that I pretty much agree with 100% file, so there's not much else to add to them" file comes Ryan Catbird's rumination on the "all music should be free" model: "I still think the more important question is: 'What if an artist that hasn't already built a career on the label system released their work directly, gave it away for free, retained their rights, etc. Would it matter?' The answer, sadly, to that one is "no, it doesn't matter." Myriad small unheard-of bands are out there posting their albums for free every day, but there's still no good way for them to get heard. For all the chatter about how new technology/Music 2.0/viral marketing etc. has the power to 'break' new artists, there are precious few examples of this actually occurring." A related thought that's probably an extension of my "future of Coachella" post : Is the push for free recorded music going to result in mass music culture turning into something that's even more fossilized than classic-rock station playlists, which at least add one or two new artists to their rotation every year? [F.U. & The Blog You Rode In On]
the new model
"[National Assn. of Recording Merchandisers president Jim] Donio cited statistics about piracy, pointing out that 42% of all music acquisition is paid, and that despite a recent rebound in the first quarter of this year, CD sales continue to drop. He then suggested that a new version of 'CD 2.0,' a sort of hybrid compact disc, might be a solution." Unfortunately, the Billboard piece that mentions this bit of nomenclature doesn't really get into what "CD 2.0" will consist of. Perhaps it means that it'll be more advanced than the DualDisc, which was apparently version 1.92 of the CD? Maybe they'll all be bundled with a social-networking component! Please, Jim Donio, tell me what you actually mean by using the oh-so-tired "2.0" appellation, and note: any answer that uses the phrases "Web 2.0" or "well, we were thinking of putting a screen saver and maybe some mobile wallpapers on the disc" automatically gets a big honking BZZZZT. [Billboard]
well, how about that
Over the weekend, a new Nine Inch Nails song emerged, and that would seem to have been the warmup for this morning's wee-hour release of the slip, a.k.a. Halo 27; the 10-track, 43-minute album is free to all takers as long as you give the NIN site's robots an e-mail address. "Thank you for your continued and loyal support over the years—this one's on me," Reznor said in a parenthetical aside on his blog. Someone buy that man a protein shake! Details of the release after the jump.
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"The Slip": The New Nine Inch Nails Album That's "One Hundred Percent Free" (With An E-Mail Address)
Over the weekend, a new Nine Inch Nails song emerged, and that would seem to have been the warmup for this morning's wee-hour release of the slip, a.k.a. Halo 27; the 10-track, 43-minute album is free to all takers as long as you give the NIN site's robots an e-mail address. "Thank you for your continued and loyal support over the years—this one's on me," Reznor said in a parenthetical aside on his blog. Someone buy that man a protein shake! Details of the release after the jump.
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the new model
The "pay what you want" online release of In Rainbows may have set Trent Reznor and Billy Corgan off to discover their own maverick ways, but it looks like Thom Yorke is a little tired of the brave new world. "I think it was a one-off response to a particular situation," said Yorke. Rather than admit that he's loving the taste of Dave Matthews' crunchy granola over at ATO, or that financially the online release of In Rainbows wasn't all that it could have been, he's crediting his anomie on the lack of "significance" it would have if they did it again. It's always about significance with you, isn't it, Thom?
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Radiohead Already Over The Whole Free Download Thing
The "pay what you want" online release of In Rainbows may have set Trent Reznor and Billy Corgan off to discover their own maverick ways, but it looks like Thom Yorke is a little tired of the brave new world. "I think it was a one-off response to a particular situation," said Yorke. Rather than admit that he's loving the taste of Dave Matthews' crunchy granola over at ATO, or that financially the online release of In Rainbows wasn't all that it could have been, he's crediting his anomie on the lack of "significance" it would have if they did it again. It's always about significance with you, isn't it, Thom?
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synergies
Turns out Trent Reznor's grumpy reaction to the sales of Saul Williams' The Inevitable Rise And Liberation Of Niggy Tardust was premature, as sales of the net-only release have doubled since Williams' "List Of Demands" began appearing in Nike ads. The funny thing is, "List Of Demands" isn't on Tardust, but on his 2004 self-titled album. While only about 60,000 of the 225,000 downloaded copies of Tardust were paid for, that's still twice as many sold than for the in-stores album that actually features "List Of Demands."
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Saul Williams' Net Album Gets Boost From Shoe Ad
the new model
Jermaine Dupri's latest hair-brained scheme: He's bringing together the collective power of Island Def Jam and Procter and Gamble to start Tag Records, a label that is branded with the name of the body spray and the delightful countenance of the pint-sized president. Dupri claims that Tag is where he'll find new artists and "market [them] 10 times more" than they might normally be, unless they're, say, Leona Lewis. It seems like kind of a raw deal for the artists, to be honest; they're basically contracted out to be spokesmodels for Tag and active music artists with recording and touring careers simultaneously. Of course, the IDJ suits are calling this "a non-traditional approach that blends our most valuable assets: the artist and their music, with the power of brand marketing." That's almost as sexy as Tag's nausea-inducing scents! The first artist contracted to this partnership will be announced in May, if Dupri's charisma can convince anyone to actually go down this road. After the jump, he chats about the new venture while standing in front of a very expensive car.
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Jermaine Dupri And Tag Launch A Stinker
the new model
U2 has signed a 12-year-deal with Live Nation, handing their worldwide merchandising, digital and branding rights over to the concert-promotion behemoth. The size of the payoff was not announced, but it should be considerably smaller than the $120 million the monolith shelled out to Madonna, as the band will continue recording for Universal Music Group. But with the majors rushing to sign their acts to all-encompassing "360" deals in the face of dwindling music sales, "merchandise and licensing rights, sponsorship and strategic alliances, digital rights, fan club/Web sites and other marketing and creative services" may be the sweeter plums. Which would you rather own, the copyright to Bono's mug or the sequel to How To Dismantle An Atomic Bomb?[Reuters / Photo: AP]
U2 Signs With Live Nation, Forces World To Imagine What Bono Will Look Like In 2021
the new model
On "Check the Rime," Q-Tip may have once rapped that "record industry people probably smoke crack, look at the way they act." And indeed crack-smoking seems to be the most logical explanation for the biz's complete and utter inaction toward writing a profitable fiscal model eight years into the 21st century. Now, according to the Los Angeles Times, the majors are finally attempting to move to a subscription model that would tack on five bucks to your monthly Internet or cell phone bill in exchange for the ability to download, burn, and stream their music.
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Music Executives Discuss Another Hair-Brained Scheme To Save The Industry
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the new model
Poor Jack White. He wanted the latest album by the Raconteurs, Consolers Of The Lonely, to hit stores around the world today with no advance warning (and, presumably, no advance availablity), but his plans were foiled by the archaic structures of the world's traditional music-retail outlets, which needed advance notice of the album in order to, um, actually have it on their shelves. "We had to tell more and more shops - that's why it was announced a week ahead," Ben Beadsworth of XL Recordings told the NME, and presumably he and the band figured that those shopkeepers were lousy at keeping secrets from their not-as-in-the-know customers and other riff-raff. If only those Santas in the picture were real, right? [NME]
The Raconteurs' Plans For A Sneak Attack Were Foiled By Retail
Poor Jack White. He wanted the latest album by the Raconteurs, Consolers Of The Lonely, to hit stores around the world today with no advance warning (and, presumably, no advance availablity), but his plans were foiled by the archaic structures of the world's traditional music-retail outlets, which needed advance notice of the album in order to, um, actually have it on their shelves. "We had to tell more and more shops - that's why it was announced a week ahead," Ben Beadsworth of XL Recordings told the NME, and presumably he and the band figured that those shopkeepers were lousy at keeping secrets from their not-as-in-the-know customers and other riff-raff. If only those Santas in the picture were real, right? [NME]
the new model
The Financial Times is reporting that Apple has been talking to the major labels about bundling unlimited music into iPhones and iPods, although the deal hasn't yet been done because of the amount of money Apple is willing to pay the majors for access to their catalogs. (The Cupertino device maker wants to give the labels $20 per device sold; in comparison, Nokia pays out $80 to labels for each device sold with its Comes With Music subscription plan.) The plan would tack $100 onto the cost of each iPod and $7-$8 onto each iPhone user's monthly bill, but apparently the majors are also lobbying for a clampdown on the number of tracks consumers can keep, with the desired provision allowing "customers to keep up to 40 or 50 tracks a year, which they would retain even if they changed their device or their subscription lapsed." I'm pretty skeptical about the whole idea—for reasons involving interoperability of the "all you can eat" catalog and previously owned music, the limitations of what the store will actually have if it ever launches, and the probably-inevitable DRM that will force the tracks to disappear once consumers stop ponying up money—but I'm always open to a second opinion, so after the jump, a few industry observers weigh in.
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Majors And Apple Looking To Open An All-You-Can-Hear Buffet
burning questions
In the press release heralding the imminent street date of the Raconteurs' Consolers Of The Lonely, the band explains part of the reason for rush-releasing the album as follows: "[We] are forgoing the usual months of lead time for press and radio set up, as well as forgoing the all important 'first week sales'. We wanted to explore the idea of releasing an album everywhere at once and THEN marketing and promoting it thereafter. The Raconteurs would rather this release not be defined by it's first weeks sales, pre-release promotion, or by someone defining it FOR YOU before you get to hear it." Those last 11 words struck fear in the hearts of a lot of people who make their living by defining (or at least trying to sorta-explain) music for potential consumers, as evidenced by rumblings in our comments section and at still-allowed-to-write-at-length outlets like the Guardian. But is Jack White really trying to clamp down on music critics specifically, given that the combination of "leak culture" and the post-Yelp society has resulted in everyone being elevated to the reviewer's platform?
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The "Raconteurs Model": Is It Aimed At Preventing Leaks Or Muzzling Music Critics? (Or Both?)
In the press release heralding the imminent street date of the Raconteurs' Consolers Of The Lonely, the band explains part of the reason for rush-releasing the album as follows: "[We] are forgoing the usual months of lead time for press and radio set up, as well as forgoing the all important 'first week sales'. We wanted to explore the idea of releasing an album everywhere at once and THEN marketing and promoting it thereafter. The Raconteurs would rather this release not be defined by it's first weeks sales, pre-release promotion, or by someone defining it FOR YOU before you get to hear it." Those last 11 words struck fear in the hearts of a lot of people who make their living by defining (or at least trying to sorta-explain) music for potential consumers, as evidenced by rumblings in our comments section and at still-allowed-to-write-at-length outlets like the Guardian. But is Jack White really trying to clamp down on music critics specifically, given that the combination of "leak culture" and the post-Yelp society has resulted in everyone being elevated to the reviewer's platform?
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the new model
Less than 24 hours after the Raconteurs announced the one-week gap between announcement and in-store date for the group's second album, another hotly awaited follow-up, Gnarls Barkley's The Odd Couple, has been bumped up to... any day now. Excerpted release from the duo's publicists after the jump.
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Gnarls Barkley To Raconteurs: Anything You Can Do We Can Do Better (Maybe)
Less than 24 hours after the Raconteurs announced the one-week gap between announcement and in-store date for the group's second album, another hotly awaited follow-up, Gnarls Barkley's The Odd Couple, has been bumped up to... any day now. Excerpted release from the duo's publicists after the jump.
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the new model
A late-breaking item, just hitting my inbox: according to Press Here, the Raconteurs' publicity firm, the indie supergroup featuring singer-songwriter Brendan Benson and White Stripes singer-guitarist Jack White, are one-upping, um, everyone else—not only will Consolers of the Lonely, the band's second album, be available digitally in a week, it will be in stores then. The press release after the jump.
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Jack White To Industry: Oh Yeah? Well, Watch This
A late-breaking item, just hitting my inbox: according to Press Here, the Raconteurs' publicity firm, the indie supergroup featuring singer-songwriter Brendan Benson and White Stripes singer-guitarist Jack White, are one-upping, um, everyone else—not only will Consolers of the Lonely, the band's second album, be available digitally in a week, it will be in stores then. The press release after the jump.
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