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Posts Tagged “yay”

yay, journalism!

"Time" Tries To Rack Up The Pageviews With A List Of 10 Songs That A Writer Happened To Hear This Summer

Not that I expect the lumbering newsmagazine Time to be cutting-edge or anything, but its oddly timed package "The Songs Of Summer 2008" sure does provide an argument in favor of the microcriticism service Blippr. The list, which is presented in the time-honored "listicle spread out over ten separate Web pages so as to maximize clicking" form, basically collects 10 songs that have nothing in common except for their having been played on commercial radio sometime this year. (Maybe even as early as February!) You'd think that a publication that fancied itself to be Web-savvy would have been all over some of these songs by now, but apparently Time's overlords need a few more day-late, dollar-short, annoyingly designed packages before they rethink their online culture strategy for the 48,627th time in the magazine's online existence. The mag's list of top songs after the jump. More »

When Slow News Days Attack The New York Daily News' gossip column would like to remind you that Kurt Cobain, now 14 years passed, didn't like Axl Rose. While this information isn't really all that new, the lede to the piece sets new standards of... something: "Fans of Kurt Cobain continue to mourn the Nirvana rocker. But Cobain's 1994 suicide did have one upside: he didn't have to listen to loathsome Axl Rose anymore." Uh, well, that makes it OK, then? [NYDN / Image via this message-board thread that rehashed the whole thing four years ago]

any port in a storm

Two Imperiled Industries Decide To Hook Up For Kicks

So, you're at a company whose core business hasn't been doing so well these days. Layoffs are high, morale is low, and people getting your product for free are cutting into your profit model. How can you save your hide, or at least stave off your problems for one more day? Both EMI and the newsmongers Gannett have had these sorts of problems, and together, they've apparently decided that the answer is to hook up with one another and remember what the glory days of the monoculture were like—you know, back when the word "exclusive premiere" meant something? EMI and Gannett both remember those days, which is why they've entered into a deal to "premiere" the new album by Brian Wilson, That Lucky Old Sun, on Gannett's newspaper and TV sites before its Sept. 2 release. More »

yay, journalism!

"Slate" Unmasks Its (And Everyone Else's) Music-Writing Plagiarizers

And here we thought the New York story on plastic surgery would be the most fucked up (and entertaining) music-related story we'd encounter this week. Not even close, thanks to a reader of Jody Rosen's, who informed the Slate/Rolling Stone critic that someone named Mark Williams had copied his Jimmy Buffett piece for the former in a Texas weekly, the Montgomery County Bulletin. After contacting the paper's editor and receiving a curiously blank reply, Rosen started nosing around some more. More »

yay, activism!

Online Petitioners Still Haven't Found What They're Looking For

If you dislike Bono, it's probably for one or more of the following reasons: 1) he writes epic, yet somehow quite boring music; 2) that heinous iPod commercial; 3) he (allegedly) misrepresents Africa in his (allegedly) misguided attempts at AIDS relief. If you subscribe to the latter, there's now an online petition pledging "a ton of money to fight AIDS" if—and only if—Bono retires from public life. More »

journalism, yay

Idolator Presents Second-"Best Music Writing 2008" (Part Four)

And now, our final presentation of the Honorable Mention essays from the back of the forthcoming Da Capo anthology Best Music Writing 2008. I was surprised not to find anything about the Gene Weingarten piece on Joshua Bell busking in the D.C. Metro in the Idolator archives—maybe it was just too over-commented-upon in its moment for commentary here to feel unnecessary. Nevertheless, it's still an interesting piece, though not because it "proves" much beyond commuters are busy, but than Weingarten is one of the best profile writers around. Anyway, enjoy it and several others that join it in the "bonus tracks" circle. More »

journalism, yay

Idolator Presents Second-"Best Music Writing 2008" (Part Three)

Right: one of my pieces is linked in here. My apologies. I like it still, if that helps any. Anyway, as with the second batch, I found myself hooked on one piece here in particular: Michael Martin's New York story about the preparation for Broadway of Xanadu, one of the worst movies ever made. Two lines in particular knocked me sideways: "(Andy Gibb, a Newton-John friend and Beck's doppelgänger, had originally signed but dropped out, perhaps wisely opting to stay home and snort cocaine instead.)" And this absolute mind-bender: More »

journalism, yay

Idolator Presents Second-"Best Music Writing 2008" (Part Two)

I haven't yet read most of the entries to items selected for the Best Music Writing 2008 Honorable Mentions list by series editor Daphne Carr that I'm linking to here or in the accompanying posts. (This year's guest editor is Nelson George.) But I have looked at a couple and one in this group caught my eye especially. David Hajdu's write-up of a Mos Def concert—part of Lincoln Center's American Songbook series—is actually less worthwhile for his ruminations on Mos Def himself, which are smart, than for his extensive, abundantly clear digression into the formation of the Great American Songbook as a canon. It's a razor-sharp piece anyone interested in pop-song history will find worthwhile. More »

journalism, yay

Idolator Presents Second-"Best Music Writing 2008" (Part One)

Every year those of us who read about music compulsively, whatever our professional standing, await Da Capo's annual Best Music Writing anthology because we want to read good pieces we might have missed the year before. And those of us who do write about music await it to see if we made the Honorable Mention slot. It's one thing to be in the actual book—you're informed well ahead of time. But Honorable Mention gives you hope, because the writers usually don't know until after they've received their galleys (because they're at least ostensibly going to review it), so it's a nice surprise when it happens.

This year it happened to 50 people. And we've tracked down 40 of the pieces that were named. Below, the first of four posts today with links to the runners-up. Congratulations to all, and enjoy.

More »

yay, journalism!

Five Ways To Not Write A Trend Piece On Music Blogs

Ah, trend stories, the bane of every journalistic enterprise. On the one hand, they are handy for editors who want to know what "the kids" who will be taking their jobs and houses are up to. On the other hand, they're generally vacuous glosses on subjects that are way too surface-gleaning to even be called "superficial." Greg Sandoval at CNet took the world of "music blogging" under his trend-story wing this morning, and if nothing else it's a primer in how not to tackle this admittedly knotty, yet way too often completely misunderstood subject. Five anti-lessons after the jump. More »

yay

Sub Pop's 20th Anniversary Festival: Stop Me Before I Start Camping Out Now

As rumored back in October, the legendary Seattle band Green River, which featured future members of Mudhoney, Mother Love Bone, Pearl Jam, and Love Battery during its too-short career, will reunite for the Sub Pop 20th anniversary party, scheduled for July 12 and 13 at Seattle's Marymoor Park. Not only will the show also feature hiatus-breaking performances by Red Red Meat, Seaweed, and the Fluid as well, it'll have sets by current acts like Low and No Age. And Mudhoney, obviously. Tickets go on sale April 26! I hope I can meet the guy who runs the grunge-history blog lamestain while I'm there, because I really owe that dude a drink. Full announced lineup after the jump. More »

Yay, Journalism! What better way to show that DIY music videos uploaded to YouTube are the new way that bands are promoting themselves than by conducting an interview with your own brother, who just happens to be in a band that posted a clip of its own on Sunday? And here I thought trolling for sources within Facebook friend listings was a lazy tactic for trend-story-generation! [Listening Post]

Chuck Phillips' latest Los Angeles Times article implicating Sean Combs in the shooting of Tupac Shakur may have been based on fradulent FBI reports created by Frank Sabatino, a 31-year-old scam artist who likes to get up close and clerical with rap superstars. In 2011, Phillips will a reveal a new theory of the crime based on lyrics by the Game. [The Smoking Gun]

oy

CNN Reclassifies Black Crowes As "Grunge," Remains Blissfully Ignorant Of The Concept Of "Irony"

Presenting two CNN anchors who, in the sliver of time that they're allotted to discuss one of the day's biggest soft-news stories, find themselves musing over the true meanings of an official statement from Maxim that they haven't seen. And said statement is regarding a review they haven't read. And it covers a band they're completely unfamiliar with (although they do know that Kurt Cobain isn't the Black Crowes' lead singer)! Who said that there were no good examples of journalism out there in the world? [HT: Gawker]

Last night, the New York Fox affiliate attempted an exposé on RMG Technologies, a Pittsburgh-based company that specializes in helping ticket brokers snake into the Web sites of outfits like Ticketmaster and get hot seats before the rest of the public can, and which is currently being sued by Ticketmaster for said naughty practices. The reporter, when visiting what were apparently RMG's very cramped headquarters, was greeted with a hastily made sticker on the door that called the office RMG's "Secret Evil Laboratory," a little bit of "evil = smarter than you" humor that no doubt made the woman who claimed that she'd punched her monitor when she found out she couldn't get her niece some Jonas Brothers tickets give her TV a whack as well. RMG is fighting Ticketmaster's lawsuit by saying that not selling its broker-assisting application would "put them out of business," but honestly, given that the RMG vs. Ticketmaster scuffle is like watching Dr. Evil duke it out with the Brain—only not as quip-filled—would anyone feel bad about that outcome? [Fox 5 New York]

yay, journalism! redux

Nas Is The Latest Artist To Feel The 2 1/2-Star Sting Of Maxim's "Educated-Guess Previews"

After being caught reviewing the new Black Crowes album without reviewer David Peisner actually possessing a copy of said album and claiming the bogus critique as an "educated-guess preview," Maxim has gone one better and awarded another mediocre review to an album that doesn't actually exist yet. Last we heard, Nas' Title That Certain Bloggers Take Great Delight In Printing Whenever Possible had been delayed until late spring. Turns out the rapper has possibly yet to even deliver the tapes to Def Jam; Nas tells the New York Post that he's "finishing the album now" and talking up a new April 22 release date. Perhaps in deference to those long magazine lead times, the educated guessers at Maxim went ahead and gave Nas' unfinished album 2 1/2 circles (out of a perfect five). That's the same score that so incensed the Crowes, but Nas is much more sanguine about the whole affair. More »

yay, journalism!

At "Maxim," Music Writing Is So Easy It Can Be Done Without Actually Hearing The Music In Question

If you've picked up the new issue of Maxim, you may have flipped past a review of the Black Crowes' forthcoming album Warpaint. In the 75 or so words allotted to him writer David Peisner spends half his time talking about the Crowes' 1990 debut album before passing his final judgment, writing off the record as being "boozy, competent, and in slavish tribute to the Stones, the Allmans, and the Faces." The graphical representation of Peisner's review: Two and a half filled circles out of five. Which wouldn't be so bad except for one thing: Peisner never heard the album because the Black Crowes' label, Megaforce, didn't release advances of it to critics. Someone at the label got in touch with Maxim, and the person there in charge of editing the mag's music coverage said that the writeup, stars and all, was actually an "educated-guess preview" and hey, wasn't it better than no coverage at all? More »

yay, journalism!

Someone Figured Out A Way To Make The "Women In Rock" Concept Even More Offensive

I've been trying to muster up a response to this bit of Tony Sclafani-penned nonsense written under the delusion that, since this year's Best New Artist category in the Grammys is made up of female-fronted bands from tip to toe, it's time to trot out the old "Women In Rock Rock!" trope that has brought so much lazy "trend" journalism to the world in recent years. My objections have, of course, been laid out in this space: the whole idea of creating women as Others in music only serves to further cement the old patriarchal ways, if someone like Feist whose persona possesses a lot of traditionally feminine traits succeeds is it really "progress," etc., etc. But every time I try to read the damn thing, I can't get past its first line, which should probably be in some Hall Of Fame for bad lede-writing because of its blend of bubbleheadeness, press-release-ready bland hyperbole, and, uh, schoolyard taunts: More »