It's hard for me to describe this album - it's too introverted, too shy to really compete with all the other noises in the room when you play it in the daytime.

It expands over the 'phones in the dark, tho', into something colourful, detailed and large, as if you've been let into Khan's own dreamworld, one which is as illogical and insubstantial as all dreamworlds are, but as hauntingly beautiful as the best dreams sometimes get.

Which is to say, it ought to be too precious by half but is actually quite the pretty pop gem.

And yes, Sad Eyes is a thing of beauty.

angshu

There is some obvious influences, but she doesn't exactly sound like her (Khan more of a blend between Amos and Bjork, but ignores the sometimes obnoxious flourishing of either) and she certainly doesn't write like her.

"Sad Eyes" made me cry the first time I heard it.

Posthaus

what richgirls said

one great song the rest is Tori in a bad way

brownham

the rich girls are weeping

qyntellspitbull

bcapirigi