There's another market for records out there: devotees of QVC, the shop-at-home channel that has recently featured artists like the Goo Goo Dolls and Alabama. Recently, the channel featured crooner Neil Sedaka, and the sales garnered from his appearance on the channel helped propel his latest compilation of hits and rarities, The Definitive Collection, to the No. 22 slot on the Billboard charts. From today's Wall Street Journal:
Each of the four acts QVC has featured this year has either jumped onto the album chart or seen spikes in record sales after its appearance. In March, the country-rock group Alabama sold more than 21,000 copies of "Songs of Inspiration II" on QVC, the channel says — or as much as 81% of the figure that landed the album at No. 33 on the chart. After a February performance to promote a special edition of their 2006 album "Let Love In," the Goo Goo Dolls returned to the chart with 15,000 copies sold that week, according to Billboard.
The albums of both Alabama and the Goo Goo Dolls have since dropped off the album chart, making QVC's impact on sales appear somewhat less lasting than some other nontraditional music retailers, such as Starbucks. But QVC's 39-year-old director of entertainment buying, Rich Yoegel, thinks there's a void to fill with the disappearance of music retailers — for example, Tower Records. Last summer, Mr. Yoegel (a fan of groups like Train and Journey) began aggressively approaching labels looking for compatible artists that would offer exclusive bonus material and competitive prices. Since the fall, QVC has broadcasted live appearances by musicians such as Elton John, Barry Manilow, Chaka Khan and Carly Simon. "There is a business for selling plastic" as opposed to music downloads, he says.
Well, yes—although that business may not support the high rents that Tower was paying with all of its stores around the country. One thing that stands out to us, though: the fact that each of these appearances has been accompanied by the albums being hawked selling well says to us that QVC doesn't necessarily have a magic touch for picking acts—instead, the mere exposure offered by being on TV helps (there are precious few outlets where music can get exposure like an hour-long special) and viewers' ability to act on the stimulus of seeing the artist pretty much immediately, without the longer lead time to think over the purchase that a trip to the store (or, even, to iTunes once the episode is over) would allow. The question we have is: How many of these QVC appearances have prompted further delving into a band's back catalog—or even a second listen to the CD that was purchased?
The Music Industry's New Taste-Maker [WSJ]
Earlier: Goo Goo Dolls Just Want QVC Viewers To Know Who They Are



Comments
the thing that stood out to me is that someone admitted to being a fan of Train.
The question we have is: How many of these QVC appearances have prompted further delving into a band's back catalog--or even a second listen to the CD that was purchased?
Bingo. It's kind of like buying a painting of a sunset on vacation in the tropics - it feels right at that moment, but are you really going to hang the painting or even look at it again when you get home?
But this is the trend among savvy aftermarket music-sellers these days: catch consumers at a vulnerable moment - the moment they've finished watching the band on TV, the instant they leave a concert (cf. those new "instant" live CDs you can buy at certain shows containing the very concert you just heard, freshly burned). Once you've made the sale, who cares whether they ever play the piece of plastic?
In short, it's a smart sales strategy but a mediocre long-term artist-development strategy.
I manage the music department in a very popular book store. I've got a regular customer who buys the most recent Il Divo CD every time she sees them on television. This last time, she looked at the cover and said, "Y'know, I think I bought this one."
"I think you did," I replied.
She paused for a moment, then shrugged. "Well, I don't know where it is. I'll get another one."
Another point: I doubt that they bother to point out that the recordings on the Sedaka disc are "re-records," rather than the original "hit" recordings that were heard on the radio.
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