Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he looks at the recent film by the Frenchmen Thomas Bangalter and Guy-Manuel De Homem-Christo, Daft Punk’s Electroma:
Posts Tagged ‘VHS Or Beta?’
Robert Altman Turns On His Radio
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he looks at the sounds of two mid-’70s movies by famed director Robert Altman, California Split and Thieves Like Us:
“Wall-E” Pushes The Right Buttons
The Sun City Girls’ Alan Bishop Goes To The Movies
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he talks to fellow film-music obsessive Alan Bishop about Ennio Morricone, underheralded score composers, and the work his group the Sun City Girls did on Harmony Korine’s latest movie, Mister Lonely:
Wong Kar Wai Ladles Out A Few Blueberry-Stuffed Lullabyes
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he travels along America’s byways with Wong Kar Wai and his first English-language feature, My Blueberry Nights:
Jackie Chan And A Cat That Has Super-Flanged Claws
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he stumbles across the Jackie Chan movie Snake In The Eagle’s Shadow on a late-night channel surf in China:
The New York City Rhythms Of “Taxi Driver”
Jonny Greenwood Finds Black Gold At The End Of His Rainbow
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he looks at the Jonny Greenwood-composed music that scores Paul Thomas Anderson’s There Will Be Blood:
The Oscillations And Pulses Behind “The Andromeda Strain”
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he listens to the long-out-of-print–yet oddly of the moment–score for the 1971 bioterror thriller The Andromeda Strain.
The Hidden Music Of Cassavetes’ “Faces”
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he listens to the music behind John Cassavetes’ 1968 “expression of horror at our society in general” Faces.


















