Top Greatest Final Songs To Appear On An Album – The Best Album Closers Of All-Time
When it comes to a remarkable album, the placement of a song may not always hold significant importance. Yet, the closing tracks often linger in our memories, effortlessly concluding a captivating listening journey. From soaring anthems to introspective ballads, the best album closers of all time have the power to transcend time and resonate deeply with generations of music lovers. Explore the unforgettable album closers that have left a mark on music history.
Iron Maiden's "Hallowed Be Thy Name," Number Of The Beast
Iron Maiden's breakthrough album from 1982 offers a multitude of reasons for metal fans to appreciate it. The band's music has consistently incorporated a theatrical aspect, both in their studio recordings and live performances. One cannot overlook the haunting and powerful presence of "Hallowed By Thy Name," which serves as a fitting conclusion to a dynamic and intense musical experience.
The Beatle's "A Day In The Life," Sgt. Pepper's Lonely Hearts Club Band
"A Day in the Life" stands as the pinnacle of the Sgt. Pepper's album, showcasing the band's innovative spirit. This remarkable song encapsulates the album's experimental essence, taking listeners on a psychedelic journey through contemporary events, accompanied by captivating stereophonic rhythms.
AC/DC's "Whole Lotta Rosie," Let There Be Rock
The album "Let There Be Rock" by AC/DC concludes with a high-energy track that perfectly matches its rock and roll theme. Although unconventional, Bon Scott's story about a one-night stand with a groupie in Tasmania is not a sentimental ballad. Instead, it packs a punch and energizes the listener and prepares for more rocking even after the album ends.
The Clash's "Train In Vain," London Calling
"Train in Vain" was not initially included in the original release of this iconic record by The Clash. However, it was later added to the album and became the band's first song to reach the top 30 on the charts in the United States. Despite not being a lengthy or epic-style tune like other closing tracks, "Train in Vain" is a standout song that would shine on any record.
The Replacements "Here Comes A Regular," Tim
The conclusion of the band's first album under a major label was a departure from Paul Westerberg and his bandmates' usual sound. It could be compared to a less polished version of "Piano Man," a narrative set in a bar about someone whose life hasn't turned out as planned, yet they find solace in being a local hero. The song also carries hints of an alternative, Springsteen-esque atmosphere.
The Notorious B.I.G's "You're Nobody (Til Somebody Kills You)," Life After Death
One of Biggie's most underrated tracks is also quite eerie when considering the timing of its release. The Grammy-nominated album, Life After Death, was released just over two weeks after the artist's death on March 9, 1997. There were rumors circulating that this particular track was a lyrical takedown of Tupac Shakur, a friend-turned-rap-rival who was killed in September 1996. However, Biggie reportedly denied this rumor. Despite the denial, the track still carries a haunting quality.
Nine Inch Nails "Hurt," The Downward Spiral
Considered by many as the most emotionally impactful song on The Downward Spiral, Trent Reznor's exploration of self-harm and dependency is anything but pleasant. However, it possesses a certain lyrical elegance that elevates it to one of the standout tracks in the NIN collection. The song gained further recognition when Johnny Cash delivered a brilliant rendition for his album American IV: The Man Comes Around in 2002.
The Jimi Hendix Experience's "Voodoo Child (Slight Return)," Electric Ladyland
The iconic album Electric Ladyland features the renowned track "Voodoo Child" as its concluding piece, making it one of the notable rock albums from the 1960s. This condensed version remains widely recognized and continues to captivate fans of Jimi Hendrix and classic rock. Additionally, Hendrix's rendition of Bob Dylan's "All Along the Watchtower" alongside this exceptional track is often regarded as one of the greatest back-to-back finishes in rock history.
Bob Marley And The Wailers' "Redemption Song," Uprising
According to legend, Marley penned "Redemption Song" in 1979, coinciding with his cancer diagnosis that eventually led to his demise in May 1981. The song serves as a contemplation of his own existence and the inevitability of mortality. Additionally, certain lyrics draw inspiration from the influential Jamaican political figure, Marcus Garvey.
Oasis' "Champagne Supernova" (What's the Story) Morning Glory?
In 1996, Oasis achieved a massive radio hit with "Champagne Supernova," which became their second No. 1 single on Billboard's Modern Rock Tracks chart in the United States. The song takes listeners on a psychedelic journey reminiscent of Sgt. Peppers, creating a mesmerizing experience, especially when enjoyed with a modest buzz. The music video on MTV adds to the unfolding spectacle. The band themselves consider it an epic piece, and with its nearly 7 1/2 minute duration in studio form, it certainly lives up to that description. "Champagne Supernova" holds a significant place on an album that propelled Oasis to international superstardom.
Dire Straits' "Brothers in Arms," Brothers in Arms
The Grammy-winning album Brothers in Arms propelled Dire Straits to stardom in the 1980s alongside other popular pop/rock music acts. MTV played a significant role in promoting the album by frequently airing the song "Money for Nothing." However, it is the title track, which concludes the album, that stands out as one of its most memorable pieces.
Tom Petty And The Heartbreakers' "American Girl," Tom Petty And The Heartbreakers
The song "American Girl" has always had the potential to be a fantastic album opener, but it has gained a reputation as an exceptional closer in the world of rock music. It first appeared on Petty and his band's debut album and has since become a staple in their late-concert performances. Many fans consider it to be Petty's finest song, among a collection of remarkable tracks.
Public Enemy's "Fight the Power," Fear Of A Black Planet
"Fight the Power" is a genuine rap anthem that embodies the essence of Public Enemy. It was released a year before their album Fear of a Black Planet, in April 1990, and was featured in the Do the Right Thing soundtrack.
Nirvana's "All Apologies," In Utero
In Utero is often overlooked as a truly exceptional alternative rock album, despite its many standout tracks. One such track that deserves recognition is the closing No. 1 hit on Billboard's Modern Rock chart. "All Apologies" gained even more acclaim and popularity through its performance on the MTV Unplugged series. This song showcases a more melodic side of the band, particularly Kurt Cobain, and continues to be an important part of Nirvana's legacy.
LCD Soundsystem's "New York, I Love You, But You're Bringing Me Down," Sound Of Silver
This track was not officially released as a single from LCD Soundsystem's Grammy-nominated album Sound of Silver in 2007. Nevertheless, it holds a special place among fans as one of James Murphy and the band's most cherished songs. It beautifully captures the conflicting emotions and frustrations of a love-hate relationship with New York City, making it relatable and fitting for many listeners.
The Rolling Stones "You Can't Always Get What You Want," Let It Bleed
In the 2000 film High Fidelity, Todd Louiso's character expressed that this song's association with The Big Chill makes it ineligible for any list. It is a fitting selection to conclude an album, particularly on the exceptional record Let It Bleed.
Prince And The Revolution "Purple Rain," Purple Rain
Choosing the "best" Prince song is a challenging task. Nevertheless, the emotionally captivating title track from his most famous project undoubtedly deserves recognition. Purple Rain holds a significant personal meaning for the late icon, and the most introspective song on the album is its title cut. With its deeply moving lyrics, Prince's mesmerizing guitar skills, and the engaging moments of audience participation, it serves as a remarkable culmination to an extraordinary rock experience.
The Doors' "The End," The Doors
The final track of the Doors' self-titled debut album has an apt title and lasts for 11 minutes and 35 seconds. It possesses a haunting quality, possibly symbolizing a farewell to innocence. This made it an ideal choice to commence Francis Ford Coppola's renowned Vietnam War film, Apocalypse Now.
Lynyrd Skynyrd's "Free Bird" Lynyrd Skynyrd
Skynyrd's celebrated debut release consists of only eight songs. Among them, "Free Bird" stands out as not only the album's signature song but also a significant piece in the group's history. This classic rock staple, although sometimes subject to ridicule, is a lengthy composition lasting over nine minutes. Nevertheless, it serves as a fitting conclusion, evoking strong emotions and featuring a captivating three-lead guitar finale that left many listeners yearning for more.
Led Zeppelin' "When the Levee Breaks," Led Zeppelin IV
The album that most casual Zeppelin fans know for "Stairway to Heaven" also features the impressive blues track "When the Levee Breaks" as its concluding piece. The band aimed to showcase their passion for blues and sought something unique for the record. They decided to cover a country blues song originally released by Kansas Joe McCoy and Memphis Minnie in 1929. With the addition of a new guitar riff by Jimmy Page and John Bonham's exceptional drumming, they gave the song a modern twist.
The Who's "Won't Get Fooled Again," Who's Next
The album version of the song is approximately 8 1/2 minutes long and showcases the best of aggressive classic rock. Even without one of the band's most beloved hits, Who's Next would still be an exceptional album. The closing track adds an exclamation point that even Jake Jarmel would not question, with Keith Moon's energetic drumming, John Entwistle's impressive bass work, Roger Daltrey's powerful scream, and Townshend's iconic windmill move.
Bruce Springsteen's "Jungleland," Born To Run
The conclusion of Springsteen's breakthrough album is often described as "epic." Clocking in at 9 minutes and 33 seconds, "Jungleland" narrates a story of a "spiritual battleground," as described by The Boss himself, featuring intriguing characters like the "Magic Rat" and the "Barefoot Girl." This song serves as a fitting finale to an album that skillfully explores themes of hope and despair. Musically, it not only showcases Springsteen's growth as a songwriter but also highlights Roy Bittan's exceptional piano skills and Clarence Clemons' unforgettable saxophone solo.
Guns N' Roses' "Rocket Queen" Appetite For Destruction
The Appetite album offers a harmonious blend of musical intensity and sentiment. "Rocket Queen" stands out as the pinnacle of this experience. Its seamless transition from melodic to aggressive serves as a fitting climax, not only for the most underappreciated song in Guns' repertoire, but also for an album that revolutionized mainstream rock in the late 1980s.
Pink Floyd's "Brain Damage/Eclipse," Dark Side Of The Moon
These two songs are technically separate but have been combined on radio over the years. The special thing about Dark Side of the Moon is how the songs flow together, and these two tracks are a great example of that. "Brain Damage" was inspired by Syd Barrett's mental health issues and sets the stage for the impactful build-up of "Eclipse," which concludes the album with a heartbeat.
Ramones "Today Your Love, Tomorrow the World," Ramones
The closing track of the Ramones' acclaimed debut album stands out as not only stellar but also one of the most underrated tunes in their extensive catalog. It served as an interesting transition for the band, propelling them to dominate the American punk scene.
