Did You Hear?

:: Much like Selena Gomez did with “Who Says”, Demi Lovato has recorded her new single “Skyscraper” in Spanish. We’re sure it’s just as moving en español! [MTV Buzzworthy]

:: Hitting the studio with Bruno Mars is high on Taylor Swift’s To Do list. The chimp-loving singer had better be a gentleman or else he’ll find himself on Tay’s next diss anthem. [Pop Crush]

:: Rihanna approves of Kathy Griffin’s karaoke cover of “S&M”. [Just Jared]

:: It seems everybody wants to be Kelly Rowland’s motivation. Cee-Lo Green hit on the ex-Destiny’s Child diva on TV and now Young Jeezy has expressed his admiration for Miss Kelly on radio.  [Rap-Up]

:: Watch upcoming rap chick Kreayshawn do her thing in New York. [Pop Dust]

After the jump, find out which music acts will be appearing on the tube today.

Music On TV:
:: Tonight Show with Jay Leno (NBC) — Gomez
:: Late Show with David Letterman (CBS) — Tim Robbins and the Rogues Gallery Band
:: Conan (TBS) — K.T. Tunstall
:: Late Night With Jimmy Fallon (NBC) — Ray Davies
:: Last Call With Carson Daly (NBC) — The Greenhornes (repeat)
:: Jimmy Kimmel Live (ABC) — Big Talk

T.I. – “Ya Hear Me”

“They dont like to see me walkin’ out of prison / I ain’t trippin / I don’t owe em nothin but a ass whoppin’” might seem like a suitably boastful line (as are many other verses) if it wasn’t such a bummer.

In light of his upcoming return to prison, it’s just a bitter reminder of what might’ve been. But we’ll look forward to watching T.I. (and this smoking band!) take a stage just about 11 months from now.

Young Jeezy feat. Drake - Lose My Mind (Remix)

“Do I love these hoes? / Mmm, kinda, sorta / I got ‘em drinking Sangria like it’s fucking water,” raps Drake on his verse, taking over where Plies left off from the original. Insulting women and forcing them to get drunk? Class all the way!

There’s not much new here besides Drizzy on the track, but if winning Best Male Hip-Hop Artist and debuting to gargantuan sales is any indication, the man’s presence alone on this track is enough reason to pick it up.

Are you guys losing your collective minds over this remix? Throw your thoughts in the comments!

Drake feat. Young Jeezy- “Unforgettable”

We’re not trying to be ironic here, but this Noah “40″ Shebib-produced track is pretty forgettable. Using a sample of Aaliyah’s vocals from her song “At Your Best (You Are Love)” is an inspired choice, but we’re just not feeling this downtempo, somewhat dreary number, despite Jeezy doing his hardest to liven up the place with his growl during his verses.

We’ve heard a handful of the songs on Thank Me Later (which now drops June 15), and although we have a feeling Drizzy fans will eat it up with no complaint, we think Drake will have a hard time getting a broader audience to enjoy his tunes.

What do you think? Will Thank Me Later be Drake’s shining debut, or will it arrive with a whimper instead of a bang?

[Prefix Mag]

Just in case you were worried T-Pain was spending too much time focusing on respectable things like awards shows and charity singles, worry not—the man who penned the classic love ballad “Take Your Shirt Off” has still got his mind in the gutter. We never thought Ginuwine’s “Pony” would sound conservative, but “come ride it, my pony” almost seems understated compared to T-Pain’s “giddy-up, giddy-up, put your hands in the air, wave ‘em round!” Actually, although singing “Yee-haw!” in Auto-Tune is a bit bizarre to hear, the song itself is a smooth, slowed down R&B jam to groove to. If it weren’t for the lyrics, we could picture couples lovingly slow dancing to this song on Valentine’s Day.

The music video for the single will be shot this month, and we can only hope he gets Carrie Underwood to be the star. (Her fiance might take issue with that.)

ONE-LISTEN VERDICT: “Amazin’” is another downtempo, Autotuned-to-next-week song from Kanye West, although this time out West is lyrically defiant, talking about how he feels while in the afterglow of a show and how no one can take the joy of holding a crowd in the palm of his hand away from him. The endless loop–which is marked by a few guttural barks, choirs of angels, and some otherworldly screeches here and there–breaks just before Young Jeezy comes in to drop a verse that’s as much about boasting as it is about his blood pressure, and he sounds so fierce, one might think that Kanye brought him in specifically to channel his more aggro, less mediated-by-studio-trickery side.

WHERE TO HEAR IT: StreetCred.com has a stream: