Ed. note: It's time for another installment of "VHS Or Beta?", where Andy Beta looks at the music behind the movies—from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he travels along America's byways with Wong Kar Wai and his first English-language feature, My Blueberry Nights:
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Ed. note: It's time for another installment of "VHS Or Beta?", where Andy Beta looks at the music behind the movies—from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he stumbles across the Jackie Chan movie Snake In The Eagle's Shadow on a late-night channel surf in China:
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Ed. note: It's time for another installment of "VHS Or Beta?", where Andy Beta looks at the music behind the movies—from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he listens to the long-out-of-print—yet oddly of the moment—score for the 1971 bioterror thriller The Andromeda Strain.
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Ed. note: It's time for another installment of "VHS Or Beta?", where Andy Beta looks at the music behind the movies—from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he listens to the music behind John Cassavetes' 1968 "expression of horror at our society in general" Faces.
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Ed. note: It's time for another installment of "VHS Or Beta?", where Andy Beta looks at the music behind the movies—from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he checks out Todd Haynes' look at Bob Dylan's multiple personalities, I'm Not There.
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Ed. note: It's time for another installment of "VHS Or Beta?", where Andy Beta looks at the music behind the movies—from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he looks at the early works of Japanese composer Toru Takemitsu.
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Ed. note: Today, we introduce "VHS Or Beta?", a new column in which Andy Beta looks at the music behind the movies—from preserved-by-Criterion classics to completely inane summer blockbusters. In his opening column, he takes on the soundtrack to the Andy Samberg comedy Hot Rod, which, alas, is "Dick In A Box"-free.
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