You may have been in the know or you may have been like me and the millions of others who took this most recent "I quit" flip-flop as so much blog watercooler chatter, but from the horse's mouth in the New York Times, there's a new Jay-Z album dropping in November, a (hold me) "concept album" sparked by a private screening of a forthcoming Ridley Scott film about (no way!) a drug dealer:
The movie, set for a Nov. 2 release, depicts the [Frank] Lucas character as an underworld Horatio Alger and an innovator who, despite keeping a low public profile, rose to such power that he was able to defy the Mafia bosses who had traditionally dominated the New York drug trade before being brought down by a special narcotics task force. (Its leader is played by Russell Crowe.) Jay-Z said he thought his fans would be struck by the image of a black man reaching such heights of success, even on the wrong side of the law, much like such ruthlessly efficient Al Pacino antiheroes as Tony Montana and Michael Corleone.
"It immediately clicked with me," said Jay-Z, who has made passing references to gangster movies in previous recordings but has never delved so deeply into the genre. "Like 'Scarface,' or any one of those films, you take the good out of it, and you can see it as an inspiring film."
Even discounting him dredging up the specter of Scarface for the billionth time, the fact that that the guy hasn't bothered to put out an enjoyable-all-the-way-through album in six years doesn't fill me with hope for the American Gangster non-soundtrack's overall listenability, but less than two months until street date hardly seems like enough time to cook up a Kanye/50-style marketing angle for, as the Times intimates in slightly more polite terms, what will likely be the only hip-hop album left in 2007 to do those sort of last-century numbers. Unless of course Jay's perennial status as (at least) a million-seller makes him confident enough as a label owner to forego the sort of obnoxious promotional pushes he's more than willing to employ (or at least turn a blind eye to) for his own artists.
For Jay-Z Inspiration Arrives In A Movie [NY Times via Nah RightL]









Comments
At last! This decade's "Batdance!"
Sounds like more Def Jam rappers (Juelz Santana perhaps?) should prepare to get their budgets cut so Jay can buy 200,000 copies of his own album week one again.
'The Black Album' wasn't enjoyable all the way through?
How ironic [?] this post followed a post about Amy Winehouse. Jay's rap on his remix of "Rehab" flows his usual "I'm the best rapper alive!" schtick through the song's thematic filter of rehab & addiction and emerges as a boast of being "addicted" to success and big $$$ ["six pair of kicks is my definition of '12 steps'..."]. Poor Jay just can't "kick the habit" of being...Jay-Z ["'oh look he's relapsin'...just look how he's rappin'"...every time I try to get out it pulls me back in..."]. Somewhat unfortunate given Amy's spring / summer meltdown, but really quite humorous in it's Jay-Z-ness.
1) I think the fact that Jay-Z has averaged like an album or more per year indicates his overall level of quality.
2) That movie looks fucking stupid, and will probably yet another reason why the kids I taught see drug dealing and killing people as cool and respectable (should i be posting on stereogum?)
3)Like Sage Francis said, "I like 99 rappers and Jay-z ain't one of 'em"
4) Anyone ever hear that Cam'ron "track" where all he does is play other rappers lines, then Jay's direct rip-off of the lines? It's pretty hilarious.
@Chris N.: Agreed -- I spit out my gum when I read Jess's "six years" line.
In fact, eff all y'all, I'm going to come out and say it: The Black Album is my favorite Jigga album. Yes, a hair more than The Blueprint. Go ahead, you wanna piece of me?!
@Dennisobell: I wouldn't go quite that far (that Five to One lick on Takeover kicks my ass every time) but I am gonna have to say that the critical consensus is right on with this one: The Black Album is at least Jay-Z's third best, behind Blueprint and (on most days) Reasonable Doubt.
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